Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books.  All 20 madrigals are here: 1. Ah! Dolente Partita – Oh, Sweet Parting!2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you. 3. Cor Mio Non Mori? E Mori – My heart did not die? And it died4. Sfogava con le stelle – He dallied with the stars 5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining 6. Anima mia perdona – My soul forgives 7. Che se tu se ' il cor mio – That if you are as good as my heart 8. Luci Serene e Chiare – Lights, serene and clear 9. La piaga c'ho nel core – The plague is in the heart 10. Voi pur da me partite – You do not mind me, though 11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes 12. Ohime se Tanto Amate – Alas! If you like it too much 13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing 14. Quel Augellin Che Canta – That little bird that sings 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes 16. Si Ch'io Vorrei Morire – How I want to die 17. Anima Dolorosa – Suffering soul that lives so much pain and torment 18. Anima Del Cor Mio – My soul’s heart 19. Longe da Te Cor Mio – Stay away from me 20. Piagne e Sospira – He drinks and sighs Parts are supplied to suit flexible brass or wind (or both) quintets as follows:Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Full Orchestra - Level 3 - Digital Download SKU: A0.1077231 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Score and parts. 32 pages. Kevin Riley #681399. Published by Kevin Riley (A0.1077231). Versions of the song have appeared frequently in films and television shows. The song is featured during the ending credits of Disney/Pixar's 2003 animated film Finding Nemo. The song is played prominently in the 2007 video game BioShock. The X-Files episode Beyond the Sea is named for the song, which is playing on the boat owned by Dana Scully's father. The song plays in the background during a scene in the 1990 film Goodfellas while the characters are preparing food in prison. A version of the song by Kathryn Williams is the theme song for the British TV Show The Cafe broadcast on Sky1. The song plays in the official trailer for the 2018 film The Meg. In the 2020 horror film A Quiet Place Part II, the song is played on loop over the radio as a signal to guide survivors to an island. In an episode of the television show Lost (TV Series), the song is part of a code that needs to be decyphered in the episode Whatever the Case May Be. The plot delves into the original Frech recording of La Mer, heard as a French dub of the closing credits of the film Finding Nemo.

Piano Solo - Level 2 - Digital Download SKU: A0.803311 Composed by Traditional. Arranged by Paul Taylor. Patriotic,Romantic Period. Score. 3 pages. Paul Taylor #4996103. Published by Paul Taylor (A0.803311). This arrangement in the key of C, is designed for the early intermediate pianist to play. Although not technically difficult there are mature phrasing, dynamic markings and articulation marks that imbue the piece with excitement and vigor.

Composed by Friedrich Kuhlau (1786-1832). Arranged by Nick Lacanski. Romantic Period, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts. 45 pages. Published by theupperstaff.com

String Orchestra - Level 3 - Digital Download SKU: A0.1213195 Composed by Xavier Santiago. Classical,Contemporary,Contest,Festival,Instructional,Latin. Score and Parts. 29 pages. Xavier Santiago #805900. Published by Xavier Santiago (A0.1213195). Put your string orchestra on the spotlight with this latin number! This fiery latin piece keeps everybody involved in the fun. Written in A-B-A form, the piece really sets it course to teach your students about triplets, syncopations amongst the cellos and basses, and melodic togetherness among the instruments as a whole!Very playable!

Piano and voice - Digital Download SKU: LV.18948 Arranged by Philip Klitz. Ballroom dancing, Couples, Courtship & love. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18948). John Strauss! John Strauss! The Girls Are All Mad. Comic Ballad, Illustrative of the Beauties of Strauss, Introducing The Gabrielle, Huldigung, La Rosa, Philomel, Ball Racketen, Elizabethen Waltzes. Written & Adapted By Philip Klitz. Published [n.d.] by Hewitt & Jaques, 239 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Ballroom dancing, Couples, Courtship & love. First line reads John Strauss, John Strauss, the girls are all mad, Whirling, and twirling, tis really too bad.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.833985 Composed by J. F. BURGMULLER. Arranged by BRIAN W. COPPING. Romantic Period,Standards. Score and parts. 18 pages. EMK Music #12627. Published by EMK Music (A0.833985). 'La Chevaleresque' has been variously translated as 'a titled lady riding a horse', the 'spirit of chivalry', 'the cavalier' and so on. Nevertheless, the traditional link between chivalry and the gallant knight on horseback is quite evident. In the music itself, which has a consistent underlying pulse, Burgmüller cleverly manipulates the notation to express the various gaits of a horse, starting with an 'elegant but unsteady walk' and culminating in a brilliant semiquaver gallop! It’s great fun to play. Scored for String Quartet with alternative Third Violin part for the Viola and an optional contrabass part.

Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.833983 Composed by J.F. BURGMULLER. Arranged by BRIAN W. COPPING. Romantic Period,Standards. 16 pages. EMK Music #13329. Published by EMK Music (A0.833983). 'La Chevaleresque' has been variously translated as 'a titled lady riding a horse', the 'spirit of chivalry', 'the cavalier' and so on. Nevertheless, the traditional link between chivalry and the gallant knight on horseback is quite evident. In the music itself, which has a consistent underlying pulse, Burgmüller cleverly manipulates the notation to express the various gaits of a horse, starting with an 'elegant but unsteady walk' and culminating in a brilliant semiquaver gallop! It’s great fun to play.

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.833984 Composed by J.F. BURGMULLER. Arranged by BRIAN W. COPPING. Romantic Period,Standards. 18 pages. EMK Music #13327. Published by EMK Music (A0.833984). 'La Chevaleresque' has been variously translated as 'a titled lady riding a horse', the 'spirit of chivalry', 'the cavalier' and so on. Nevertheless, the traditional link between chivalry and the gallant knight on horseback is quite evident. In the music itself, which has a consistent underlying pulse, Burgmüller cleverly manipulates the notation to express the various gaits of a horse, starting with an 'elegant but unsteady walk' and culminating in a brilliant semiquaver gallop! It’s great fun to play. Scored for two Alto's, Tenor and Baritone Saxophones with alternative parts so it can be played by four Alto's.

Piano Solo - Level 3 - Digital Download SKU: A0.975513 Composed by Arcangelo Corelli. Arranged by Jane Melin. Baroque,Standards. Score. 6 pages. Jane Melin #6383637. Published by Jane Melin (A0.975513). Twelve different ways to accompany the variations in Corelli's La Folia arrangement for solo violin. Can also be used to accompany other composers' arrangements and instrumentations as long as they are also in D minor (Kreisler, Suzuki, etc.). Piano accompaniment part only; no separate solo part. Piano part contains chord notations and other accommodations for easy sight-reading and/or improvisation by intermediate pianists. Each of the twelve variations is clearly labeled with a rehearsal letter and a text description; also includes a concluding Coda.

Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Digital Download SKU: A0.1013013 Composed by Traditional - Arranged by Na-Mara. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970301. Published by Na-Mara (A0.1013013). La Casa‘l Señor Cura & El Mandilín: these traditional folk tune from Asturias (Spain) are arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara.  Written in 2/4 time in the key of A, La Casa‘l Señor Cura & El Mandilín can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this particular tune played by the Asturian band Niundes from their album Enxamás Ye Pa Siempres.Performance tips: this is intermediate level piece played allegro or medium fast speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Both parts interplay and inter-wind so it is a good exercise to work on the balance between the two instruments, varying the dynamics on some of the repeated sections. The guitar accompaniment can be played with strummed chords. This make a nice set when it is coupled with our arrangement of the Spanish Asturian folk tune, Les Dancites

Flute Duet Flute - Level 2 - Digital Download SKU: A0.1472705 Composed by Sebastian de Yradier. Arranged by P. R. Frederick. Folk,Traditional. Score. 7 pages. P. R. Frederick #1050358. Published by P. R. Frederick (A0.1472705). “La Palomais a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basque composer Sebastián Iradier (later Yradier) around 1860 after a visit to Cuba. Iradier was to die in obscurity within few years, never to learn how popular his song would become.There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish songHere it is arranged as a flute duet. A score and separate parts are provided.See all of my flute duets here

Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1472722 Composed by Sebastian de Yradier. Arranged by P. R. Frederick. Folk,Traditional. Saxophone Duet. 7 pages. P. R. Frederick #1050375. Published by P. R. Frederick (A0.1472722). “La Palomais a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basque composer Sebastián Iradier (later Yradier) around 1860 after a visit to Cuba. Iradier was to die in obscurity within few years, never to learn how popular his song would become.There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish songHere it is arranged as a saxophone duet for like saxophones. A score and separate parts are provided.See all of my saxophone duets here

Piano Solo - Digital Download SKU: A0.892677 Composed by Various. Arranged by Lee D. Stockner. Contemporary. Score. 7 pages. Music Lee Inclined Guy, Inc. #5314971. Published by Music Lee Inclined Guy, Inc. (A0.892677). For Students Practicing with Occupational Octaves Pianoâ„¢ Book 2 Easy Versions of Alouette, Au Claire de la Lune, and Jingle Bells. These Songs Have Black Dots (flats/sharps) But No Chords. To Order More Rings, Visit www.OccupationalOctaves.com Occupational Octavesâ„¢ features an entirely new language of music designed for people who may struggle with functionally reading traditional music notation. Originally designed for students with severe challenges stemming from Autism, Occupational Octavesâ„¢ displays the same instructions as notes on a staff, however they are broken down to colored letters in rhythmically designed boxes. You will need some experience using Occupational Octavesâ„¢, including the colored rings and dry erase markers.