Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publishing #4633697. Published by Boothe Publishing (A0.1069968). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977505 Composed by Traditional Melody. Arranged by Joseph Schrock, J Lloyd Kaufman. Christian,Easter,Sacred. Octavo. 8 pages. Schrock Music #4414765. Published by Schrock Music (A0.977505). TTBB choir, ensemble, or quartet with accompanimentvocal score. Duration about 3:40 min. Arranged by Joseph Schrock and J Lloyd KaufmanThe familiar melody of Amazing Grace was set to other lyrics before the beloved words of the hymn of Amazing Grace.  Though many have claimed to be the composer, there seems to be some mystery as to the origin.Behold the Saviour of Mankind, found in the Church and Sunday School Hymnal of 1902, is set to this melody.  This arrangement is for ttbb with piano accompaniment and a C instrument.Haunting and poignant, this piece is appropriate for general church service, seasonal, or concert use.

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.846708 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 40 pages. Stephen R Dalrymple #450429. Published by Stephen R Dalrymple (A0.846708). Hope of the World 01: Christ Jesus Our Hope (Advent)original song arranged for SATB choir by Stephen R Dalrymple♫ introduction for Advent section of Hope of the World when performed as a separate work♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple♫ Unlike the other songs in the suite, Christ Jesus, Our Hope is not based on one specific prophecy of scripture. Instead, the song introduces and concludes both the Advent and Passion Suites. Mankind has often hoped to find a leader(s) who can make a real difference in people’s lives. Humanity yearns for justice, the end of poverty, oppression, atrocities, and war. Messiah is presented in the Hebrew Bible as the Ideal King, a person who is just, wise, powerful, capable, yet. compassionate. Messiah is not just a Jewish king who will favor Israel but will bring true prosperity to the entire earth.♫ Hope of the World is made of 2 suites of songs that present messianic prophecies from the Old Testament that are referenced in the New Testament. The first 8 songs center on the birth of Christ, the last 9, Christ’s life and passion.♫ 01 Christ Jesus Our Hope (Advent) and 09 Christ Jesus Our Hope (Passion) are very similar, musically. Verses 2-4 are different. ♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.

Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11896 Arranged by L. Devereaux. Rowboats, Cityscapes, Mountains, Palms, Native dress, Occupations, Fishermen, Sailors, Homecomings, Happiness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11896). The Maltese Boatman's Song, arranged for One, Two, or Three Voices. With an Accompaniment for the Piano Forte by L. Devereaux. Published [n.d.] by Engraved, Printed, & sold by E. Riley, 229 Chatham St. in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Rowboats, Cityscapes, Mountains, Palms, Native dress, Occupations, Fishermen, Sailors, Homecomings, Happiness. First line reads See, Brothers see, how the night comes on, slowly sinks the setting sun.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Violin Solo - Level 3 - Digital Download SKU: A0.526125 By Lil Nas X. By Atticus Ross, Billy Ray Cyrus, Jocelyn Donald, Kiowa Roukema, Montero Lamar Hill, and Trent Reznor. Arranged by Sarah Cellobat Chaffee. Contemporary,Country,Hip-Hop,Pop,R & B. 2 pages. Sarah Cellobat Chaffee #5286933. Published by Sarah Cellobat Chaffee (A0.526125). Quite possibly the biggest hit song of 2019, Old Town Road put Lil Nas X at the top of the Billboard charts for a record-breaking 19 consecutive weeks. Controversy over whether this hit belonged on the country charts only served to boost its popularity, and it has since garnered a number of awards including three Grammy nominations. This arrangement for solo violin was originally commissioned for a wedding, but it will also be great for receptions, cocktail parties, solo & ensemble contests, and many other events. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. Rated intermediate, this chart will be playable for students and easily sightreadable for professionals -- there are a handful of tied rhythms throughout and the notes reach 3rd position. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1019719 Composed by Hope Mendelssohn. 20th Century. Octavo. 2 pages. Hope Mendelssohn #3620055. Published by Hope Mendelssohn (A0.1019719). This work is a short interpretation of a poem by New Zealand writer Bill Manhire.  It is suitable as an encore piece and can be performed by young voices and some adult choirs.  It is one of the pieces in my choral cycle Human Nature based around the themes of nature, language and human-kind's interaction with nature. The performing rights are held by A.P.R.A. A.M.C.O.S. New Zealand.

Piano Solo - Level 2 - Digital Download SKU: A0.1507292 By John Carpenter. By John Carpenter. Arranged by Tales Souza. Halloween. Score. 2 pages. Othello Music Publishing #1082692. Published by Othello Music Publishing (A0.1507292). Halloween Theme - Michael Myers: A Chilling Piano ArrangementThis piano arrangement of the iconic Halloween theme, originally composed by John Carpenter, captures the eerie tension and relentless dread associated with Michael Myers. Carefully adapted to retain the minimalistic and haunting repetition of the original score, this arrangement brings a new layer of depth and nuance to the horror classic, making it perfect for concert performances or private recitals during the Halloween season.The arrangement emphasizes the foreboding suspense that defines Michael Myers' presence, blending atmospheric harmonies and precise rhythmic tension to evoke the sinister, inevitable approach of the masked figure. It's a piece designed to transport listeners into the cold, unsettling world of the horror genre, while remaining accessible for pianists of all skill levels.Ideal for pianists seeking a simple yet evocative piece, this arrangement ensures that the dark essence of Halloween resonates through each note.

