Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.584579 By James Taylor. By James Taylor. Arranged by Jeff Tincher. Rock. 23 pages. Jeff Tincher #5891625. Published by Jeff Tincher (A0.584579). This is a great song by James Taylor written in 1975 that is so appropriate today. In the original key, this song kicks off his In the Pocket project. This arrangement came from a live concert performance at the Beacon Theatre mainly because Arnold McCuller's descant is legendary. This arrangement includes that descant. Duration = 4:34. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

SAB choir, Piano - Digital Download SKU: LX.10-5461L Arranged by Mary McDonald. Full Orchestra. Sacred Anthem, Patriotic. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5461L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5461L). ISBN 9780787769567.This bold and dramatic setting of The Star-Spangled Banner is one for your choral library. The piano accompaniment stands strongly on its own, but the arrangement can be elevated with a stunning orchestration. It includes an optional ending for traditional national anthem performances and an additional verse for an expanded, powerful ending.

SATB choir, Piano - Digital Download SKU: LX.10-5426L Arranged by Mary McDonald. Full Orchestra. Sacred Anthem, Patriotic. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5426L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5426L). ISBN 9780787769185.This bold and dramatic setting of The Star-Spangled Banner is one for your choral library. The piano accompaniment stands strongly on its own, but the arrangement can be elevated with a stunning orchestration. It includes an optional ending for traditional national anthem performances and an additional verse for an expanded, powerful ending.

String Orchestra - Level 5 - Digital Download SKU: A0.890766 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781033. Published by Sneakwood Editions (A0.890766). Vivaldi’s violin concerto in D major, RV 208, survives in three manuscripts:Vivaldi’s autograph score, conserved in Turin. [This edition is based on this source]A copy of the parts, conserved in the Landesbibliothek Mecklenburg-Vorpommern Günther Uecker [de] in Schwerin.Another copy of the parts conserved in Cividale del Friuli.The Grosso Mogul title appears on the Schwerin manuscript, which was written before 1717. According to Michael Talbot, the name of the concerto can possibly be linked to Domenico Lalli’s Il gran Mogol opera libretto, a setting of which had been presented in Naples in 1713. Later settings of this libretto include Giovanni Porta’s, staged in Venice in 1717, and Vivaldi’s RV 697 (1730).The Schwerin and Cividale del Friuli copies of the concerto contain two variants of extended cadenzas for unaccompanied violin, in the first and last movements of the concerto. The autograph version indicates where such cadenzas can be inserted in these movements, but does not contain the cadenzas. A manuscript with the written-out cadenzas must have been circulating before c. 1713–1714 when Bach transcribed such version for solo organ (BWV 594).An earlier version of the concerto, RV 208a, was probably composed by c. 1712–1713. This version has a different middle movement than the RV 208 version.Vivaldi seems to have had no supervision over the Op. 7 collection, published around 1720 in Amsterdam by the Roger firm, in which the older RV 208a version of the concerto was retained.This version of the concerto does not contain the extended cadenzas, nor an indication where such cadenzas could be inserted. (Wikipedia)www.snakewoodeditions.com

Brass Ensemble Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.750232 Composed by Eddie Lewis. Contemporary. Score and parts. 19 pages. Tiger Music #3007665. Published by Tiger Music (A0.750232). Pearl is the only composition the composer has ever written about a person. He has written works that tell stories about people. He has dedicated compositions to people. He has been inspired by people, but never composed anything that represents someone's personality the way Pearl does. Composed in October 2005, this work is the musical painting of the woman who would become the composer's wife almost two years later. Each musical aspect of the two movements symbolizes a different characteristic of Pearl's personality. Woven into the music is her quiet, caring, devoted nature, her love for God, her passion for the things she believes in, her wisdom, her logical and analytical approach to life, and her care-free disregard for the pressures that force many other women to be less than true to themselves. All of these facets of Pearl are portrayed through symbolism, atmosphere, and mood. The first movement is best described as unfolding. In an unassuming way, the piece unfolds like a delicate blossom confidently moving from bud to full bloom. This unfolding represents the gradual discovery of the depth of a personality as a relationship grows. The second movement represents the patient waiting associated with allowing a relationship to grow and mature. The subtle use of silence is symbolic of this patience, and adds richness to the piece. The debut performance of this remarkable composition formed part of the October 2008 Faculty Recital at Rice University, Houston, Texas.   Pearl is appropriate for college or professional level musicians. As a serious work, Pearl makes an excellent recital piece. The unusual brass trio instrumentation for this work is an added bonus and makes the piece ideal for integration in a brass quintet repertoire, as it provides a rest opportunity for the trombone and one of the trumpets.The MP3 in the sample is only the first movement.

