Small Ensemble Cello,Double Bass,Flute,Harpsichord,Viola,Violin - Level 2 - Digital Download SKU: A0.890773 Composed by Charles Henri de Blainville. Arranged by Sneakwood Editions. Baroque. Score and parts. 17 pages. Sneakwood Editions #5321913. Published by Sneakwood Editions (A0.890773). Blainville – Suite TurqueChanson TurqueMarche des JannissairesGuideyorumDanse de chypre The PDF includes:IntroductionFacsimileArrangement for Traverso, two violins, viola, violoncello & percussion ad libitum by Javier Lupiáñez as performed by Les Esprits Animaux (Watch video!)ScorePartsBlainville – Suite Turque, performed by Les Esprits AnimauxBlainville was born in 1711 in Tours and died in Paris in 1769. In the spirit of the time Blainville was a practical musician, composer, theorist, historian and, in some way, an encyclopedist. As practical musician and composer he was cellist and it is known that he played his own compositions at the Concert Spirituel in Paris, but neither his performances nor his compositions met with outstanding success.As theorist Blainville claimed the discovery of a third mode (mode mixte) between major and minor, unfortunately his harmonic theories did not have the expected success.As historian and encyclopedist we found his work Historie générale et philologique de la musique, published in Paris in 1767. The work is in consonance with other contemporaries works such as Rousseau’s Dictonaire de Musique (1768) or the Essai sur la musique ancienne et moderne, published around 1780 by M. de Laborde and Pierre Joseph Roussier. As in these works, the work of Blainville broadly covers the musical knowledge, including theoretical-musical, stylistic, historical and ethnographic aspects. Framed in this last aspect we find a chapterdedicated to the music of the Turks. And it is in this chapter we find the musical pieces used in this arrangement.

Piano and voice - Digital Download SKU: LV.2162 Arranged by Mrs. B. Portraits, Musicians, Drapery, Comfort. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2162). Gentle Harp. A Ballad. Words by Thomas Poer, Esq. Music from the Opera La Pre Aux Clercs. Arranged for the Piano Forte by Mrs. B. Published [n.d.] by Henry Prentiss, No. 33 Court St. in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Portraits, Musicians, Drapery, Comfort. First line reads Gentle harp, gentle harp, when I breathe to thy strain let the joy of my song soothe each care and each pain.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.

String Orchestra - Level 3 - Digital Download SKU: A0.719773 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 60 pages. Curtis Hanson #6258371. Published by Curtis Hanson (A0.719773). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals, lieder, and chansons in this collection are arranged for string quartet and quintet. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.

String Ensemble - Level 3 - Digital Download SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis Hanson #6258399. Published by Curtis Hanson (A0.719774). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.

String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. Published by Curtis Hanson (A0.719775). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example contains one piece from each of the three composers included, John Dowland, Thomas Morley, and Thomas Weelkes, three English giants in this genre.

Digital Download SKU: A0.1469312 By Arturo Escorza. By Tomás de Torrejón y Velasco. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic,Sacred. 8 pages. Arturo Escorza #1047344. Published by Arturo Escorza (A0.1469312). Explore the delicate charm of Tomás de Torrejón y Velasco's Es mi Rosa Bella, a dúo composed in dedication to Santa Rosa de Lima. This rare piece, written for three voices (Soprano 1, Soprano 2, Tenor) and continuo, is a testament to the composer’s mastery and is an exquisite addition to the repertoire of early music ensembles and advanced vocalists.Tomás de Torrejón y Velasco, a prominent Spanish composer, is renowned for creating the first opera in the Americas, La Púrpura de la Rosa, in Lima, Peru. This edition of Es mi Rosa Bella offers meticulously transcribed notation, providing clarity and accuracy for performers and scholars alike. Experience the historical significance and melodic beauty of this work, brought to life through the vibrant harmonies and expressive lines characteristic of Torrejón y Velasco's compositions.

