Piano - Digital Download SKU: A0.1064915 Composed by Betsy Lee Bailey. Children,Musical/Show. Accompaniment. Duration 93. Betsy Lee Bailey #2040121. Published by Betsy Lee Bailey (A0.1064915). Accompaniment track to the Scurry Scurry Song from the Children's Musical The Adventures of Dick Whittington. It is sung by the little mice first in the attic of the Manor House and second on board the ship. The Director's Script, Piano/Vocal Score, Production Kit, and individual Accompaniment Tracks Mp3’s are available on SMP Press. Hardbound Director’s Script, hardbound Piano/Vocal Score, Show Order Tracks CD’s (also including Guide Vocals), and small Booklet Scripts (10 pack) are available from BaileyKidsMusicals.com.

Choral Choir (Unison) - Digital Download SKU: A0.953129 Composed by Richard Cameron-Wolfe. Contemporary. Octavo. 18 pages. American Composers Alliance Inc. #4639405. Published by American Composers Alliance Inc. (A0.953129). Three songs and an interlude for high voice with flute, vibraphone, 2 multi-percussion, viola, bass, and a chorus of 5-6 bass voices on poems from Antonin Artaud's A Cry. Includes: The little celestial poet...; Stableman, the wild house...; The sky strides forward...Percussion needed:Perc 1: 3 wind chimes (different sizes and materials), 3 drums (small, medium, large), medium gong, tambourinePerc 2: 3 gongs (small-medium, medium, large), medium drum, suspended cymbalPDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.764890 Composed by Thomas Newman. Arranged by Lori Archer Sutherland. Contemporary. 15 pages. Lori Archer Sutherland #3547505. Published by Lori Archer Sutherland (A0.764890). Travel back to Civil War-era Massachusetts with Thomas Newman’s gorgeous score for Little Women, arranged here for woodwind quintet. Suitable for recitals, weddings, and other events, and works very well paired with Valley of the Shadow (also available by this arranger).

Easy Piano - Level 1 - Digital Download SKU: A0.1320857 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 54 pages. SilverTonalities #909294. Published by SilverTonalities (A0.1320857). Traditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.- ANGELS FROM THE REALMS OF GLORY, is a Scottish Hymn first published in 1816 and is an invitation to “Come Unto Christ�, pages 1-2AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels, pages 3-5BOARS HEAD CAROL, is a 15th Century English Carol, also known as “The Boars Head in Hand Bear I� which represents the Yuletide feast, 6-7CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 8-10DRIVE THE COLD WINTER AWAY, is a 17th Century English Carol, also known as “All Hail to the Days� and/or, “The Praise of Christmas�, pages 11-13FIRST NOEL, is a traditional English Carol for Epiphany possibly dating back to the 13th Century, pages 14-16GATHER AROUND THE CHRISTMAS TREE, is an American Carol by the clergyman John Henry Hopkins Jr ,who also wrote the modern lyrics for the “The First Noel�, pages 17-19GOLDEN CAROL, is an Old English Carol, representing the Three Wisemen of the Magi on their way to Bethlehem, pages 20-22HOLLY AND THE IVY, is an English Carol representing the Christmas custom of decking houses and churches with Evergreen, pages 23-25IT CAME UPON A MIDNIGHT CLEAR, is a Carol and Poem written in 1849 by the American Pastor, Edmund Sears, pages 26-28JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh� in 1857, pages 29-31O CHRISTMAS TREE, is a traditional German Carol, also known as “O Tannenbaum�, pages 32-33ONCE IN ROYAL DAVID’S CITY, is an English Anglican Carol, representing that Christ has ascended once again to glory, pages 34-35PAT A PAN, also known as “Willie Take Your Little Drum�, is a Carol originating from the Burgundy region of France, pages 36-37SANS DAY CAROL, is similar to the Holly and the Ivy, in which the holly is used as a symbol of Jesus, pages 38-39SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 40-41SKATER’S WALTZ, or “Les Patineurs� Opus 183, written by the French Composer, Emile Waldteufel in 1882, pages 42-43STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Ispired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 44-46WATCHMAN TELL US OF THE NIGHT, is an American Carol composed by Lowell Mason, reflecting Isaiah 21:11, pages 47-49WHILE SHEPHERDS WATCHED THEIR FLOCKS BY NIGHT, also known as the “Song of the Angels at the Nativity of our Blessed Saviour�, pages 50-52

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.764891 Composed by Thomas Newman. Arranged by Lori Archer Sutherland. Contemporary. 8 pages. Lori Archer Sutherland #3547507. Published by Lori Archer Sutherland (A0.764891). Simple yet poignant, Thomas Newman’s gorgeous score for Little Women has been arranged for woodwind quintet. Suitable for recitals, weddings, and other events, and works very well following Orchard House (also available by this arranger).

Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tuba - Level 2 - Digital Download SKU: A0.749955 Composed by Chris Lawry. Contemporary,Instructional,Standards. Score and parts. 5 pages. Moonhouse Music #18767. Published by Moonhouse Music (A0.749955). A little concert item for Solo Brass and piano accompaniment. This piece is roughly equivalent to Grades 3/4 ABRSM/Trinity/LCM etc. The sheet music is suitable for any Brass instrument using Bass Clef in Concert Pitch (Tenor Trombone, Bass Trombone, Tuba etc. ). Written in 2013, the piece is from the sheet music album 'Scenes from a Parisian Cafe', a collection of 14 concert and educational pieces for beginner to intermediate Alto Saxophone (roughly grades 2 - 5) by UK composer Chris Lawry. - The pieces cover the course of a day in a Parisian scene, from morning to night, and cover a range of tempos and styles with something to suit any occasion and mood.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.749931 Composed by Chris Lawry. Contemporary,Instructional,Standards. Score and part. 5 pages. Moonhouse Music #18459. Published by Moonhouse Music (A0.749931). A little concert item for solo Alto Saxophone and piano accompaniment. This piece is roughly equivalent to Grades 3/4 ABRSM/Trinity/LCM etc. Written in 2013, the piece is from the sheet music album 'Scenes from a Parisian Cafe', a collection of 14 concert and educational pieces for beginner to intermediate Alto Saxophone (roughly grades 2 - 5) by UK composer Chris Lawry. - The pieces cover the course of a day in a Parisian scene, from morning to night, and cover a range of tempos and styles with something to suit any occasion and mood.

