Piano and voice - Digital Download SKU: LV.22958 Composed by Theodore Von La Hache. Civil war--Confederate, Courtship, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22958). Carrie Bell, Ballad. Words by Capt. W.C. Capers, C.S.A. Music by T. Von La Hache. Published 1861 by Blackmar & Bro., 199 Broad St. in Augusta, GA. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil war--Confederate, Courtship, Love. First line reads Upon a smooth and placid stream that laves the eastern shore.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1211950 Composed by Marin Marais. Arranged by Ray Thompson. Baroque,Christmas. 10 pages. RayThompsonMusic #809502. Published by RayThompsonMusic (A0.1211950). The French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredanse along with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear) Gustav Holst incorporated the carol into his work Three Carols (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.I have arranged the March and 3 of the Sailor's Airs from the opera for mixed woodwind trio, The march is then reprised to complete the arrangement.1.flute/oboe/clarinet 12.cor anglais/clarinet 23.bassoon/bass clarinetThe mp3 is  of oboe, cor anglais and bassoon.

Clarinet Duet Bass Clarinet - Level 3 - Digital Download SKU: A0.1208435 Composed by Marin Marais. Arranged by Ray Thompson. Baroque,Christmas. 2 scores. 10 pages. RayThompsonMusic #806545. Published by RayThompsonMusic (A0.1208435). Arranged clarinet duet (clt/bass clt  with alt clt for bass clt)The French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredansealong with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear) Gustav Holst incorporated the carol into his work Three Carols (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.I have arranged the March and 3 of the Sailor's Airs from the opera for clarinet duet, The march is then reprised to complete the arrangement.

Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1211277 Composed by Marin Marais. Arranged by Ray Thompson. Baroque,Christmas. 6 pages. RayThompsonMusic #808919. Published by RayThompsonMusic (A0.1211277). Arranged clarinet trio 2 Bb and one bassThe French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredanse along with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear) Gustav Holst incorporated the carol into his work Three Carols (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.I have arranged the March and 3 of the Sailor's Airs from the opera for clarinet trio, The march is then reprised to complete the arrangement.

Piano Solo - Level 3 - Digital Download SKU: A0.596596 Composed by Juan María Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527. Published by Juan Maria Solare (A0.596596). Three Homages for piano solo1 - Seduce us badly (to Claude Debussy)2 - Ave Verdi (to Giuseppe Verdi) 3 - Schubertango (to Franz Schubert)Three Homagesfor piano solo1) Seduce us badly is an anagram of Claude Debussy. Stephen Porter's project Re-Imagining Debussy required the work to interact in some way with the music or compositional spirit of Debussy. I answered by using some of his technical devices: chords parallelisms, whole-tone scales, brief melodic shapes, central notes and a broad multi-layered texture. 2) Ave VerdiA miniature composed on the death-day of Verdi (27th January 2013). The piece is based on the 7-tone scala enigmatica used by Giuseppe Verdi in his Ave Maria (1889, first from Quattro Pezzi Sacri) and its complement (the missing 5 notes), treated as twelve-tone field. The piece is dedicated to that other Giuseppe: Lupis. The scala enigmatica: [Do - Reb - Mi - Fa# - Sol# - La# - Si] Complement: [Re - Mib - Fa - Sol - La]Original Tone Row: 0 1 4 6 8 10 11 2 3 5 7 9 3) SchubertangoTango music has more to do with Franz Schubert than with any other classical composer. Harmonies and types of melody are extremely similar. Such similarities cease, at the latest, when we come to rhythm. This miniature shows how Schubert's melodies can be flawlessly integrated into the musical language of tango. If one doesn't know the original pieces, you will not even recognize at all that there is a quotation. In the score, the composer kindly tags the sources of the quotations; nevertheless, there is also a hidden quotation (or rather an allusion) that doesn't stem from Schubert: it is the chord progression (not the melody) of a very well known tango of the modern era. Do you find it? The Schubertango was composed in Bremen (Germany) on 28 November 2014 and has a duration of 1 minute. The piece is dedicated to pianist Stephen Porter, in the frame of his project Re-Imagining Schubert, hosted by Vox Novus (New York City) and their cycle Fifteen Minutes of Fame. Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Find his music on Spotify, Apple Music, Napster, etc. https://sptfy.com/jmsolare   ï»¿

Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931280 Composed by Henry Purcell. Arranged by Alessandro Macrì. Baroque,Concert,Film/TV,Graduation. Score and parts. 10 pages. Music Macri Editions #6359937. Published by Music Macri Editions (A0.931280). Nell’Inghilterra del XVII secolo la musica ha un ruolo importante nel teatro; canzoni e brevi pezzi per orchestra tengono desta l’attenzione del pubblico all’inizio e alla fine delle rappresentazioni e durante il cambio delle scene.Scritte nel 1695, l’anno della sua prematura scomparsa, le musiche di scena per Abdelazer, o La Vendetta del Moro sono l’ultima composizione di Henry Purcell in questo genere. La fosca tragedia di Aphra Behn, portata sulle scene nel 1676 senza musica, viene riproposta nel 1695 alla riapertura del Drury Lane Theatre. La vicenda di Abdelazer, principe moresco che per vendicare l’assassinio del padre cerca subdolamente di usurpare il trono di Spagna attraverso l’affetto della regina spagnola, viene introdotta da una solenne Ouverture in tonalità minore che ne evidenzia la drammaticità. La tragedia suscita pochi entusiasmi tra il pubblico che, peraltro, apprezza moltissimo le musiche di Purcell e soprattutto la canzone finale Lucinda is bewitching fair, affidata al cantante tredicenne Jemmy Bowen, che viene pubblicata immediatamente come Aria a sé stante; le musiche poi verranno pubblicate postume nel 1697 come suite per archi e basso continuo nella quale l’ordine dei movimenti è differente da quella adottata per l’esecuzione teatrale.La suite è formata da Ouverture, Rondeau, Air I & II, Minuetto, Air, Giga, Hornpipe, Air. Il Minuetto è un pezzo di particolare eleganza, ma è il Rondeau che ha assicurato alla suite fama duratura; questo movimento è alla base della celebre composizione di Benjamin Britten Guida all’orchestra per i giovani, Variazioni e fuga su un tema di Henry Purcell. Il Rondeau, poi, è stato utilizzato come tema per la serie TV della BBC del 1969 The First Churchills e come sottofondo musicale per gioco Intellivision Thunder Castle del 1986; lo troviamo anche nel film di Joe Wright Orgoglio e pregiudizio, eseguito durante il ballo a Netherfield.

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Standards. 42 pages. Last Resort Music Publishing #28467. Published by Last Resort Music Publishing (A0.529976). This is the second part in the Intermediate Music for Four, Volume 1 Series. Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately. Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Other parts available: Part 1 Flute or Oboe or Violin Part 1 Clarinet or Soprano Sax in Bb Part 1 Alto Sax in Eb Part 2 Flute or Oboe or Violin Part 2 Clarinet or Trumpet in Bb Part 2 Alto Sax in Eb Part 3 Violin in C Part 3 Viola Part 3 Clarinet or Trumpet in Bb Part 3 Tenor Sax in Bb Part 3 French Horn in F Part 4 Cello or Bassoon Part 4 Bass Clarinet in Bb Part 4 Baritone Sax in Eb Keyboard or Guitar Score (Parts 1-4 in C) Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Nore Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel).

Arranged by Roxana Belibou. Method, World, Children's Music. 68 pages. Published by Roxana Belibou

Piano,Violin - Level 2 - Digital Download SKU: A0.1036875 Composed by Hortense Beauharnais (1783 - 1837). Arranged by Pat Spence. Instructional,Patriotic,Romantic Period. 8 pages. Piper Publications #641904. Published by Piper Publications (A0.1036875). The two pieces, Partante pour La Syrie and Hirondelle are arrangements for violin and piano composed by Hortense de Beauharnais who was Emperor Napoléon's step daughter.She married the Emperor's brother, Louis Napoléon. Their son was Napoléon III who, when he was made emperor made Partante pour La Syrie, France's national hymn before it was later replaced by the Marseillaise. The Partante pour La Syrie, Hortense's most popular work, was quoted by Camille Saint-Saens in 'Fossils' in his Carnival of the Animals. Hirondelle (Romance) is a beautiful slow sustained piece. Both pieces are suitable for players of early intermediate standard.

