Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996625 Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #5307647. Published by M J Richardson (A0.996625). This collection of seven songs is inspired by Spanish folk and flamenco music. Each song is representative of a different style or genre, including dances, romances, work, and religious and songs. Spain has a long history of folk music dating back to the Middle Ages; a tradition that is still very much alive today. The music has been influenced by many different cultures over the centuries and has been the inspiration for musicians across the world.Songs1.Sevillanas are a type of folk song and associated dance for couples, originating in the nineteenth century. Today they are still very popular, particularly at fiestas and  other social events.2.Cabaliño is a Galician work song about a young horse, arranged in the style of a flamenco tango.3. La Petenera is  a combination of two songs in very different styles - a flamenco Petenera from Andalucía and a Mexican son huasteco, a genre that is noteworthy for its flamboyant and virtuoso violin parts.4. Saetas are religious songs that are performed at Easter (Semana Santa).5.There are many hundreds of versions of the old folk tale Gerineldo, telling the story of love between a Queen and her page boy. This Spanish/Jewish version is over 500 years old, from the time when the Moors ruled over much of the Iberian Peninsula.6.Villancico Asturiano is a traditional Christmas carol from Asturias, combined with a setting of a Christmas poem written in the seventeenth century by Robert Herrick for King Charles II of England.7.The lyrics from La Tarara are drawn from the poem of the same name by the Spanish poet Federico Lorca, who based his poem on a traditional children´s playground song. La Tarara is a mystical woman who dances around the countryside.  The music in this version is in the style of a Tanguillo – a type of flamenco dance from Cadiz.

Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1239586 Composed by Johannes Brahms. Arranged by Rob Bushnell. 19th Century,Classical,Folk,Romantic Period,Traditional. 151 pages. RBMusic #834944. Published by RBMusic (A0.1239586). The Hungarian Dances are some of Brahms’s most famous works. Completed in 1879, they were originally written for piano duet (one piano, four hands) and were very lucrative to him. Brahms published the dances in 4 books.Only 3 of the 21 lively dances are entirely original compositions (numbers 11, 14 and 16). Dance number 1 is believed to be from the Divine Csárdás by the Hungarian composer and conductor Miska Borzó; number 5 was based on a composition by the Hungarian composer Béla Kéler, specifically the csárdás Bártfai emlék (Memories of Bártfa). In the case of the latter, it is thought the Brahms mistook this work for a traditional folksong.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. Apart from dance number 5, these arrangements are in the original key; number 5 has been lowered by a semitone. A recording for piano duet can be found on YouTube: https://www.youtube.com/watch?v=vJS0pHvDX4c.Other searchable terms: Johannes Brahms, Hungary, Traditional, 1869, G minor, Allegro molto, D minor, Vivace, F major, Allegretto, F minor, Poco sostenuto, F-sharp minor, F# minor, Allegro.

Piano Solo - Level 3 - Digital Download SKU: A0.1485608 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. Score. 52 pages. Artaria Editions #1062673. Published by Artaria Editions (A0.1485608). The dates of the two sonatas is not known, although it is clear stylistically that the E major is a much more advanced work compositionally than the E-flat major. The latter also exists in a version as a sonata for violin and keyboard, which can be dated to Kraus's grand tour, having been written in Paris in 1785 and subsequently distributed by the Viennese publisher Johann Traeg. Since there are substantive differences in the two versions, it is impossible to say which came first, and Hans Eppstein has suggested that their may even have been a third, now lost original for fortepiano, since the extant solo keyboard version clearly represents a more advanced version. This cannot be proven, but it seems clear that the version presented here can be considered Kraus's last word in this tortuous compositional trail, probably receiving its final form for publication as part of the Due Sonata per il Forte Piano that hlstrm published about 1788 as one of the first editions stemming from his new privilege. Given that the E major work is one of considerable complexity and virtuosity, it is probable that this sonata at least was composed especially for the publication. In any case, hlstrm's edition is the earliest source of the works; a number of additional copies dating from about 1795 and later all can be traced back to it. That the composer himself was involved intimately with the edition can be seen by the unusual number of clear and precise markings and articulations.These have been accepted without comment or alteration. Occasional obvious wrong notes, the result of overlooked proof reading, have been tacitly corrected, and some of the slurrings have been regularized according to parallel passages where such do not appear to have been deliberately varied. It is the suggestion of the editor that the Adagio of the E majot sonata should be performed la C.P.E.Bach in a fantasia manner with considerable flexibility in terms of tempo and relative rhythm; to play it in a strict fashion obliviates the flow of the movement. Bertil van Boer.