Cello Solo - Level 2 - Digital Download SKU: A0.1117302 By Jorge Anckermann. By Jorge Anckermann. Arranged by Vanessa Baez Menendez. 20th Century,Historic,Latin,Multicultural,Traditional,World. Individual part. 2 pages. Madeleine Duba / Watusi Dance co ltd #718876. Published by Madeleine Duba / Watusi Dance co ltd (A0.1117302). Music notes featuring Cuban 20th century Cello Duets available to print and play instantly. A wide range from 1900's - 1960's of Cuban genres like Bolero's, Cha Cha's, Danzon's and Son's, shop our newest and most popular two cellos sheet music such as Besame Mucho (1941) - Cello Duet, Quiza�s, Quiza�s, Quiza�s (1947) - Cello Duet and Frenesi (1939) - Cello Duet, Con tigo Aprendi (1967) - Cello Duet, Besame Mucho (1941) - Cello Duet, Sabor a Mi (1959) - Cello Duet and others. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . About the Composer and the song: Jorge Anckermann (22 March 1877 – 3 February 1941) was a Cuban pianist, composer and bandleader. Havana-born, he started in music at eight with his father. At age ten he was able to substitute in a trio. In 1892, he went to Mexico as musical director of the bufo company of Nachos Lopez, visiting various Mexican states, and touring California.[1] Anckermann lived in Mexico City for a number of years, teaching music. In Cuba, he was for many years the musical director of leading theatres. He composed and produced pieces for zarzuelas, reviews and comedies. He also composed boleros, and was apparently the originator of the guajira. The grand theatre Alhambra was the scene of his greatest hits, such as La isla de cotorras. Famous pieces include El arroyo que murmura; El quitrín; Flor de Yumurí; Un bolero en la noche.[2] His father, Carlos Anckermann, and his brother, Fernando Anckermann, were also prominent composers and musicians.

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (ne�e Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich

Piano Solo - Advanced Intermediate - Digital Download By Edith Piaf. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1505391 By Justin Hurwitz. By Justin Hurwitz. Arranged by Louise Akroyd. Broadway,Contemporary,Film/TV,Musical/Show. 12 pages. Louise Akroyd #1080776. Published by Louise Akroyd (A0.1505391). Planetarium ( Mia & Sebastian's Theme ), arranged for SSAAATTBB saxophone ensemble. (1 minute 20 seconds)Part 3 of 4 in the La La Land collection by Louise Akroyd.It is suggested to play this third, with the other arrangements Another Day Of Sun, City Of Stars and Someone In The Crowd available to purchase. These arrangements are intended to be played in a back-to-back 'Movement' style.

Percussion Quintet Cymbals,Glockenspiel,Marimba,Taiko Drum,Triangle,Wind Chimes,Woodblock - Level 3 - Digital Download SKU: A0.1299937 By Francois Du Bois. By Francois Du Bois. 21st Century,Multicultural,Spiritual,World. 13 pages. D-Project Co., Ltd. #889695. Published by D-Project Co., Ltd. (A0.1299937). Discover Gossamer grove from the album La Légende De La Forêt Marimba Ensemble ScoresStep into the mesmerizing world of Gossamer grove from the album La Légende De La Forêt, composed by a French artist residing in Japan. Inspired by the mystical tengu spirit of the Japanese forest, this digital score collection offers 35,000 album-selling music that's both melodious and mysterious.Nature's Musical JourneyImmerse yourself in the enchanting melodies that have graced concert halls across Japan. As you explore these scores, you'll uncover subtle nuances that demand your musicality and take your audience on an imaginative trip through the forest's depths.Versatile SoundtracksBeyond the stage, this music has found its way into TV documentaries, films, and healing retreats, setting the perfect mood for various multimedia projects.Elevate Your RepertoireWhether you're an experienced marimba player or just starting, Gossamer grove adds depth and beauty to your repertoire. Elevate your performances with this captivating music.Don't miss out on owning this exceptional marimba ensemble score collection. Experience the legend of the forest and captivate your audience with Gossamer grove today! Recording played by Francois Du Bois: https://music.youtube.com/watch?v=VQFzOMas4b8&feature=sharedInstrumentation: Marimba 1, Marimba 2, Taiko (or Bass drum / Floor drum), Triangle, Cymbal, Metal Wind Chimes, Wood Block, GlockenspielDuration: 4'32Level: IntermediateSize: All parts B3 / Parts A4This can be played either as a trio or a quintet, as per your preference.

Piano Solo, Violin - Digital Download Composed by Charles Francois Gounod (1818-1893). Arranged by Yoel Epstein. Romantic Period, Repertoire, Halloween, Children's Music, Fairy Tales. Score, Set of Parts. 6 pages. Published by Yoel Epstein