Piano,Viola - Level 2 - Digital Download SKU: A0.1036863 Composed by Hortense Beauharnais (1783 - 1837). Arranged by Pat Spence. Classical,Contest,Festival,Instructional,Patriotic. Score and part. 8 pages. Piper Publications #641887. Published by Piper Publications (A0.1036863). The two pieces, Partante pour La Syrie and Hirondelle are arrangements for viola and piano of composed by Hortense de Beauharnais who was Emperor Napoléon's step daughter.She married the Emperor's brother, Louis Napoléon. Their son was Napoléon III who, when he was made emperor made Partante pour La Syrie, France's national hymn before it was later replaced by the Marseillaise. The Partante pour La Syrie, Hortense's most popular work, was quoted by Camille Saint-Saens in 'Fossils' in his Carnival of the Animals. Hirondelle (Romance) is a beautiful slow sustained piece. Both pieces are suitable for players of early intermediate standard.

Tenor voice, violoncello, and piano - Moderately Difficult - Digital Download SKU: MQ.8548-E Composed by David Conte. 31 pages. E. C. Schirmer Music Company - Digital #8548-E. Published by E. C. Schirmer Music Company - Digital (MQ.8548-E). English, French, Latin.A set of three love poems in three different languages; Latin, French, and English. In all three pieces, the violoncello represents the very soul of the speaker of these three texts, as it moves through many emotions, including passion, suffering, vulnerability, and joy. Levis exsurgit zephirus is taken from the eleventh century volume titled Cambridge Songs. The music has a gentle undulating quality, as the speaker is “possessed by deep sighs in the midst of all this beauty,� for his soul languishes. After several climaxes, the opening music returns in the minor mode, accompanied by “sighs� in the piano and violoncello. Duration: 5:00D’Anne qui me jetta de la neige describes a young man suddenly hit by what Italians poetically call the “Thunderbolt,� a burning moment where one falls suddenly and passionately in love. Duration: 4:00Theodore Roethke's poem, The Moment, is both subtly and unabashedly erotic, and indeed “ends in joy.� Duration: 6:00Contents:1. Levis exsurgit zephirus2. D’Anne qui me jetta de la neige3. The Moment.

Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Duet - Digital Download Composed by Traditional. Arranged by Oliver König. Christian, Spiritual, Christmas, Children's Music. Set of Parts. 3 pages. Published by Oliver Koenig

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Century,21st Century,Chamber,Classical,Contemporary. Score and part. 33 pages. Marcos Fernandez-Barrero #1035694. Published by Marcos Fernandez-Barrero (A0.1456619). Work commissioned by the Rose-Gibbs Duo (Benita Rose and Tony Gibbs) – Prescott (Arizona, USA). This is a work ideal for both,  professional performers as well as students of the year before College level (ie. 17 years old)In the past, I had the chance to experience how performing with a musician who is also your personal partner (wife, girlfriend, etc.) can ease the process of merging together, enhancing the performance as if it were by a single musician rather than two separate individuals. So, when I was asked to write a piece for a duo in such circumstances, like the Rose-Gibbs Duo, I saw it as a great opportunity to explore the possibilities of blending, fusing, and merging musical content, sound, and other parameters into a cohesive whole.Therefore, this work explores the concept of musical discourse produced by the interaction of both instruments, which often have to align their accents, timbre, or dynamics to become one entity; as if melting together, as if two solids became liquid and fused to form a new alloy. The form and structure of the work are also influenced by this constant idea of blending, integrating the various sections into a single, unified movement.Written in Barcelona on July 2023______________________________________Obra encargada por el Rose-Gibbs Duo (Benita Rose y Tony Gibbs) – Prescott (Arizona, EE. UU.). Ideal para tanto músicos profesionales así como tamién para alumnos del curso antes del nivel Universitario de Superior (17 años aproximadamente)En el pasado, tuve la oportunidad de experimentar cómo el hecho de tocar con un músico que también es tu pareja personal (esposa, novia, etc.) puede facilitar el proceso de fusionarse, mejorando la actuación como si fuera realizada por un solo músico en lugar de dos individuos. Así que, cuando me pidieron componer para un dúo en tales circunstancias, como el Rose-Gibbs Duo, lo vi como una gran oportunidad para explorar las posibilidades de mezclar, fusionar e integrar el contenido musical, el sonido y otros parámetros en un todo cohesivo.Por lo tanto, esta obra explora el concepto del discurso musical producido por la interacción de ambos instrumentos, que a menudo deben alinear sus acentos, timbre o dinámicas para convertirse en una sola entidad; como si se fundieran juntos, como si dos sólidos se convirtieran en líquido y se fusionaran para formar una nueva aleación. La forma y la estructura de la obra también están influenciadas por esta idea constante de mezcla, integrando las diversas secciones en un solo movimiento unificado.Escrita en Barcelona en Julio 2023

