Piano Solo - Level 4 - Digital Download SKU: A0.1380190 By Murray Gold. By Murray Gold. Arranged by Tom Voysey. 21st Century,Christmas,Film/TV. Score. 11 pages. Tom Voysey #964970. Published by Tom Voysey (A0.1380190). The Voyage of the Damned Suite comes from the 2007 Dr Who Christmas special of the same name, a thrilling adventure that sees The Doctor trying to save a Titanic spaceship replica before it crashes down to Earth. After the ship becomes damaged by asteroids and the deadly Host start attacking the passengers, The Doctor and a group of survivors fight to stay alive, hoping to save themselves, and the billions of people on the planet below.This piece is a transcription of track 12 'Voyage of the Damned' from the Dr Who Series 4 soundtrack, a piece that contains several new musical ideas for the Christmas special as well as a heroic variation of the Doctor Forever theme. This arrangement aims to be an accurate and faithful portrayal of the original, combining parts and voices from across the orchestra. This piece has a little of everything, from fast moving sequences, to soft, expressive melodies. It really is a classic Dr Who story of thrills, drama, excitement and emotion.Instrument: PianoLength: Approx 10 minutesDifficulty: AdvancedSample from page 7, bar 158.

Instrumental Duet - Level 4 - Digital Download SKU: A0.491354 By John Fries. By John Fries. Arranged by John Fries. 20th Century,Christmas,Classical,Hanukkah,Sacred. 7 pages. John Fries #106893. Published by John Fries (A0.491354). I really want you to try this one!  I know you'll love it and you can't beat the price!  Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Looking for something different? This work was written for the Christmas season. The 7/8 meter is not as difficult to work with as it might seem. The left-hand piano part holds the piece together and the sustained organ chords provide a foundation for the melody. If you have need for a special arrangement or wish to see what I have available email me at jfries@ptd.net.

Concert Band - Level 4 - Digital Download SKU: A0.1011084 Composed by Aaron Graf. Contemporary. Score and parts. 125 pages. Aaron Graf #4346419. Published by Aaron Graf (A0.1011084). Audio / Full Score View - https://www.youtube.com/watch?v=s3BmOKiYI1QGrade 4This fast-paced, bouncy piece opens with the sound of the frame drum and triangle, then a flute solo, and then the rest of the band joining in. This piece is written in the style of a galloping horse and is a great piece for brass instruments to work on hitting really high notes, and for woodwinds to work on fast fingering.!If there are any small errors or anything missing in the instrument parts, look at the score to see what's missing (ritardandos, accelerandos, etc.) and have the students correct it with a pencil!

Level 5 - Digital Download SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Heemrec #1002003. Published by Heemrec (A0.1420570). Romance “Проводник (Conductor)� explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadows�, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...�, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here

Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568). Romance “Проводник (Conductor)� explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadows�, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...�, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here

Lever Harp - Level 3 - Digital Download SKU: A0.1401640 Composed by Rachael Acheson. 21st Century,Contemporary,New Age,Spiritual. Score. 2 pages. TheHarpLibrarian #984816. Published by TheHarpLibrarian (A0.1401640). Aries are fiery, competitive, independent ... and also the most likely of all the zodiac signs to sing that school-yard na na na NA na song to your face when they win.This is a short, 1-page original sketch for small harp, with a range from the F below middle C to the second B above middle C. It is written in A minor (aka no sharps or flats) and includes no accidentals. As such, it should fit pretty much any standard model of small harp with zero modifications, including any model of Harpsicle Harp (even the ones without levers), Roosebeck Pakistani harps, Harp-E, Musicmakers Sonnet 29, or Dusty Strings Ravenna 26.Because you will need to silence each chord immediately after playing to get that sharp, abbrasive, almost staccato sound from my video (something I didn't have the tools to notate fully in the score), this song is trickier than it looks and is not really a new beginner piece, despite the simple notation. Beginners are, of course, welcome to try playing it exactly as written. But you should know that it will not sound exactly the same.Please note that the preview cuts off after the first line of score (as this composition is so short). When you download your purchase, you will recieve a pdf that contains both the preview and the full score.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1417174 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Mario Stallbaumer. Pop. Score. 4 pages. Mario Stallbaumer #998747. Published by Mario Stallbaumer (A0.1417174). With this sheet music, you can play The Winner Takes It All by ABBA on the piano! It's an accurate, carefully created piano arrangement of the full song.PLEASE NOTE:For better playability, the song has been transposed by a half step from the original (from Gb to F major). However, the same arrangement is also available in the original key.The Winner Takes It All was the first single from ABBA's 1980 album Super Trouper, which became the best-selling album of that year in the UK. The song became a huge international success, and their last top 10 hit in the US before the band broke up in 1982. It is often assumed that the famous ballad was inspired by the divorce between Björn Ulvaeus (who wrote the song's lyrics) and Agnetha Fältskog (who sang the lead vocals), but Ulvaeus said the song was the experience of a divorce, but it's fiction. 'Cause one thing I can say is that there wasn't a winner or a loser in our case. A lot of people think it's straight out of reality, but it's not. In any case, The Winner Takes It All is a fantastic ballad, an iconic hit from the early 80s, and it makes for a fantastic piano cover!