Clarinet,Piano - Level 4 - Digital Download SKU: A0.737975 Composed by Nicolo Paganini. Arranged by Fiona Hickie. Folk,Jazz,Romantic Period. Score and part. 19 pages. Fiona Alice Hickie #3619811. Published by Fiona Alice Hickie (A0.737975). A theme and variations on a theme by Paganini. Here it has 3 traditional variations plus 3 modern ones.Theme – Caprice No. 24 (Paganini/Leopold Auer), Variation 1 - Semiquaver (Paganini/Leopold Auer), Variation 2 - Triplet (Paganini/Leopold Auer), Variation 3 – Swing (Fiona Hickie), Variation 4 – Jazz Waltz (Fiona Hickie), Variation 5 – Hornpipe (Fiona Hickie), Variation 6 - Theme (Paganini/Fiona Hickie)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.737986 Composed by Niccolo Pagannini. Arranged by Fiona Hickie. Folk,Jazz,Romantic Period,Standards. 31 pages. Fiona Alice Hickie #3684243. Published by Fiona Alice Hickie (A0.737986). A theme and variations on a theme by Paganini for wind quintet: Flute, Oboe, Clarinet, French Horn and Bassoon. This includes:Theme – Caprice No. 24 (Niccolo Paganini/Leopold Auer) Variation 1 - Semiquaver (Niccolo Paganini/Leopold Auer) Variation 2 - Triplet (Niccolo Paganini/Leopold Auer) Variation 3 – Swing (Fiona Hickie) Variation 4 – Jazz Waltz (Fiona Hickie) Variation 5 – Hornpipe (Fiona Hickie) Variation 6 - Theme (Niccolo Paganini/Fiona Hickie)

Flute,Piano - Level 4 - Digital Download SKU: A0.737971 Composed by Nicolo Paganini. Arranged by Fiona Hickie. Celtic,Classical,Folk,Irish,Jazz,Romantic Period. Score and part. 19 pages. Fiona Alice Hickie #3619323. Published by Fiona Alice Hickie (A0.737971). A theme and variations on a theme by Paganini. Here it has 3 traditional variations plus 3 modern ones.Theme – Caprice No. 24 (Paganini/Leopold Auer), Variation 1 - Semiquaver (Paganini/Leopold Auer), Variation 2 - Triplet (Paganini/Leopold Auer), Variation 3 – Swing (Fiona Hickie), Variation 4 – Jazz Waltz (Fiona Hickie), Variation 5 – Hornpipe (Fiona Hickie), Variation 6 - Theme (Paganini/Fiona Hickie)

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1191372 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Vitor Melo. Contemporary,Pop,Singer/Songwriter. Score. 10 pages. Melo Music #790890. Published by Melo Music (A0.1191372). Do you want to play Golden Hour? Now you can play the entire song, with this arrangement written for piano and voice.The song went viral on the TikTok app, with its upbeat beat and lyrics about enjoying the present moment.The lyrics of Golden Hour are quite simple, but convey a positive and encouraging message. The song has been a huge success since its release, having entered numerous music charts across the world.This arrangement of Golden Hour was created in the key of A Major, which is a more suitable key for singers who cannot reach higher notes. The arrangement begins with a soft introduction and gradually builds up to an emotional and catchy chorus. The voice is accompanied by a melodic piano accompaniment that provides a solid foundation for the performance. This arrangement is suitable for intermediate level pianists and singers and is perfect for live performances, recitals, or simply for playing at home. With its captivating melody and contagious rhythm, Golden Hour is a song that is sure to touch and enchant the audience.

Piano Solo - Level 1 - Digital Download SKU: A0.1046843 Composed by Peter Ilyich Tchaikovsky. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 3 pages. Piacere Music Sheets #651340. Published by Piacere Music Sheets (A0.1046843). Opus/Catalog Number: Op.39 ; TH 141, No. 5 Key/Tone: D Major Movements/Sections: Moderato Year/Date of Composition: 1878 Difficulty: Grade 3/12 (Easy) Obs.: This piece is the fifth of 24 pieces in Tchaikovsky's Album for the Young. Also knows as Marche des soldats de bois

Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752401 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Opera. Score and parts. 1 pages. RBMusic #5741079. Published by RBMusic (A0.752401). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two treble-clef instruments in the same key. This version is in C major (written pitch) – part 1 has a written range from F#4 to G5 and part 2 has a written range from C#4 to D5. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk. Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together

Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752414 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Opera. Score and parts. 1 pages. RBMusic #5888153. Published by RBMusic (A0.752414). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two higher-register, treble-clef instruments in the same key (such as violin, flute, oboe, saxophones, etc.). This version is in G major (written pitch) – part 1 has a written range from C#5 to D6 and part 2 has a written range from G#4 to A5. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.   Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together

Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752399 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Opera. Score and parts. 1 pages. RBMusic #5740045. Published by RBMusic (A0.752399). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two treble-clef instruments in the same key. This version is in B-flat major (written pitch) – part 1 has a written range from E4 to F5 and part 2 has a written range from B3 to C5. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.  Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together

B-Flat Trumpet,B-Flat trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.752396 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Film/TV,Opera,Patriotic,Traditional. 1 pages. RBMusic #5740059. Published by RBMusic (A0.752396). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two treble-clef instruments in the same key. This version is in G major (written pitch) – part 1 has a written range from C#4 to D5 and part 2 has a written range from G#3 to A4. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.   Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together

Solo Guitar - Level 4 - Digital Download SKU: A0.1371167 Composed by Emiliano Brunetti. Chamber,Romantic Period. Individual part. 4 pages. Emiliano Brunetti #955418. Published by Emiliano Brunetti (A0.1371167). Anonymous Soldier seeks to portray the fight between what you need to do and what you want to do. It reflects that battle against the Impostor Syndrome, which tells you how far you are from where you really belong. It is my everyday fight for my dreams, despite how hard they are to achieve, and despite the conflicting context I might be living in (writing classical music from my home of Argentina). This piece explores the use of tremolo effect, which is usually found in advanced pieces. As I am not able to play pieces like Recuerdos de la Alhambra (Tárrega) or Una Limosna por el Amor de Dios (Barrios), I tried to write a piece with this technique I enjoy listening to a lot, in a way that I can perform it while improving my playing.