Small Ensemble Flute,Harp,Violin - Level 3 - Digital Download SKU: A0.797295 Arranged by Darhon Rees-Rohrbacher. Celtic,Folk. Score and parts. 66 pages. Afghan Press Music for the Harp #4800694. Published by Afghan Press Music for the Harp (A0.797295). Welsh airs used in this publication were collected by Edward Jones (1751-1824), harper to King George IV. Jones was a prolific collector and arranger of melodies and is best remembered for his three-volume work called Musical and Poetical Relicks of the Welsh Bards (1784-1802). The order of the music facilitates playing 2-4 tunes in succession as a Welsh medley. All tunes were typeset to fit exactly on two facing pages to eliminate any page turns within a piece. Some melodies were transposed from their original keys to better suit the range of the flute. Tunes may be taken up the octave where desired, such as on repeated sections. The harp range needed to play all of the accompaniments in this collection exactly as written is only 26 strings (C-G). There are no lever changes within pieces in this entire collection, only lever pre-sets. Table of Contents: Cnott y Coed (The Wood-Bunch), Tros y Garreg (Over the Rock), Crisial Ground (The Crystal Ground), Blodau y’ Gorllewin (Flowers of the West), Ffarwel Dic Bibydd (Dick the Piper’s Farewell), Agoriad Cywair (The Opening of the Key),Trichant o Bunnau (Three Hundred Pounds), Y Gŵr a’i Farch (The Man and His Horse), Mopsi Dôn: yr Hên Fford (Mopsy’s Tune: The Old Way), Yr Hên Rogero Bengoch (Old Roger Red Poll), Mwynen Machno (The Enjoyment of Machno), Tlysig (The Beauty), Cymro o B’le? (A Welshman from Where?), Troiad y Droell (Turning of the Spinning Wheel), Y TÅ· Trwy’r Ffenest (The House through the Window), Cudyn Gwyn (White Lock of Hair), Blodeu Gwynedd (Flowers of Gwynedd), Hela’r Ysgyfarnog (Hunting the Hare), Blodeu’r Grùg (Blooms of the Heather), Y Derwydd (The Druid) .

Children's Voices, Unison choir - Digital Download SKU: H1.8501DP Composed by Allen Pote. Musicals for Adults, Musicals for Youth. Youth Musicals. General Worship, Children. Score. 88 pages. Hope Publishing - Digital #8501DP. Published by Hope Publishing - Digital (H1.8501DP). Tom S. Long.Here is the latest musical for young voices from Tom Long and Allen Pote. Here is the latest musical for young voices from Tom Long and Allen Pote. This amusing 45-minute attempt to present the Old Testament begins with a promise to cover the entire history in ten minutes. Needless to say, they don't get all the way through - even after revising their estimate to twenty, then thirty, then forty minutes - but there's plenty of humor and moving moments as the kids encounter the lessons and eternal truths found within the stories of Adam & Eve, Noah, Moses, David and many more. Entertaining moments and meaningful content are thoughtfully balanced. Set and costume requirements are minimal, and the mostly unison vocal lines are accessible for most children's and youth choirs. Order a Preview Pack today! DIRECTOR'S COPY

Prev Pack (PDF Score & MP3) - Digital Download SKU: H1.8506DP Composed by Allen Pote. General Worship, Children. Preview Pack - Score & Listening CD. 89 pages. Hope Publishing - Digital #8506DP. Published by Hope Publishing - Digital (H1.8506DP). Tom S. Long.Here is the latest musical for young voices from Tom Long and Allen Pote. This amusing 45-minute attempt to present the Old Testament begins with a promise to cover the entire history in ten minutes. Needless to say, they don't get all the way through - even after revising their estimate to twenty, then thirty, then forty minutes - but there's plenty of humor and moving moments as the kids encounter the lessons and eternal truths found within the stories of Adam & Eve, Noah, Moses, David and many more. Entertaining moments and meaningful content are thoughtfully balanced. Set and costume requirements are minimal, and the mostly unison vocal lines are accessible for most children's and youth choirs. Order a Preview Pack today! DIRECTOR'S COPY

Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719763 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069357. Published by Curtis Hanson (A0.719763). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Holy, Holy, Holy, For All the Saints, and A Mighty Fortress Is Our God. This collection of arrangements is also available for SATB voices and piano or piano solo.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.719735 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4573081. Published by Curtis Hanson (A0.719735). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Make Me a Captive, Lord, Beneath the Cross of Jesus, and Abide with Me.