Piano Solo - Digital Download SKU: A0.962467 Composed by Patrick Lee Hebert. 20th Century,Contemporary,New Age. Score. 2 pages. Patrick Lee Hebert #3249465. Published by Patrick Lee Hebert (A0.962467). From The Poet's Dream a short lament.www.highlandpiano.com

Organ - Level 2 - Digital Download SKU: A0.1512245 By Markus Dreja. By Lowell Mason (1792-1872). Arranged by Markus Dreja. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 3 pages. Markus Dreja #1087296. Published by Markus Dreja (A0.1512245). Näher, mein Gott, zu dir ist einer der bekanntesten christlichen Choräle. Er basiert auf dem Gedicht Nearer, My God, to Thee der englischen Dichterin Sarah Flower Adams von 1841. Das Gedicht wurde mit verschiedenen Melodien vertont, die bekannteste ist Bethany von Lowell Mason. Der Choral wird vor allem in der englischsprachigen Welt häufig bei Begräbnissen gesungen oder gespielt und spätestens seit dem Film Titanic in aller Munde. Biblischer Hintergrund des Textes ist die Erzählung von Jakobs Traum von der Himmelsleiter im 1. Buch Mose. Jakob hat sich auf einem Stein schlafen gelegt und erfährt durch die Traumvision Stärkung in schwerer Bedrängnis. Er nennt den Ort Bet-El (Bethel), Haus Gottes (Gen 28,10–19 EU).“Näher mein Gott zu dir” is one of the most famous Christian hymns. It is based on the 1841 poem Nearer, My God, to Thee by the English poet Sarah Flower Adams. The poem was set to music with various melodies, the best known being Bethany by Lowell Mason. The chant is often sung or played at funerals, especially in the English-speaking world, and has been on everyone's lips since the film Titanic. The biblical background of the text is the story of Jacob's dream of the ladder to heaven in Genesis. Jacob has gone to sleep on a stone and finds strength in his severe distress through the dream vision. He calls the place Bet-El (Bethel), house of God (Gen 28:10-19 EU).

Brass Ensemble - Level 4 - Digital Download SKU: A0.767203 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3074243. Published by Lyons Music Services (A0.767203). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 16th song, Ma Dove o Lasso begins as follows: But where do I leave the remains of the body It is another song of pleading! This song is the second part of the second 'scena' within this book, a group of three linked songs (Nos 15-17) which is also available as a single download.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767207 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3074249. Published by Lyons Music Services (A0.767207). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 19th song, Rimanti in Pace begins as follows: Rest peacefully It is another song of about our shepherdess, Phyllis! This song begins the final 'scena' within this book, a group of two linked songs (Nos 19-20) which is also available as a single download.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767202 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 14 pages. Lyons Music Services #3074241. Published by Lyons Music Services (A0.767202). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 15th song, Vivrò fra i miei begins as follows: I will live among my own torments. It is another song of rejection! This song begins the second 'scena' within this book, a group of three linked songs (Nos 15-17) which is also available as a single download.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767209 Scena no 2 in 3 parts (Nos 15 -17). Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 41 pages. Lyons Music Services #3074255. Published by Lyons Music Services (A0.767209). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The second 'Scena' begins with no 15 Vivrò fra i miei This is another 3 part scene with contrasting sections using related material.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.

Mixed choir and soprano solo - advanced - Digital Download SKU: S9.Q11694 For mixed choir and soprano solo. Composed by Kurt Bikkembergs. This edition: score. Schott Chamber Choir. Downloadable, Score. Duration 20 minutes. Schott Music - Digital #Q11694. Published by Schott Music - Digital (S9.Q11694). German.The Belgian composer and conductor Kurt Bikkembergs (*1963) has turned Goethe's Sturm und Drang hymn 'Prometheus' into an impressive four-part choral setting with soprano solo: Onomatopoetic and spoken elements alternate with declamatory passages, sound effects with chordal, expressively catapulted sounds, mysterious chord shifts with sprinkles of imitation. Bikkembergs exploits the choral possibilities to the extreme, includes even scenic elements and has created a composition that is rewarding for the performer and exciting for the audience – a valuable addition to the repertoire!

Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.

