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Piano Solo - Digital Download SKU: A0.507298 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 4 pages. Published by Heather Cattanach (A0.507298). Delphinus, a Late Intermediate Piano Solo features playful staccato accompaniment in the right hand with cantabile melody in the left, and a contrasting contrapuntal section to tell the story. In ancient Greece a musician and poet called Arion was returning on a sea journey from a performance tour. The sailors threatened to rob Arion of his earnings and murder him. He made a request to play his lyre and sing one last song. His music attracted a pod of dolphins, who swam alongside the ship, leaping and smiling. Seizing his chance for escape, he leapt from the ship onto the back of a dolphin who carried him to safety. Therefore the dolphin was honoured and placed in the sky near the constellation Lyra. Delphinus the Dolphin is easy to see near the summer triangle as a small diamond shape with a tail. From “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 1 1/2 minutes. 3 pages. (General Instructional, Modern, Modal, Repertoire, Recital).
Delphinus
Piano seul

$3.99 3.81 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.930541 Composed by Evan Schwartzman. 20th Century,Contemporary. Score. 35 pages. Evan Schwartzman #4767227. Published by Evan Schwartzman (A0.930541). Four pieces for solo piano on mythological themes. The four pieces are: Voyage to Cythera, Circe’s Palace, Sirens, and Erinyes, the Mist Walker. I. Voyage to Cythera (ΚÏθηÏα) describes a sea voyage to the home of Aphrodite. The music captures some of the intense ambivalence of Baudelaire’s poem of the same title, alternating between feelings of expectation and dread.  II. Circe’s Palace describes Odysseus’ crew coming upon the enchantress Circe (ΚίÏκη) in her stone palace, sitting at her loom. She invites them to a feast, where she drugs them and transforms them into swine.  III. Sirens (ΣειÏῆνας) also paints a scene from the Odyssey. The Sirens were sea nymphs who would entice sailors to their deaths through their seductive singing. When Odysseus and his men draw near to the Sirens, he orders them to stuff their ears with beeswax so that they cannot hear clearly. Odysseus has himself bound to the mast of his ship, so that he can hear the song without risking his life. IV. The Erinyes (ΕÏινυες) were an early Greek form of the Roman Furies. They were chthonic deities, born from the blood shed by Uranus when he was castrated by Cronus. Their role was to punish men and women who had broken natural law, usually by driving their victims mad. The piece opens with the victim wandering about in mist, after which he is set upon and torn to pieces in a frenzy.
Four Mythological Pieces
Piano seul

$7.99 7.63 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568938 Arranged by Thomas Graf. Contemporary. 25 pages. Thomas Graf - the-hit-factory.com #3430243. Published by Thomas Graf - the-hit-factory.com (A0.568938). La Paloma  is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed  La Paloma  around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become.  La Paloma  belongs to a genre of songs called  Habaneras,  a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all  Habaneras,  its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly  La Paloma  became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of  La Paloma  has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with  Yesterday  by the Beatles, is one of the most recorded songs in the history of music.  ï»¿Instrumentation:  Soprano (Alto), Alto, Tenor, Baritone           ï»¿ Listen to the recording - a challenge for your ensemble.  Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              ï»¿Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                      Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              ï»¿Video: https://www.youtu.be/qR5PI78fGqM   .
La Paloma - Spanish Habanera - Saxophone Quartet H - Arrangement: Thomas H. Graf
Quatuor de Saxophones: 4 saxophones

$10.49 10.01 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus






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