Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1399125 Composed by George Bennard. Arranged by Larry Stepler. Easter,Lent,Religious,Sacred. 12 pages. Larry Stepler #982420. Published by Larry Stepler (A0.1399125). This arrangement of this sacred classic features bass and alto solos/duet with SATB choir and piano accompaniment. A change to 4/4 meter for the last verse is written in a way meant to portray the strength of our connection to God through the Lord Jesus Christ. An accomplished piano player will enrich the performance of this piece.

Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829043 Composed by David Neff. Arranged by David Neff. Folk,Spiritual. 4 pages. David Neff #6035801. Published by David Neff (A0.829043). No More Auction Block originated in Canada before the US Civil War among African-Americans who had escaped slavery and found safe haven there. It was later adopted by black troops in the Union Army. It is a song of determination and hope, although its positive message is tempered by the wistful line that closes each verse--many thousand gone. Those many thousand were not only the many who had escaped slavery, but also those who had been separated from family and loved ones by being sold on the auction block. This is a low-voice adaptation of an arrangement written for tenor Larry D. Hylton, who sang with Moses Hogan and with the Metropolitan Opera Chorus, and who has been in over 350 performances of Porgy and Bess. David Neff and Larry Hylton collaborated on recording this remotely during the 2020 pandemic in order to produce music for their church's celebration of Juneteenth, following the widespread protests over the murder of George Floyd. The song is appropriate for any occasion that celebrates African-American history and music, as well as the ideals of freedom and liberty.

Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829042 Composed by David Neff, Traditional. Arranged by David Neff. Folk,Spiritual. 4 pages. David Neff #5866099. Published by David Neff (A0.829042). No More Auction Block originated in Canada before the US Civil War among African-Americans who had escaped slavery and found safe haven there. It was later adopted by black troops in the Union Army. It is a song of determination and hope, although its positive message is tempered by the wistful line that closes each verse--many thousand gone. Those many thousand were not only the many who had escaped slavery, but also those who had been separated from family and loved ones by being sold on the auction block. This arrangement was written for Larry D. Hylton, a tenor who sang with Moses Hogan and with the Metropolitan Opera Chorus, and who has been in over 350 performances of Porgy and Bess. David Neff and Larry Hylton collaborated on recording this remotely during the 2020 pandemic in order to produce music for their church's celebration of Juneteenth, following the widespread protests over the murder of George Floyd. The song is appropriate for any occasion that celebrates African-American history and music, as well as the ideals of freedom and liberty. 

Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1126423 By John Philip Sousa. By John Philip Sousa. Arranged by Sean Sullivan. 19th Century,March,Romantic Period. 11 pages. Sean Sullivan #727114. Published by Sean Sullivan (A0.1126423). This well-known march is presented in a carefully written edition for clarinet quartet. This arrangement is created from the original Sousa traveling band parts. Sousa once told a reporter that the march had been derived from an earlier composition, probably “The Phoenix March� (1875): “I wrote ‘Manhattan Beach’ while playing a summer engagement at that once-popular resort, using as the basis an old march I had composed when I was with Milton Nobles.�.

Small Ensemble Cello,Flute,Piano,Violin - Level 2 - Digital Download SKU: A0.767654 Composed by George Bennard. Arranged by c.e. walz. Christian,Easter,Gospel,Sacred. Score and parts. 5 pages. C.E. Walz #4326169. Published by C.E. Walz (A0.767654). This was Grandma's favorite Easter hymn. She loved to hear it played on the violin or flute with piano accompaniment. This version has a little country swing to it, too. Solo instrument part is found at the end of the PDF. Solo level: late elementary to early intermediate. Piano level:  early intermediate. This instrumental piece would be perfect for any service during Lent but especially for Holy Week and Good Friday. Four pages of piano part and one page of solo instrument part. Key of D with no key changes. Performance time:  2:30.

C Instrument - Digital Download SKU: A0.1117394 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Mark W. Huxhold. Film/TV,Jazz,Pop. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #718946. Published by Mark Wayne Music, LLC (A0.1117394). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1474903 Composed by Traditional Sea Shanty. Arranged by Oscar Alcantara. A Cappella,Folk,Historic,Traditional. 9 pages. Oscar Alcantara #1052524. Published by Oscar Alcantara (A0.1474903). This rousing arrangement of the now-famous sea shanty pulses with the story of the hunt told in the piece's colorful text.  The unaccompanied SATB arrangement presents opportunities to feature four soloists, and culminates in a fugue portraying the chase that unfolds in the final stanzas of the tale.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.

Piano Solo - Level 3 - Digital Download SKU: A0.976663 Composed by George Bennard. Arranged by RoZita Berry. Christian,Contemporary,Praise & Worship,Sacred. Score. 7 pages. RoZita B #6672119. Published by RoZita B (A0.976663). This beloved hymn is arranged for solo piano on an Intermediate level.  It is a unique arrangement that is not hard to play for a young student, and it is suitable for performance in the home, church, or recital hall.

Piano - Level 3 - Digital Download SKU: A0.1105906 By Gary Prim. By George Bennard. Arranged by Gary Prim. Christmas,Praise & Worship,Religious,Sacred,Spiritual. Full Performance. Duration 194. DAVID M COMBS #709102. Published by DAVID M COMBS (A0.1105906). The sheet music is an exact transcription of this recording.

Piano and voice (duet) - Digital Download SKU: LV.16790 Composed by Jupiter Zeus Hesser. Arranged by Jupiter Zeus Hesser. Animals in human situations, Campaigns & battles, Horseback riding, Brass instruments, Hunting, Cats, Military officers, Death, Heroes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16790). Our Old Tom Cat, or, The Cats March Out of the Ash Hole. A Favorite Comic Song or Duett. Written by W. Clifton. Arranged with Symphonies and Accompaniments by Jupiter Zeus Hesser. Published 1836 by G. Endicott, 359 Broadway in New York. Composition of strophic with chorus with piano and voice (duet) instrumentation. Subject headings for this piece include Animals in human situations, Campaigns & battles, Horseback riding, Brass instruments, Hunting, Cats, Military officers, Death, Heroes. First line reads It oft was ttold me by my Dad, when I was young and but a Lad.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Solo - Level 3 - Digital Download SKU: A0.1042854 Composed by Wolfgang Amadeus Mozart. Arranged by Matt Millington. Classical. Score. 1 pages. Matt Millington #647581. Published by Matt Millington (A0.1042854). The classic Titan Wristwatch music from the old 1990s Indian TV advert that got into the heads of so many people who can still whistle or hum it to this day!

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1232192 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. Score. 4 pages. Maria João Maia #827876. Published by Maria João Maia (A0.1232192). 4 Hands version, intermediate level, perfect to motivate teenagers in the piano lesson :) Personally tested with my own students! When you don't know what piece to give for 2 friends who want to play together, whose taste is more directed for pop music....why not some good oldies?Being a classical pianist, it's difficult to find good material for students who prefer to play pop music. So I decided to go for the amazing 70's and arrange some songs myself. They came out so good, that I needed to share them with the world!