Concert Band - Level 3 - Digital Download SKU: A0.1407903 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 127 pages. Lorenzo Bocci #990504. Published by Lorenzo Bocci (A0.1407903). GIÙ LA TESTA (Duck, You Sucker!)for Concert Band (with Fanfare Band parts) - with Soprano and Choir (SATB) optional - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With Soprano and Choir (SATB) optional. Score and parts. With Fanfare Band parts. Duration 4'19''. Published by Lorenzo Bocci.Instrumentation:Full Score, Soprano, Piccolo, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Electric Bass, Mallets Percussion (Vibraphone, Glockenspiel) Drum Set, Percussion (Triangle, Sus. Cymb.), Keyboard, Choir (SATB).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Giù la testa (Duck, You Sucker!), also known as A Fistful of Dynamite and Once Upon a Time...the Revolution, is a 1971 epic Zapata Western film directed and co-written by Sergio Leone and starring Rod Steiger, James Coburn, and Romolo Valli. It is the second film of Leone's unofficial Once Upon a Time Trilogy, which includes the previous Once Upon a Time in the West (1968) and the subsequent Once Upon a Time in America (1984). The musical score for Giù la testa (Duck, You Sucker!) was composed by Ennio Morricone, who collaborated with Leone in all his previous projects as a director with the exception of his debut, The Colossus of Rhodes. The insistent repetition of the vocal theme Sean Sean with the addition of the melodic vocalization of Edda Dell'Orso make the song unmistakable and well known, with Morricone mixing whistles, unusual instruments, ethereal female voices, objects and noises to enrich the possibilities of cinema music.Subscribe to my YouTube Channel to stay updated on new releases.

Piano,Violin - Level 3 - Digital Download SKU: A0.933385 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 26 pages. Pavel Burdych #119407. Published by Pavel Burdych (A0.933385). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄ�a, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu

Piano,Violin - Level 3 - Digital Download SKU: A0.933382 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 25 pages. Pavel Burdych #73859. Published by Pavel Burdych (A0.933382). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄ�a, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu

Piano,Violin - Digital Download SKU: A0.933384 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 22 pages. Pavel Burdych #119401. Published by Pavel Burdych (A0.933384). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄ�a, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu

Flute,Piano - Level 3 - Digital Download SKU: A0.1050908 Composed by Ferdinand Herold. Arranged by Jon Raybould. Classical. Score and part. 16 pages. Jon Raybould Music #655257. Published by Jon Raybould Music (A0.1050908). This Clog Dance features in the ballet La Fille Mal Gardée with music by Ferdinand Hérold. The whimsical, lighthearted piece is simple, joyous and lifts anyone's spirits. This arrangement is for flute and piano (the flute part is of intermediate standard). The digital download includes the flute/piano score, with separate flute and piano parts. There is also an (optional) part for the pianist to add to the music by knocking on the piano! It would be a great piece for an encore, or a welcome addition to any salon concert. FREE Performance and Backing tracks can be downloaded from here: https://drive.google.com/drive/folders/1SzVJCeufCHZSf3iG2_OoQHreSkWW8-9D?usp=sharing.

Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1239585 Composed by Johannes Brahms. Arranged by Rob Bushnell. 19th Century,Classical,Folk,Romantic Period,Traditional. 32 pages. RBMusic #834940. Published by RBMusic (A0.1239585). The Hungarian Dances are some of Brahms’s most famous works. Completed in 1879, they were originally written for piano duet (one piano, four hands) and were very lucrative to him. Brahms published the dances in 4 books.Only 3 of the 21 lively dances are entirely original compositions (numbers 11, 14 and 16). Dance number 5, arranged here, was based on a composition by the Hungarian composer Béla Kéler, specifically the csárdás Bártfai emlék (Memories of Bártfa); it is thought the Brahms mistook this work for a traditional folksong.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. Apart from dance number 5, these arrangements are in the original key; number 5 has been lowered by a semitone. A recording for piano duet can be found on YouTube: https://www.youtube.com/watch?v=vJS0pHvDX4c.Other searchable terms: Johannes Brahms, 1869, F-sharp minor, F# minor, F minor, Allegro, Vivace, Hungary, Traditional.

Piano - intermediate - Digital Download SKU: S9.Q25583 14 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arranged by Uwe Korn. This edition: Sheet music. Jazz rock - classic - music history. Downloadable. Op. Vol. 2. Schott Music - Digital #Q25583. Published by Schott Music - Digital (S9.Q25583). 14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side.Quatorze célèbres thèmes de l'histoire de la musique, de Bach à Offenbach, à chacun duquel est jointe une interprétation jazzy. Il devient ainsi clair que classique et jazz ne sont pas si éloignés l'un de l'autre ! La 1ère Danse hongroise de Brahms se prête merveilleusement à la salsa (Salsa hongroise n° 1). La nuit, claire et sereine chez Mozart, montre son côté sombre dans A Black Night Music.Le CD joint propose une interprétation des morceaux.

Piano Solo - Level 5 - Digital Download SKU: A0.1109670 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Folk,Instructional,Latin. Score. 3 pages. Juan Carlos Cortés Aguirre #712030. Published by Juan Carlos Cortés Aguirre (A0.1109670). Composición original en Re menor por: JUAN CARLOS CORTÉS A. Composición Uccellino (* Pajarillo: Golpe rítmico de Joropo llanero Colombo-Venezolano) ben temperato, de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in D minor by: JUAN CARLOS CORTES A. Uccellino composition (* Pajarillo: Rhythmic beat of Colombian-Venezuelan Joropo llanero) ben temperato, of free character that do not pretend to fit in the orthodox and pure style of the Baroque or Renaissance, but to use these musical elements as simple playful exercises for the delight of who composes and concern of who listens to it. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...

Organ - advanced to difficult - Digital Download SKU: S9.Q11640 Transcribed from Piano Works by Johannes Geffert. Composed by Franz Liszt. This edition: Sheet music. Downloadable. Schott Music - Digital #Q11640. Published by Schott Music - Digital (S9.Q11640). Liszt's works for organ are highlights of the virtuoso Romantic organ literature. This is why many organists will probably welcome the fact that a series of transcriptions based on piano works are added to the rather small Liszt repertoire. Johannes Geffert, professor of artistic organ playing at the Music Academy of Cologne, has chosen works that fit in well with church organ concerts: 'Bénédiction de Dieu dans la solitude' (from 'Harmonies poétiques et religieuses'), Legend No. 1 'St. François d'Assise - La prédication aux oiseaux', 'Sancta Dorothea' (1877), 'In Festo Transfigurationis Domini nostri Jesu Christ' (1880) and 'Vallée d'Obermann' (from 'Années de Pèlerinage'). All transcriptions are as close and faithful to the original piano version as possible. Interesting addition to the repertoire in good time for the Liszt Year 2011.

