Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1352826 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #937641. Published by DAVID LEE GINGRAS (A0.1352826). I Like The Likes of You is a song by Vernon Duke written in 1934 after he returned to the United States from Europe in 1929 with the intention of settling in the country permanently. He composed and published much serious music, but devoted greater efforts to establishing himself on Broadway. Duke's songs April in Paris (1932), Autumn in New York (1934), I Like the Likes of You (1934), Water Under the Bridge (1934), and I Can't Get Started (1936) were 1930s hits. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills just for fun! We hope you like what we've done with this grand old tune!

Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music

Piano Solo - Level 5 - Digital Download SKU: A0.1086298 Composed by Lydia McCool. 20th Century,Classical,Contemporary,Praise & Worship,Romantic Period. Score. 6 pages. Lydia McCool #690497. Published by Lydia McCool (A0.1086298). The Distant Days: This is an advanced classical piano piece of romantic genre. The melody is nostalgic and yet original. The beautiful melody takes the audience through a journey of memories. As the music unfolds, it evokes feelings of sweetness, bitterness, pains, joys and finally reaches a peaceful resolution. Many audiences are moved to tears. They perceive the music through their own unique experiences, and it is a universal appreciation that the composer Lydia McCool aims for.

Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween. Score and Parts. 44 pages. Kevin Riley #705731. Published by Kevin Riley (A0.1102324). Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Jamie Lee Curtis (in her film debut) and Donald Pleasence, with P. J. Soles and Nancy Kyes appearing in supporting roles. The plot centers around a mental patient, Michael Myers, who was committed to a sanitarium for murdering his babysitting teenage sister on Halloween night when he was six years old. Fifteen years later, he escapes and returns to his hometown, where he stalks a female babysitter and her friends, while under pursuit by his psychiatrist. Filming took place in Southern California in May 1978; the work premiered in October, whereupon it grossed $70 million, becoming one of the most profitable independent films of all time. Primarily praised for Carpenter's direction and score, many critics credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960), and Bob Clark's Black Christmas (1974). It is considered one of the greatest and most influential horror films ever made. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. Halloween spawned a film franchise comprising thirteen films which helped construct an extensive backstory for its antagonist Michael Myers, sometimes narratively diverging entirely from previous installments. A direct sequel of the film was released in 1981. A remake was released in 2007, which was followed by a sequel in 2009. An eleventh installment, which serves as a direct sequel to the original film that retcons all previous sequels, was released in 2018; this was followed by two direct sequels: Halloween Kills (2021) and the upcoming Halloween Ends (2022). Additionally, a novelization, a video game and comic book series have been based on the film.

Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.891945 Composed by Felix Alexandre Guilmant. Arranged by Stephen Davies. 20th Century,Standards. 38 pages. Stephen Davies #5755531. Published by Stephen Davies (A0.891945). SWEET SUITE: QUARTET FOR CLARINETS Featuring the music of ALEXANDRE GUILMANT In this delightful suite of 4 movements, I have chosen four very eclectic works by the French Organist and Composer Alexandre Guilmant. In his time (1837-1911) he helped found the Schola Cantorum of Paris, and served as Professor of Organ at the Paris Conservatoire from 1896 until his death. His Wiki entry is an interesting read!! Oh, and don't be fooled by the gentle lilt of the first movement! 1. CHANT DU MATIN This jolly piece has a very memorable theme, with an almost Music Hall 'middle eight' section, littered with grace notes, and ends with a big 'film' finish! 2. FUGUE GRAVE Blessed with beautifully lush harmonies, and with the unusual theme based on the diminished 7th, it quite literally makes the Clarinet Quartet sing. 3. ASPIRATION RELIGIEUSE Despite the religious connotations in the title, this is an almighty vehicle for the Bass Clarinet to shine!The 3 Bb Clarinets hold a singularly static but lovely theme above, as the Bass Clarinet tumbles over the chords with relish from start to finish. A must play for your Bass player! 4. FUGHETTA IN A MINOR This is just a fantastic musical romp for 4 accomplished players! Once one player has the jaunty melody line, everyone wants to be a part of it! ... also includes some well written 'quirky' off-beat rhythms on the Bass part. Good luck!!

Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher.  The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...

Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher.  The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...

Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.579436 Composed by William Howard Doane. Arranged by David Warin Solomons. 20th Century,Praise & Worship,Romantic Period,Sacred. 6 pages. David Warin Solomons #3055485. Published by David Warin Solomons (A0.579436). This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century,

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.579505 Composed by W H Doane. Arranged by David Warin Solomons. 20th Century,Christian,Praise & Worship,Romantic Period,Sacred. 7 pages. David Warin Solomons #3072319. Published by David Warin Solomons (A0.579505). This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century,

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.579518 Composed by William Howard Doane. Arranged by David Warin Solomons. Christian,Contemporary,Praise & Worship,Romantic Period,Sacred. 13 pages. David Warin Solomons #3074597. Published by David Warin Solomons (A0.579518). Instrumental arrangement of the famous hymn by William Doane.

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.579485 Composed by William Howard Doane. Arranged by David Warin Solomons. 20th Century,Christian,Praise & Worship,Romantic Period,Sacred. 7 pages. David Warin Solomons #3072057. Published by David Warin Solomons (A0.579485). This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century,

Small Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder - Level 1 - Digital Download SKU: A0.579552 Composed by W H Doane. Arranged by David Warin Solomons. 20th Century,Christian,Praise & Worship,Romantic Period,Sacred. Score and parts. 7 pages. David Warin Solomons #3087487. Published by David Warin Solomons (A0.579552). This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century,

Piano/Vocal/Chords, Soprano Voice, Soprano and Voice - Digital Download Composed by Apostolos Paraskevas (1964-). Romantic Period, Impressionistic, World, New Age. Score. 5 pages. Published by Silver Sickle Publications

C Instrument - Digital Download SKU: A0.808280 Composed by Johnny Mandel. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #3627079. Published by Mark Wayne Music, LLC (A0.808280). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com