Large Ensemble Voice - Level 4 - Digital Download

SKU: A0.868930

Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 34 pages. Really Good Music, LLC. #5000195. Published by Really Good Music, LLC. (A0.868930).

The publication is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei LEONOV. Song of Pnina Arum mayn kop is one of the three surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Bar Kokhba (1938). The text in Yiddish was written by Samuil (Shmuel) Halkin. The range of the solo voice is Eb4–Cb5. The Song of Pnina is definitely among the masterpieces of Yiddish musical culture of the 20th century.

Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a description of Song of Pnina Arum mayn kop.

Large Ensemble Voice - Level 5 - Digital Download

SKU: A0.868924

Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 65 pages. Really Good Music, LLC. #4883803. Published by Really Good Music, LLC. (A0.868924).

The publication is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei LEONOV. Scene of Shulamis is one of the two surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Shulamis (1937), and it definitely is one of the masterpieces of Yiddish musical culture of the 20th century.

The range of the solo part is Eb4–Bb5. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a detailed description of Scene of Shulamis.

Soprano voice,Vocal Solo - Level 5 - Digital Download

SKU: A0.868925

Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. 12 pages. Really Good Music, LLC. #4883805. Published by Really Good Music, LLC. (A0.868925).

The publication is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei LEONOV. Scene of Shulamis is one of the two surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Shulamis (1937), and it definitely is one of the masterpieces of Yiddish musical culture of the 20th century.

The range of the solo part is Eb4–Bb5. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a detailed description of Scene of Shulamis.

Full Orchestra - Level 4 - Digital Download

SKU: A0.868911

Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 89 pages. Really Good Music, LLC. #4834501. Published by Really Good Music, LLC. (A0.868911).

The music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET), was composed by Lev PULVER (1883 – 1970) in 1945. This is its first publication, based on the autograph manuscripts of the score, realized and edited by Sergei LEONOV. The music to Freylekhs is definitely among the masterpieces of Yiddish musical culture of the 20th century.

Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a description of Freylekhs.

Large Ensemble Voice - Level 5 - Digital Download

SKU: A0.868926

Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 46 pages. Really Good Music, LLC. #4883809. Published by Really Good Music, LLC. (A0.868926).

The publication of the scores of two surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Shulamis (1937) is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei LEONOV. Both pieces definitely are among the masterpieces of Yiddish musical culture of the 20th century.

Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a description of Shulamis.

Easy Piano - Level 2 - Digital Download

SKU: A0.1258179

Composed by Felix Bartholdy Mendelssohn. Arranged by Darek. Classical,March,Romantic Period,Wedding. Score. 1 pages. Darek #851426. Published by Darek (A0.1258179).

Wedding March (EASY PIANO) Midsummer Night's Dream, Op. 61 [Felix Mendelssohn]

Simplified arrangement for beginner pianists of Wedding March from Midsummer Night's Dream, Op. 61 by Felix Mendelssohn.
Easy version for pianists / Easy aggangement. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. 

Elevate your musical journey with our exceptional collection of piano sheet music featuring the iconic Wedding March from Mendelssohn's Midsummer Night's Dream, Op. 61. Specially arranged for beginner pianists, this sheet music edition allows you to immerse yourself in the beauty and elegance of this timeless composition.

Step into the enchanting world of Mendelssohn's Romantic era as you explore the melodic richness and graceful melodies of the Wedding March. Our meticulously notated piano sheet music includes fingering, dynamics, and articulations, providing essential guidance to bring the piece to life with precision and expression.

To support your learning journey, we have included a valuable YouTube tutorial that accompanies our sheet music. Learn from an experienced pianist as they share insights, tips, and techniques to help you master the nuances of the Wedding March. This tutorial ensures that you have all the resources necessary to refine your playing and capture the essence of Mendelssohn's composition.

Our sheet music edition is specifically tailored for beginner pianists, allowing you to embark on your musical adventure with confidence. With clear fingering suggestions, dynamic markings, and expressive articulations, you will feel empowered to perform the Wedding March with grace and style.

Position yourself for success by adding this beloved piece to your repertoire. The Wedding March from Midsummer Night's Dream is a timeless classic, evoking emotions of joy and celebration. By offering our beginner-friendly sheet music, we aim to make this iconic melody accessible to pianists at all stages of their musical journey.

Whether you are a piano enthusiast, a music student, or a pianist preparing for a special occasion, our sheet music edition is a must-have addition to your collection. Immerse yourself in the beauty of Mendelssohn's composition, and let the Wedding March become a cherished part of your repertoire.

With its universal appeal and enduring popularity, the Wedding March is a symbol of love and union. Our sheet music package, complete with fingering, dynamics, articulations, and a YouTube tutorial, empowers you to bring this beloved piece to life and create memorable musical moments.

Don't miss the opportunity to add a touch of elegance and romance to your piano playing. Begin your musical journey today and let the Wedding March captivate your audience, leaving them mesmerized by the beauty of Mendelssohn's masterpiece. Embrace the joy of music, and let your passion shine through your fingertips.

Any 4 instruments (consorts of fiddles, viols, recorders, lutes, guitars) - intermediate to advanced - Digital Download

SKU: S9.Q10773

This edition: score. Antiqua. Downloadable, Score. Schott Music - Digital #Q10773. Published by Schott Music - Digital (S9.Q10773).

In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Part 3, Tenore, Violin Clef oct. - intermediate to advanced - Digital Download

SKU: S9.Q15558

This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q15558. Published by Schott Music - Digital (S9.Q15558).

In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Part 3, Tenore in Alto Clef - intermediate to advanced - Digital Download

SKU: S9.Q15566

This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q15566. Published by Schott Music - Digital (S9.Q15566).

In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Part 1, Canto - intermediate to advanced - Digital Download

SKU: S9.Q220

This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q220. Published by Schott Music - Digital (S9.Q220).

In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Part 4, Bass - intermediate to advanced - Digital Download

SKU: S9.Q221

This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q221. Published by Schott Music - Digital (S9.Q221).

In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Part 3, Tenore, Violin Clef - intermediate to advanced - Digital Download

SKU: S9.Q15560

This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q15560. Published by Schott Music - Digital (S9.Q15560).

In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Part 2, Alto - intermediate to advanced - Digital Download

SKU: S9.Q10772

This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q10772. Published by Schott Music - Digital (S9.Q10772).

In his dedication of 20th June 1608 to Count Scripo Nascica Fantagucci, the printer alessandro Rauerij emphasized that his collection contains some of the most outstanding works by the most modern and prominent musicians, and we do in fact find names such as Giovanni Gabrieli and Girolamo Frescobaldi, and also the other masters we have reprinted were famous far beyound their day. Accidentals above the notes are editor's suggestions. In the parts, the tenor has been printed three times: in the alto, the octave treble and the normal treble clef. The canzonas can be played on any instruments, and consorts of fiddles, viols, recorders, as well as lutes and guitars are especially suitable.

Instrumental Solo,Organ - Level 4 - Digital Download

SKU: A0.1472149

Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149).

While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 

1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.

Instrumental Solo,Organ - Level 4 - Digital Download

SKU: A0.1471905

Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905).

1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.