Piano Solo - Level 3 - Digital Download SKU: A0.1375052 Composed by Enrique Granados. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages. Thomas Swee Chin #959625. Published by Thomas Swee Chin (A0.1375052). Valses Poéticos is a collection of Spanish waltzes composed by Enrique Granados in 1886. These charming piano pieces showcase Granados' melodic flair and sensitivity, capturing the spirit of Spanish dance forms. Each waltz within the set exhibits distinct character and expressive nuances, making Valses Poéticos a delightful and evocative musical journey.In Poetic Waltz No. 1 by Granados, you encounter a piece characterized by its lyrical and flowing nature. The waltz opens with a gentle melody, inviting listeners into a dreamlike atmosphere. The use of triple meter enhances the waltz's dance-like quality, while Granados infuses it with Spanish flair through subtle rhythmic nuances and ornamentation.The piece transitions between sections seamlessly, showcasing Granados' skillful composition. Moments of delicacy contrast with more robust, passionate episodes, providing a dynamic range of emotions. Granados' use of rubato, expressive tempo variations, contributes to the piece's poetic and evocative nature.Harmonically, you may notice a combination of traditional waltz progressions and Spanish-inflected chords, adding a distinct Iberian flavor. Overall, Poetic Waltz No. 1 is a beautifully crafted composition that captures both the elegance of the waltz form and the emotive richness associated with Granados' Spanish musical heritage.

1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - Digital Download SKU: S9.Q23450 Opera in 1 act. Composed by Huw Watkins. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 45 minutes. Schott Music - Digital #Q23450. Published by Schott Music - Digital (S9.Q23450). English.Taking Thomas Hardy’s short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person’s actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur. Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely. Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan. As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.Wenn wir den Ausgangspunkt von Thomas Hardy Geschichte betrachten, fühlen wir uns in die Gegenwart, zu einem heutigen Blick auf die Novelle transportiert. Diese Sicht verdeutlicht, welche Macht der menschliche Geist über die Handlungen einer Person hat. Eine verschlossene Tür kann eine Obsession so entzünden, dass Realität und Fantasie zu verschwimmen beginnen.

1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - Digital Download SKU: S9.Q23800 Opera in 1 act. Composed by Huw Watkins. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 45 minutes. Schott Music - Digital #Q23800. Published by Schott Music - Digital (S9.Q23800). English.Taking Thomas Hardy’s short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person’s actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur. Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely. Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan. As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.Wenn wir den Ausgangspunkt von Thomas Hardy Geschichte betrachten, fühlen wir uns in die Gegenwart, zu einem heutigen Blick auf die Novelle transportiert. Diese Sicht verdeutlicht, welche Macht der menschliche Geist über die Handlungen einer Person hat. Eine verschlossene Tür kann eine Obsession so entzünden, dass Realität und Fantasie zu verschwimmen beginnen.

Piano Solo - Level 1 - Digital Download SKU: A0.938600 Composed by Deborah Swanger Fortier. Arranged by Deborah Swanger Fortier. Children. Score. 1 pages. Deborah Swanger Fortier #23943. Published by Deborah Swanger Fortier (A0.938600). Teach children C and B and note values naturally while learning a lovely poem. The second of 24 pieces in a 2 volume set based on poetry for children, The Cold Old House teaches rhythm by following the rhythm of the poem. Dedicated to providing an aesthetic experience to children from the very beginning, Fortier set to music 24 (2 volume set) delightful poems written for children by such poets as e e cummings, Eleanor Farjeon, and Robert Louis Stevenson. The Cold Old House introduces the tie.

Parts Choral (Instrumental Parts) SKU: HL.254400 Composed by Lloyd Larson. Fred Bock Publications. Softcover. Fred Bock Music Company #BG2638B. Published by Fred Bock Music Company (HL.254400). UPC: 888680721091. 9.0x12.0x0.14 inches.Lloyd Larson put on his most distinguished and regal robes when he composed this piece. Using a text by the revered theologian, Thomas Troeger, and poet John Oxenham, Larson presents a magnificent theme. The St. Peter hymn tune (In Christ There Is No East Or West)with congregation crowns the anthem beautifully. Scored with optional brass and percussion, this commission praises God and honors our unity in Christ.

Choral (SATB Choir) SKU: HL.232908 Composed by Lloyd Larson. Fred Bock Publications. Sacred. Octavo. 16 pages. Fred Bock Music Company #BG2638. Published by Fred Bock Music Company (HL.232908). UPC: 888680679576. 6.75x10.5 inches.Lloyd Larson put on his most distinguished and regal robes when he composed this piece. Using a text by the revered theologian, Thomas Troeger, and poet John Oxenham, Larson presents a magnificent theme. The St. Peter hymn tune (In Christ There Is No East Or West) with congregation crowns the anthem beautifully. Scored with optional brass and percussion, this commission praises God and honors our unity in Christ.