Concert Band - Level 3 - Digital Download SKU: A0.896391 Composed by Pasquale Anfossi (Taggia 1727 - Rome 1797). Arranged by Fabrizio Brezzo. Baroque. Score and parts. 19 pages. Fabrizio Brezzo #4633087. Published by Fabrizio Brezzo (A0.896391). Pasquale Anfossi (5 April 1727 – February 1797) was an Italian opera composer. Born in Taggia, Liguria, he studied with Niccolò Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome.He wrote more than 80 operas, both opera seria and opera buffa, although he concentrated on church music, especially oratorios, during his last years. Anfossi died in Rome in 1797.As an operatic composer, Anfossi remained forgotten for a long time, despite his great popularity with his contemporaries, because his works were overshadowed by those of Salieri, Rossini and Mozart. Nevertheless, Johann Wolfgang von Goethe staged Anfossi's farsetta La maga Circe (Circe, the Sorceress) in his role as the theatre director of Weimar. He adapted the libretto with Christian August Vulpius and also made plans for a continuation, which never came to bear.Only in the last 20 years has Anfossi's work been appreciated anew, through diverse productions such as Giuseppe riconosciuto. His work was featured at the 2005 Salzburg Summer Festival.Fabrizio Brezzo, this arranger, lives in Taggia, the town where Anfossi was born.In the second half of this symphony, you can hear the theme that Mozart used, 9 years later, for his Confutatis maledictis of the requiem mass.

Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1289622 Composed by David Taylor. Christmas,Contemporary,Traditional. Score and Parts. 94 pages. Linden Brass Press Inc. #880326. Published by Linden Brass Press Inc. (A0.1289622). ===Pyrenean Carol Suite(for Holborne Brass)Brass Ensemble with PercussionArranged by David TaylorInstrumentation: Trumpet 1 in Eb (alternate Bb part included), Trumpets 2 and 3 in Bb, Flugelhorn, Horn in F, Trombones 1 and 2, Bass Trombone, Euphonium, Tuba, Percussion (Cymbal, Sleigh Bells, Snare Drum, Tenor Drum)Playing time: 12-13 minutesThis epic suite of Christmas music from the mountains of the Pyrenees and the lands adjoining them is suitable for advanced ensembles. Included are Nadal Tindaire (Jingling Christmas), Gabriel's Message (Flugelhorn Solo), El Noi de la Mare (Euphonium Solo), Paure Satan (Tuba Solo), and Fum, Fum, Fum!Marking the border of France and Spain, the mountains of the Pyrenees and the lands adjoining them play host to a rich history, both political and musical, where regional powers have come to be dominated by the larger nations in which they now sit. While Navarre, Catalonia, and Occitania have not existed as nation states for a long time, their cultural sensitivities have never disappeared, they retain their own languages, and their musical traditions offer familiarity combined with interesting differences of approach. From the Basque country in the northwest of the range, spanning the border, with its remarkably unique language, to Catalonia in the southeast's major position in the make-up of modern Spain, vibrant regional cultures continue to thrive. Occitania lost prominence more deeply, and has been more thoroughly absorbed into modern France, but still regional sensibilities are strongly felt and expressed, including a formidable body of folk music. It is perhaps through music that we can most easily identify with these cultures, and the long Christian history of these lands has produced a deep tradition of regional Christmas songs to draw on.   ...David Taylor===.