Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me� is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com

Piano Solo - Level 4 - Digital Download SKU: A0.1490922 By Don McLean. By Don McLean. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwriter. Score. 10 pages. Timothy Stapay #1067707. Published by Timothy Stapay (A0.1490922). Vincent (Starry, Starry Night) is a song by Don McLean, written as a tribute to Vincent van Gogh.McLean wrote the lyrics in 1971 after reading a book about the life of Van Gogh. It was released on McLean's 1971 American Pie album; the following year, the song topped the UK Singles Chart for two weeks, and peaked at No. 12 in the United States, where it also hit No. 2 on the Easy Listening chart. Billboard ranked it as the No. 94 song for 1972.Lyrics:StarryStarry nightPaint your palette blue and greyLook out on a summer's dayWith eyes that know theDarkness in my soul.Shadows on the hillsSketch the trees and the daffodilsCatch the breeze and the winter chillsIn colors on the snowy linen land.And now I understand what you tried to say to meHow you suffered for your sanityHow you tried to set them free.They would not listenThey did not know howPerhaps they'll listen now.StarryStarry nightFlaming flo'rs that brightly blazeSwirling clouds in violet haze reflect inVincent's eyes of China blue.Colors changing hueMorning fields of amber grainWeathered faces lined in painAre soothed beneath the artist'sLoving hand.And now I understand what you tried to say to meHow you suffered for your sanityHow you tried to set them free.Perhaps they'll listen now.For they could not love youBut still your love was trueAnd when no hope was left in sight on that starryStarry night.You took your lifeAs lovers often do;But I could have told youVincentThis world was neverMeant for oneAs beautiful as you.StarryStarry nightPortraits hung in empty hallsFrameless heads on nameless wallsWith eyesThat watch the world and can't forget.Like the stranger that you've metThe ragged men in ragged clothesThe silver thorn of bloody roseLie crushed and brokenOn the virgin snow.And now I think I know what you tried to say to meHow you suffered for your sanityHow you tried to set them free.They would not listenThey're notList'ning stillPerhaps they never will.

A collection of hymns and songs by this talented New Zealand composer. The selections are light-hearted, creative and uplifting. Notes on the hymns are included

Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the Bâ™­ Major key and related tonalities.  It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it.  Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme.  Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which.  Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed.  The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats.  A gigue that washes away the previous variation’s mood.  Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo.  This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken.  Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness.  Get ugly. 10 MARCH Must use repeats.  If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2.  Practice it slow and build up speed.  Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously.  Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye.  Be aggressive with the arpeggios for the harmony to resound.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1110178 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #712513. Published by Kevin G. Pace (A0.1110178). A very beautiful, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham. Text: Nothing is impossible to the Lord, who loves thy soul. He who framed the heav'ns above can change thy life with love. Ev'ry trouble of thy heart may be healed through His kind art. Ev'ry sorrow He can mend to bring thee joy again. When thy sins have dragged thee down, He can lift you from the ground. Thy repentance He'll attend, forever as thy friend. Though thy sins as scarlet be, He shall wash them far from thee, Leaving thee as white as snow, a new heart there to grow. He shall lead thee by the hand, helping thee to understand All the beauty that you see, created He for thee. Thy true joy is His desire, giving as a loving sire. Ev'ry heir who knows His grace shall thank Him face to face.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1432664 Composed by ROBERT VAN HORNE. Film/TV,Jazz,Latin,Multicultural,Singer/Songwriter,World. Score. 7 pages. White Piano International Publishing #1012654. Published by White Piano International Publishing (A0.1432664). VES / SEEING YOU, LOVING YOU  (Piano/Vocal)Original Piano/Vocal Music from “FOREVER AMOR”Music and Piano/Vocal Arrangement by ROBERT VAN HORNESpanish Words by FLORISA BRAVO Advanced Intermediate Piano/Vocal Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)7 pagesDuration approximately 4:30VES / SEEING YOU, LOVING YOU was initially composed and published as a Bossa Nova piano solo in 1981 and then Spanish lyrics added later by Florisa Bravo. Despite my lack of proficiency in Spanish, her lyrics are universally regarded as warm, romantic and profound. The Piano/Vocal Sheet Music of VES / SEEING YOU, LOVING YOU includes a clearly notated piano accompaniment alongside vocal parts and chord symbols, offering comprehensive guidance for singers (proficient in Spanish) and pianists aiming for an expressive rendition.VES / SEEING YOU, LOVING YOU is a beautifully melodic Jazz piece suitable for vocalists who give concerts and recitals, appealing even to those unfamiliar with Spanish. Currently, there are no English lyrics to this piece. Originally in the key of F, it boasts universal charm.While the mp3 sample includes violin and bass, the sheet music is a Piano/Vocal arrangement, suitable for intermediate to advanced players and instructors. You can find the (non-vocal) full version on my album at: https://www.amazon.com/Forever-Amor-Robert-Van-Horne/dp/B01DAE052KRobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.

Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.� 2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.�.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1424071 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1005250. Published by Kevin G. Pace (A0.1424071). An exquisitely beautiful hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Have ye inquired of the Lord? Have ye bowed at his throne? Have ye pled for your words to be known? Have ye listened with care when you seek God in prayer? Have ye patiently waited alone?Have ye inquired of the Lord? Have ye thanked Him for all? Have ye given Him love to recall? Have ye knelt at his feet in a sacred retreat? Does He succor your soul when you fall? Have ye inquired of the Lord? Have ye begged for his grace? Have ye sought after his loving face? Have ye trusted his voice and then felt to rejoice? Have ye longed for his loving embrace?When ye inquire of the Lord, Ye are blessed with his care. He will lighten your fears as you share. He will know of your dreams even more than it seems. He will make sure you know He is there.

Organ and piano, 3-staff - Intermediate SKU: LO.70-1610S Settings for the Season for Organ and Piano. Composed by Gilbert M. Martin. Sacred, Christmas. Sacred Music Press #70/1610S. Published by Sacred Music Press (LO.70-1610S). ISBN 9780893288334.In Sweet Jubilation (In Dulci Jubilo) is very definitely the theme...and every page is filled with the excitement, calm and joy of the season, all lovingly arranged for organ and piano. The composer's hallmark -- interesting harmonies with refreshing, imaginative colors -- flood the pages of this Christmas collection of familiar carols. Two copies are required for performance, and timings and suggested organ registrations are included.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1137229 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #737423. Published by Kevin G. Pace (A0.1137229). A beautiful, sacred choral anthem about being embraced by the Savior's love. Music by Kevin G. Pace. Text by Mark R. Fotheringham. Text: Kneel in faith; seek God’s grace. Feel His loving embraces. All fear shall fail, pain shall cease, When from sin released. Christ has descended beneath worldly stain That you might be raised up again. Seek His will; tread His ways. Ponder His spoken phrases. The dawn shall break, shadows flee, When God's truth you see. When you accept heaven's purpose and might, Then you are enfolded with light. Serve and bless all mankind. Ease and comfort with kindness. Extend your hand, heal and lift. Seek to share God's gift. Helping another to see heaven's Word, will find you embraced by The Lord.

Small Ensemble Harp,Piano,Voice - Level 2 - Digital Download SKU: A0.946154 Composed by Shari Sarazin. Folk,Patriotic,Pop. Score and parts. 4 pages. Shari A. Sarazin #6118499. Published by Shari A. Sarazin (A0.946154).     In the late 1920’s a farm girl from Juneau County, Erma Howland Barrett, took out her journal and wrote a beautiful poem about the place she called home in Wisconsin.  Her poem reflected the majesty and wonder of the place she called home - the land of her dreams. In 1993, I took my grandmother’s heartfelt words and set them to music in a song I entitled, Oh Wisconsin, Land Of My Dreams.  Erma’s love of her lifelong home in Wisconsin is echoed by many others who have called Wisconsin their home.  Their life-stories and loving memories remain with us in the sweet refrains of Wisconsin’s official state ballad, Oh Wisconsin, Land Of My Dreams.  This arrangement can be performed as piano & voice or harp & voice. For more information go to www.sharisarazin.com. Enjoy!!!

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1419967 By Fleetwood Mac. By Christine Mcvie. Arranged by Jared Plane. Blues,Folk,Pop,Rock. Score. 5 pages. Jared Plane #1001393. Published by Jared Plane (A0.1419967). John McVie's original bass line as played on the Fleetwood Mac song, You Make Loving Fun released on their 1977 album, Rumours. This transcription comes with Standard Notation, bass TABs and chord symbols.