Piano,Vocal,Voice - Digital Download SKU: A0.504884 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Mario Stallbaumer. Pop. Score. 6 pages. Published by Mario Stallbaumer (A0.504884). With this sheet music, you can play The Winner Takes It All by ABBA on piano! It's an accurate, carefully created piano arrangement of the full song, in the original key of Gb major. The vocal melody is included in the piano part, so it makes for a perfect piano solo cover. Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a staff for the vocals, as well as the song's full lyrics! The Winner Takes It All was the first single from ABBA's 1980 album Super Trouper, which became the best-selling album of that year in the UK. The song became a huge international success, and their last top 10 hit in the US before the band broke up in 1982. It is often assumed that the famous ballad was inspired by the divorce between Björn Ulvaeus (who wrote the song's lyrics) and Agnetha Fältskog (who sang the lead vocals), but Ulvaeus said the song was the experience of a divorce, but it's fiction. 'Cause one thing I can say is that there wasn't a winner or a loser in our case. A lot of people think it's straight out of reality, but it's not. In any case, The Winner Takes It All is a fantastic ballad, an iconic hit from the early 80s, and it makes for a fantastic piano cover!

Piano Solo - Level 4 - Digital Download SKU: A0.1417182 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Mario Stallbaumer. Pop. Score. 4 pages. Mario Stallbaumer #998755. Published by Mario Stallbaumer (A0.1417182). With this sheet music, you can play The Winner Takes It All by ABBA on the piano! It's an accurate, carefully created piano arrangement of the full song.PLEASE NOTE:For better playability, the song has been transposed by a half step from the original (from Gb to F major). However, the same arrangement is also available in the original key.The Winner Takes It All was the first single from ABBA's 1980 album Super Trouper, which became the best-selling album of that year in the UK. The song became a huge international success, and their last top 10 hit in the US before the band broke up in 1982. It is often assumed that the famous ballad was inspired by the divorce between Björn Ulvaeus (who wrote the song's lyrics) and Agnetha Fältskog (who sang the lead vocals), but Ulvaeus said the song was the experience of a divorce, but it's fiction. 'Cause one thing I can say is that there wasn't a winner or a loser in our case. A lot of people think it's straight out of reality, but it's not. In any case, The Winner Takes It All is a fantastic ballad, an iconic hit from the early 80s, and it makes for a fantastic piano cover!

Piano Solo - Digital Download SKU: A0.504885 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Mario Stallbaumer. Pop. Score. 4 pages. Published by Mario Stallbaumer (A0.504885). With this sheet music, you can play The Winner Takes It All by ABBA on piano! It's an accurate, carefully created piano arrangement of the full song, in the original key of Gb major. The vocal melody is included in the piano part, so it makes for a perfect piano solo cover. The Winner Takes It All was the first single from ABBA's 1980 album Super Trouper, which became the best-selling album of that year in the UK. The song became a huge international success, and their last top 10 hit in the US before the band broke up in 1982. It is often assumed that the famous ballad was inspired by the divorce between Björn Ulvaeus (who wrote the song's lyrics) and Agnetha Fältskog (who sang the lead vocals), but Ulvaeus said the song was the experience of a divorce, but it's fiction. 'Cause one thing I can say is that there wasn't a winner or a loser in our case. A lot of people think it's straight out of reality, but it's not. In any case, The Winner Takes It All is a fantastic ballad, an iconic hit from the early 80s, and it makes for a fantastic piano cover!

Brass Ensemble,Trombone Quartet Bass Trombone - Level 2 - Digital Download SKU: A0.781932 By The Beatles. By John Lennon and Paul McCartney. Arranged by Aaron Hettinga. Film/TV,Pop,Rock,Standards. Score and parts. 9 pages. Aaron Hettinga #5869621. Published by Aaron Hettinga (A0.781932). This timeless classic from the Beatles is presented here in an arrangement for four trombones. It can really be considered as a solo feature for the lead trombonist, with accompaniment provided by the other three. Aside from some of the rhythmic demands of the melody, the range is not too taxing for any of the four parts for players of an intermediate skill level.Flexibility: This arrangement will work in multiple contexts. Any of the four parts could be alternatively played by any other bass clef instruments: Euphonium, Bassoon, Cello, and the Bass Trombone part is well suited to be played by Tuba if desired.Additionally, this entire arrangement conforms to the original artist’s recording in Key and Form. If desired, this chart could be used along with a pianist or a rhythm section if desired to fill things out a bit further.

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.�It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.�It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â?� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?�It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

Small Ensemble - Level 1 - Digital Download SKU: A0.770348 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Ivan Marini. 20th Century,Instructional,Jazz. Score and parts. 14 pages. Www.dalsegno.eu #3567897. Published by www.dalsegno.eu (A0.770348). Very easy arrangement of this classic Duke's standard.Setting: a Soloist for the melody (Vocals - original key - or any other instrument: just pick up your Real Book!), four winds for the Background (four saxes AAAT or a mix of Saxes and Brass) and a small rhythm section (Bass and Drums, opt. Guitar and Piano).Et voila! Jazz for absolute beginners.Really useful for the first attempts of Combo playing and in case for Jazz/Big Band classes.The homorhythmic background is ideal to develope articulation, intonation, balance and phrasing. Very limited ranges.Every part complete with changes for the improvisations.Complete set with score and parts: Alto 1, Trumpet 1 (sub. for Alto 1), Alto 2, Trumpet 2 (sub. for Alto 2), Alto 3, Tenor, Trombone (sub. for Tenor), Drums, Piano/Bass/Guitar.Other transpositions available for free at simply request.Open form (indeterminate duration), 14 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu