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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$18.00 15.4 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes

$18.00 15.4 € Orchestre à Cordes PDF SheetMusicPlus

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)

$18.00 15.4 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1240781 Composed by John Philip Sousa. Arranged by Marcus Martin. 19th Century,March. Score. 3 pages. Cornelius Edition (uk) #836170. Published by Cornelius Edition (uk) (A0.1240781). Cover of the 1889 sheet music for The Washington Post The Washington Post2:40The United States Marine Band performs The Washington Post In 1888, the recent purchasers of The Washington Post newspaper—Frank Hatton, a former Postmaster General, and Beriah Wilkins, a former Democratic congressman from Ohio—requested that Sousa, the leader of the United States Marine Band, compose a march for the newspaper's essay contest awards ceremony, in conjunction with a campaign to promote the newspaper under new ownership.  The Washington Post (often called The Washington Post March)  Since then, it has remained as one of his most popular marches throughout the United Statesand many other countries. This arrangement for piano is useful for many occasions.
The Washington Post March
Piano seul

$3.99 3.41 € Piano seul PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 3 - Digital Download SKU: A0.835879 Composed by John Philip Sousa. Arranged by Paul Burnell. Folk. Score and parts. 6 pages. Paul Burnell #6458721. Published by Paul Burnell (A0.835879). The Washington Post, John Philip Sousa, arranged by Paul Burnell for duet - instrument in Eb, instrument in BbDownload comprises both score and parts.Duration 2:30Part 1 in Eb (Alto Clarinet, Alto Saxophone, Tenor Horn)Part 2 in Bb (Bass Clarinet, Tenor Saxophone, Euphonium)The arrangement may be suitable for other instruments with the same transpositions.Score shows parts transposed.Play notes in brackets if the main notes are out of range or inconvenient.Programme note:‘The Washington Post’ (often called ‘The Washington Post March’) is a march by American composer John Philip Sousa (1854 - 1932). In 1889, the recent purchasers of The Washington Post newspaper asked that Sousa, the leader of the United States Marine Band, compose a march for the newspaper's essay contest awards ceremony, in conjunction with a campaign to promote the new ownership of the newspaper. ‘The Washington Post’ was performed at a ceremony on the grounds of the Smithsonian Museum with President Benjamin Harrison in attendance.
The Washington Post, arranged for duet: instruments in Eb and Bb

$1.99 1.7 € PDF SheetMusicPlus

Small Ensemble - Level 3 - Digital Download SKU: A0.835877 Composed by John Philip Sousa. Arranged by Paul Burnell. Folk,Romantic Period. Score and parts. 21 pages. Paul Burnell #6458719. Published by Paul Burnell (A0.835877). The Washington Post, John Philip Sousa, arranged by Paul Burnell for instruments in four parts.Download comprises both score and parts.Duration 2:30Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play notes in brackets if the main notes are out of range.Programme note:‘The Washington Post’ (often called ‘The Washington Post March’) is a march by American composer John Philip Sousa (1854 - 1932). In 1889, the recent purchasers of The Washington Post newspaper asked that Sousa, the leader of the United States Marine Band, compose a march for the newspaper's essay contest awards ceremony, in conjunction with a campaign to promote the new ownership of the newspaper. ‘The Washington Post’ was performed at a ceremony on the grounds of the Smithsonian Museum with President Benjamin Harrison in attendance.
The Washington Post, arranged for instruments in four parts

$3.99 3.41 € PDF SheetMusicPlus

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.835878 Composed by John Philip Sousa. Arranged by Paul Burnell. Folk. 6 pages. Paul Burnell #6458723. Published by Paul Burnell (A0.835878). The Washington Post, John Philip Sousa, arranged by Paul Burnell for Duet - Alto Recorder, Tenor Recorder.Download comprises both score and parts.Duration 2:30Play notes in brackets if the main notes are out of range or inconvenient.Programme note: â€˜The Washington Post’ (often called ‘The Washington Post March’) is a march by American composer John Philip Sousa (1854 - 1932). In 1889, the recent purchasers of The Washington Post newspaper asked that Sousa, the leader of the United States Marine Band, compose a march for the newspaper's essay contest awards ceremony, in conjunction with a campaign to promote the new ownership of the newspaper. ‘The Washington Post’ was performed at a ceremony on the grounds of the Smithsonian Museum with President Benjamin Harrison in attendance.
The Washington Post, arranged for duet: Alto and Tenor Recorder

$1.99 1.7 € PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1316202 By The Candlelight Guitarist. By Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 3 pages. Geofonica Artistworks #904939. Published by Geofonica Artistworks (A0.1316202). This arrangement of The First Noel is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. The First Noel can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 3:02 (see timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
The First Noel
Guitare
The Candlelight Guitarist
$2.99 2.56 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1316979 By The Candlelight Guitarist. By Charles Wesley, George Whitefield, Felix Mendelssohn, Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 5 pages. Geofonica Artistworks #904941. Published by Geofonica Artistworks (A0.1316979). This two-song arrangement of Hark! the Herald Angels Sing and O Come, All Ye Faithful is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. These two songs together can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 3:53 (see YouTube timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
Hark! the Herald Angels Sing / O Come, All Ye Faithful
Guitare
The Candlelight Guitarist
$2.99 2.56 € Guitare PDF SheetMusicPlus

Small Ensemble Double Bass,High Voice,Multi-Percussion - Digital Download SKU: A0.1023054 Composed by Kyle Rowan. Contemporary. Score and parts. 27 pages. Penguinman Music #6097405. Published by Penguinman Music (A0.1023054). The only one of Chaucer’s works that is scientific, not literary, in nature, A Treatise on the Astrolabe represents the oldest known English-language scientific manual and is a personal manual for his son on how to use an astrolabe, an ancient astronomical instrument. The that this work was created for a practical rather than artistic purpose was particularly appealing – it called to mind Walter Miller’s A Canticle for Leibowitz, when Brother Francis creates an illumination of a relic of St. Leibowitz, unaware that the relic was in fact a simple, and quite ordinary, circuit diagram.Presented here are seven songs divided among four parts. The first part, Prelude, contains one song, a setting of Chaucer’s personal introduction to his son, Lewis. The second, Here Begynneth the descripcioun of thin Astrolabie, contains three songs describing various components of the astrolabe. The worken the verrey pracktik of the forseide conclusions follows with two songs explaining the use of the astrolabe to calculate the position of the sun and the time of dawn and dusk; here, the words are spoken rather than sung. Postlude concludes the work in a style reminiscent of the opening, unmeasured material, using for its text the humble conclusion to Chaucer’s introduction.I am very grateful to soprano Tiffany DuMouchelle and percussionist Steve Solook, who I first approached in 2011 about a potential Chaucer cycle, as well as bassist Scott Worthington, who came to the project later but no less enthusiastically; without their support this piece would not have been possible.With the purchase, you are authorized to print a copy of the score for each member of the ensemble for the purposes of rehearsal and performance. For best results print on 11x17 tabloid size paper, landscape orientation.
A Treatise on the Astrolabe

$45.00 38.49 € PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download SKU: A0.945288 By Kenny Chesney featuring Willie Nelson. By Willie Nelson. Arranged by Steve Hughes. Contemporary. Score. 4 pages. Virtual Piano Studio #6168509. Published by Virtual Piano Studio (A0.945288). This Nostalgic Christmas Classic by Willie Nelson has been transformed into a Country-Swing/Waltz arrangement decorated with classic country piano licks & bass lines. I've also added some mild Jazz stylings & re-harmonizations! Purchases come with Sheet Music & a Backing Track (piano with band accompaniment). The track is exceptional (that pedal steel guitar is fantastic) and a joy to jam with! Students at the Early Intermediate level, love Willie Nelson, or just want to add another unique Christmas classic to their repertoire, will will really enjoy this piece!For other sheet music arranged by me (Steve Hughes), please visit...My Website/Virtual Sheet Music Store: https://www.onlinepianostudios.com/sheet-music/ YouTube Channel: http://www.youtube.com/virtualpianostudioFacebook Page: https://www.facebook.com/onlinepianostudios
Pretty Paper
Piano Facile
Kenny Chesney featuring Willie Nelson
$4.99 4.27 € Piano Facile PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1392374 By Nathan Evans. By Alan Jukes, Lewis Gardiner, Nathan Evans, and Stephen Jukes. Arranged by Barry McCormick. Celtic,Irish,Pop,Singer/Songwriter,Traditional,Wedding. Score. 6 pages. B. McCormick #975903. Published by B. McCormick (A0.1392374). If you love Scottish folk music and the viral sensation Nathan Evans, you will enjoy this digital sheet music download of his song Heather on the Hill. This song is a musical tribute to love, nature, and the enduring beauty of Scotland, with poetic lyrics and evocative imagery. Nathan Evans is a former postman who became famous for his TikTok videos of sea shanties and other traditional songs.This arrangement has the melody on a separate line above the piano stave and the piano part contains the melody for the instrumental parts in the intro and at the end of the second and third choruses. The piano part for the verses and chorus is simply an accompaniment that vamps to the chordal structure of the tune. The piece was arranged and formatted with ease of readability in mind and to conserve space so that less paper is needed if printed. A guitar chord sheet is also included in this arrangement to add more value to this purchase.This sheet music is suitable for intermediate to advanced players who want to learn or perform this catchy and romantic song. You can play it solo or with a singer, or even with a band or a choir. You can also use it as a basis for your own creative interpretations or arrangements. This song is perfect for weddings, anniversaries, Valentine's Day, or any occasion where you want to express your love for someone or for Scotland.Don't miss this opportunity to get this exclusive digital sheet music download of Heather on the Hill by Nathan Evans. You will receive a PDF file that you can print or view on any device. Order now and enjoy playing this beautiful song today!
Heather On The Hill
Piano, Voix et Guitare
Nathan Evans
$5.99 5.12 € Piano, Voix et Guitare PDF SheetMusicPlus


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