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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1200032 Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #798844. Published by John Fries (A0.1200032). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.
Spring Can Really Hang You Up The Most
Piano, Voix et Guitare

$4.99 4.38 € Piano, Voix et Guitare PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.500150 Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #113333. Published by John Fries (A0.500150). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.
Spring Can Really Hang You Up The Most
Instruments en Do

$3.99 3.5 € Instruments en Do PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1229043 Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Jazz,Standards. 17 pages. John Fries #824955. Published by John Fries (A0.1229043). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.
Spring Can Really Hang You Up The Most
Chorale SATB

$1.99 1.75 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1274945 Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Blues,Broadway,Jazz,Musical/Show,Standards. Score. 3 pages. John Fries #867059. Published by John Fries (A0.1274945). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.
Spring Can Really Hang You Up The Most
Piano seul

$5.99 5.25 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
Day Time Impressions
Piano seul
href=https://youtu be/PzvmbB0CrMo target=_blank rel=noopener>Watching the World Go By

$9.99 8.76 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893830 Composed by David Kai. Christian,Contemporary,Pop,Spiritual. Score. 7 pages. David Kai #5209023. Published by David Kai (A0.893830). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. For more information about this song and free downloads, go to: www.sites.google.com/site/davidwkaismusicBeyond The Rainbow Bridge by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, We’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time Then you know just what you did You took a piece of my broken heart beyond the rainbow bridgeYou took a piece of my broken heart beyond the rainbow bridge.www.sites.google.com/site/davidwkaismusic
Beyond the Rainbow Bridge (piano accompaniment)
Piano, Voix

$4.00 3.51 € Piano, Voix PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1361865 Composed by Brayden Bogdon. 21st Century,Classical,Video Game. 84 pages. Braben music co. #946269. Published by braben music co. (A0.1361865). Includes: Digital .pdf w/Full Score and PartsClashing Destinies was originally a work for digital media composed in March-April of 2023, later adapted for Full Orchestra/Symphonic Wind Ensemble. Clashing Destinies takes the listener through a spiral into insanity, starting with the constant thudding of the lows. Even as different parts add on, the thudding persists, representing one's inability to think clearly. There is a sharp dissonant line initially played by the glockenspiel that comes up time and time again, representing the internal panic that cuts through one's rational thoughts during their spiral into madness. Finally we hit the breaking point, a moment of silence followed by the screams of pain one experiences after reaching their breaking point. Soon after, a screaming trumpet takes the spotlight, any form of rational thought has now dithered away. Nothing is left but screams. After an intense battle of struggling to find a grasp on reality, there is a moment of calm. Things slow down as it is believed sanity is being regained, but still, there is that persistent thudding and sharp dissonance. Alas, the realization occurs, it is impossible to regain sanity. As the brass section overtakes the calm of the woodwinds, insanity fully takes over. The homestretch of this piece is pure chaos, every motif comes back. It is one huge reprise of all the feelings that have been experienced, except now they are all sounding much more rapidly, all just a small part of the chaos that is ensuing. Now there is nothing left to do except yell for help. There are three final screams, three final pleads for help. After screaming for help, it is realized... No one is there. Now there is nothing, left unresolved, all alone in the silence.
Clashing Destinies
Orchestre d'harmonie

$14.99 13.14 € Orchestre d'harmonie PDF SheetMusicPlus






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