Piano Solo - Level 3 - Digital Download SKU: A0.1434490 Composed by Manuel G. Tavárez. Arranged by Emanuel Olivieri. 19th Century,Classical,Latin,Romantic Period. Score. 42 pages. EOR Music #1014652. Published by EOR Music (A0.1434490). First volume of the complete edition of Puerto Rican Danzas by the father of the genre, Manuel G. Tavarez. The first volume includes 16 danzas, most of them never published before: Ay! Dime que sí!, La Balsamina, La Clotilde, La coqueta, La Elisa, La Hortencia, La Lolita, La Lopita, La Luisa, El mirlo, El mismo Fernando, La ondina, La purpurina, Un viaje a Bayamón, ¿Me amas?. With critical comments by editor Emanuel Olivieri, professor at the Puerto Rico Conservatory of Music.

2 · 2 · 2 · 2 - 2 Ventilhr. · 2 Waldhr. · 2 · 0 · 0 - 2 P. - Str. orchestra - Digital Download SKU: S9.Q12438 Rhenish. Composed by Robert Schumann. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Schumann s'installa en 1850 à Düsseldorf, ville située sur le Rhin, pour y occuper le poste de directeur municipal de la musique. Ce sont probablement ses impressions de la Rhénanie qui inspirèrent au compositeur la 3e symphonie. Downloadable, Study score. Op. 97. Duration 28 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q12438. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12438). Key: E flat major. German • English.To occupy the post of municipal music director, Schumann came to Düsseldorf on the Rhine in 1850, and it was probably the impressions of the Rhineland that inspired the composer to write his Symphony No. 3. In a letter to the publisher Simrock, Schumann himself wrote that the peculiarities of Rhenish life had found expression in the work. To Schumann, the view of the Cathedral of Cologne was a highlight of his trips in the area surrounding Düsseldorf; even if there are no records testifying to his attending a church service, it almost seems as if the impressions of such a service are reflected in the fourth movement of the symphony which was originally entitled 'In the Character of the Accompaniment to a Solemn Ceremony'.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.887517 Composed by Giuseppe Verdi, Gordon Jacob, John Golland, and Michael Ball. Arranged by Gordon Jacob, Harry Mortimer (editor), John Golland, Michael Ball, and Roy Newsome. Standards. Brass Band. 154 pages. Forsyth Brothers Ltd #3486125. Published by Forsyth Brothers Ltd (A0.887517). A great value set of FIVE original compositions/arrangements by prominent 20th Century British big band arrangers John Golland, Gordon Jacob, Roy Newsome and Michael Ball, and edited by Harry Mortimer.The Bandkraft series is a collection of superb arrangements and original compositions (actually gems) for brass band that is challenging and enjoyable for polished performers, while within the grasp of players of more limited technique. The flexible nature of the arrangements means that the pieces can also be played successfully when not every part is present.Includes:1. Bandkraft – John GollandA substantial piece with an exciting syncopated rhythm introduced in the opening bars and referred to throughout in a fanfare-like manner, to which a hint of dissonance adds extra thrill to the sound.2. Saraband – Gordon JacobA stately Elizabethan dance of great beauty that utilises modal harmony in Jacob’s characteristic style. Constant speed, full note values and careful playing will achieve a beautiful, delicate effect.3. La Donna E Mobile – Verdi, arr. Roy NewsomeAn amusing arrangement of a popular favourite by a conductor and adjudicator of international acclaim. Easy and enjoyable to play and to listen to.4. Spike’s Rag – Michael BallA skilfully written piece in the true tradition of Scott Joplin, with the ragtime rhythms the backdrop to an unfolding conversation between the sections of the band. Really persuasive entertainment.5. National Anthem (British) – arr. John GollandA simple first verse setting the scene for the colourful and majestic second, utilising chromatic harmonies and an optional tenor counter melody for added splendour.Instrumentation:Soprano CornetCornet 1Cornet 2/FlugelCornet 3Horn 1Horn 2Horn 3Baritone 1/Trombone 1Baritone 2/Trombone 2Bass TromboneEuphoniumE Flat BassB Flat BassPercussionFull score (including two stave reduction)All BandKraft titles assume a reasonable level of competence on each instrument (approx. Grade 3 - 4), and are a suitable challenge for the more advanced youth band.