Chorus - Digital Download SKU: AX.00-PO-0002882 For Just a Little While - 2-Part. Composed by Sally K. Albrecht. Arranged by Jay Althouse. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0002882. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002882). UPC: 038081187211.For just a little while we were here together...what a special time it was. These touching sentiments, and a beautifully singable melody, make for Just A Little While the perfect number for graduation and year end concerts...or use it as a concert closer any time of year. The opening optional solos could also be sung by small groups for your graduating singers. A new choral classic by Sally Albrecht and Jay Althouse. Sensitive SoundTrax CD.Recorded Acc. Available.

Piano - Digital Download SKU: A0.1071710 Composed by Adrian Sutcliffe. 20th Century,Children,Standards,World. Accompaniment. Duration 567. Adrian sutcliffe #3507341. Published by adrian sutcliffe (A0.1071710). 11 Little Pieces by Adrian Sutcliffe - a recording of the piano accompaniments only to go with this delightful new series of fun pieces for young violinists in the early stages of learning. Adrian Sutcliffe studied at the Royal Academy of Music. He has performed at most major concert halls in the UK and recorded for UK national radio and TV, whilst playing in shows in the West End and at the Royal Opera House. As a performer, teacher, composer, examiner and trainer for ABRSM, he has worked all over the world. His pieces have been broadcast on UK radio and TV and played at many theatres, such as Sadlers Wells and Her Majesty’s Theatre. He is the regular arranger for several ensembles, including his own trio, Classic Rhythm, and his many dance compositions are promoted by the ballet music company,DanceInspire. His work includes three narrated ‘musical stories’ for children as well as descriptive music for plays, jazz pieces, orchestral scores, songs, and various piano and chamber works.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.

Piano Solo - Level 3 - Digital Download SKU: A0.922906 Composed by Lowell Mason. Arranged by Jayne Nitz. Christian,Contemporary,Sacred. Score. 3 pages. Jayne Nitz #6503939. Published by Jayne Nitz (A0.922906). This piano arrangement of the hymn tune OLIVET makes perfect pre-service or post-service music for worship. Fitting for: General worship and funeralsIf you like this arrangement, take a look at my flexible-length offertories for piano, all sold here at Sheet Music Plus:   Flexible Offertories for Piano (book of nine offertories)   At the Name of Jesus (KING’S WESTON)   In Silent Pain the Eternal Song (REALITY)I have another volume of ten flexible offertories titled Little Offertories for Little Churches published with Northwestern Publishing House at:www.nph.net

Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tuba - Level 2 - Digital Download SKU: A0.749961 Composed by Chris Lawry. Contemporary,Instructional,Standards. Score and parts. 5 pages. Moonhouse Music #18781. Published by Moonhouse Music (A0.749961). A little concert item for Solo Brass and piano accompaniment. This piece is roughly equivalent to Grade 2 ABRSM/Trinity/LCM etc. The sheet music is suitable for any Brass instrument using Bass Clef in Concert Pitch (Tenor Trombone, Bass Trombone, Tuba etc. ). Written in 2013, the piece is from the sheet music album 'Scenes from a Parisian Cafe', a collection of 14 concert and educational pieces for beginner to intermediate Alto Saxophone (roughly grades 2 - 5) by UK composer Chris Lawry. - The pieces cover the course of a day in a Parisian scene, from morning to night, and cover a range of tempos and styles with something to suit any occasion and mood.

Choral Choir (TB) - Level 3 - Digital Download SKU: A0.1245960 Composed by Benjamin R. Hanby. Arranged by David Lantz. Christmas,Traditional. Octavo. 9 pages. Lantz Choral Publications #840792. Published by Lantz Choral Publications (A0.1245960). Intended use: Winter Holiday Program Theme: Secular holiday songThis fun little arrangement for TB voices can effectively be sung with a traditional choir sound. The snappy piano part gives the piece a distinctive flavor and flair. There is a solo section included in the more lyrical section.Also available:SATB - LCP0057SAB - LCP0086Three part mixed - LCP0087Two part treble - LCP0088SSA - LCP0089NOTE: This audio recording is that of the SATB version.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1245959 Composed by Benjamin R. Hanby. Arranged by David Lantz. Christmas,Traditional. Octavo. 9 pages. Lantz Choral Publications #840790. Published by Lantz Choral Publications (A0.1245959). Intended use: Winter holiday programTheme: Secular holiday songThis fun little arrangement for SSA voices can effectively be sung with a traditional choir sound. The snappy piano part gives the piece a distinctive flavor and flair. There is a solo section included in the more lyrical section.Also available:SATB - LCP0057SAB - LCP0086Three part mixed - LCP0087Two part treble - LCP0088TB - LCP0090Note: This audio recording is that of the SATB version.

2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric� Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]�. She enclosed the corresponding verses with the letter and “for fun� also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment� (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.�The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.