EUROPE
0 articles
USA
0 articles
DIGITAL
10 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
10 partitions trouvées


String Quartet Cello,String Quartet,Viola,Violin - Digital Download

SKU: A0.1092791

Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 117 pages. Artaria Editions #696898. Published by Artaria Editions (A0.1092791).

For string quartet Artaria Editions AE619 Edited by Allan Badley 117 pages This is a scholarly edition of a public domain work. The string quartet as a genre was still relatively new in Paris by the time these works were composed. During the 1760s quartets by a number of foreign composers – Haydn, foremost among them – had been issued by Parisian publishers, but these works had not exercised a great deal of influence on local composers. Only Gossec, Nicholas Capron and Pierre Vachon published quartets before the appearance of Saint-Georges’s Op.1 and their works – and, in a broader sense, French instrumental music in general – seem to have provided his model rather than the quartets of Haydn. The most obvious point of difference is their two-movement structure as opposed to the four-movement cycle that was typically adopted by Viennese composers. While this might be thought to mark the works out as being rather primitive, two-movement pairings were also common in that quintessentially French genre, the symphonie concertante of which Saint-Georges was to be an important early exponent.

Six String Quartets, Op.1 (score and parts)
Quatuor à cordes: 2 violons, alto, violoncelle

$114.00 102.2 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Digital Download

SKU: A0.1092790

Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 54 pages. Artaria Editions #696896. Published by Artaria Editions (A0.1092790).

For string quartet Artaria Editions AE619 Edited by Allan Badley 54 pages This is a scholarly edition of a public domain work. The string quartet as a genre was still relatively new in Paris by the time these works were composed. During the 1760s quartets by a number of foreign composers – Haydn, foremost among them – had been issued by Parisian publishers, but these works had not exercised a great deal of influence on local composers. Only Gossec, Nicholas Capron and Pierre Vachon published quartets before the appearance of Saint-Georges’s Op.1 and their works – and, in a broader sense, French instrumental music in general – seem to have provided his model rather than the quartets of Haydn. The most obvious point of difference is their two-movement structure as opposed to the four-movement cycle that was typically adopted by Viennese composers. While this might be thought to mark the works out as being rather primitive, two-movement pairings were also common in that quintessentially French genre, the symphonie concertante of which Saint-Georges was to be an important early exponent.

Six String Quartets, Op.1 - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$60.00 53.79 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1401087

By The Primitive Quartet. By Words & Music: Charles F. Weigle. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #984289. Published by Leatherman Music Services (A0.1401087).

Welcome to this entry in the Leatherman Library of Hymnody (LLOH).

Features of the series include:

•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.
•Chord symbols included as a service to classical guitarists.
•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting
•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.
•Hymn background information included for personal edification or use as printed program notes.
•Optional repeats which allow you to fit into the allotted time available in a service.
•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.

If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/

************

It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   

God bless!

Lyndell Leatherman, ASCAP.

I Love to Walk with Jesus
Piano, Voix et Guitare
The Primitive Quartet
$3.99 3.58 € Piano, Voix et Guitare PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.981666

Arranged by Jim Ivy. African,Jazz,Latin. Score and parts. 26 pages. Jim Ivy #6374007. Published by Jim Ivy (A0.981666).

A traditional New Orleans tune arranged for brass quinted with an optional part for hand drum. The song is a certain crowd pleaser perfect for getting the audience on their feet and clapping along. The rhythm of the arrangement is a funky caribe beat known as a bamboula. A bamboula was a primitive drum that made its way to New Orleans via Haiti during the 18th century. Enslaved people would gather in Congo Square, next to the French Quarter and dance to the rhythm of the bamboula. The dances also became known as a bamboula. The infectious beat made its way into the music of the early New Orleans Jazz Bands. Even today, if you visit Congo Square in New Orleans, you often find groups of musicians and dancers enjoying the beat of the bamboula!

Eh La Bas for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$24.99 22.4 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download

SKU: A0.755023

Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023).

Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.

Legacy for Clarinet, Violin, Cello, and Piano

$14.99 13.44 € PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale