Small Ensemble Bass Guitar,Drums,Organ,Voice - Level 3 - Digital Download SKU: A0.784926 Composed by Dennis McCorkle, Adele Paxton. Blues,Children,Contemporary,Rock. Score and parts. 13 pages. DF McCorkle Music and eBook Publications #6112369. Published by DF McCorkle Music and eBook Publications (A0.784926). Key: Bbm/Bm, Range: F3 to B4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music… The depth of the poetry came right through… Blown away by the setting and musicality… Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com.

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.784940 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score and parts. 12 pages. DF McCorkle Music and eBook Publications #6190053. Published by DF McCorkle Music and eBook Publications (A0.784940). Key: Bm, Range F3 to F5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.784938 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 12 pages. DF McCorkle Music and eBook Publications #6190051. Published by DF McCorkle Music and eBook Publications (A0.784938). Key: Bm, Range F3 to F5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com

Easy Piano - Level 1 - Digital Download SKU: A0.553114 Composed by Scott Camp. Concert,Standards. Score. 2 pages. Scott Camp #4847881. Published by Scott Camp (A0.553114). Inspired by E. L. Lancaster's Dream Echoes this is another beautiful piece of music for beginning students to enjoy!

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan María Solare. By Juan María Solare. Arranged by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan María Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan María Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan María Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here

Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.912123 By Anne Murray. This edition: scorch. E-Z Play Today. Country,Pop,Standards. Score. 3 pages. Hal Leonard - Digital #726950. Published by Hal Leonard - Digital (HX.912123). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.

Organ - Level 3 - Digital Download SKU: A0.1172760 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Contemporary,Easter. Score. 5 pages. James M Stevens Music ASCAP #772998. Published by James M Stevens Music ASCAP (A0.1172760). Written February 3, 2023, this is an original 12 tone organ composition in a fierce and raging atonal style with big dissonant chords. There is a matrix in the score and indications in the music on which rows are used. James Michael Stevens is a prolific composer residing in Nashville, TN and whose organ works are performed around the world.

Organ - Level 3 - Digital Download SKU: A0.1170459 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Contemporary,Easter. Score. 5 pages. James M Stevens Music ASCAP #770828. Published by James M Stevens Music ASCAP (A0.1170459). Written January 30, 2023, this is an original 12 tone organ composition in an atonal style. There is a matrix included in the score. James Michael Stevens is a prolific composer residing in Nashville, TN and whose organ works are performed around the world.

Full Orchestra - Digital Download SKU: A0.921206 Composed by Carl Van Pevenage. Classical,Romantic Period,World. Score and parts. 68 pages. Carl Van Pevenage #4325971. Published by Carl Van Pevenage (A0.921206). Turn your face to the sun and all shadows are behind you.The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 146 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.

Small Ensemble Alto Saxophone,Double Bass,Piano Accompaniment - Digital Download SKU: A0.999864 Composed by Dave Brubeck. Arranged by Leonardo Muniz Corrêa. Contemporary. Score and parts. 12 pages. Leonardo Muniz Correa #6093459. Published by Leonardo Muniz Correa (A0.999864). Arrangement for alto saxophone, piano and bass (there is no part for drums).

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1510475 By Christopher Alexander. By Christopher Alexander and Noah Richard. A Cappella,Contest,Festival,Multicultural,World. 24 pages. Christopher Alexander #1085672. Published by Christopher Alexander (A0.1510475). This is the third movement from the extended choral work Rising from the Ashes: Stories of Lahaina.The three drums kick off this effervescent work, creating a joyful rhythmic cadence upon which the the choir sings. The inspiring text lifts the spirits of the singers and audience alike as the harmonies propel through slight modulations and resolutions to the original key. The work moves swiftly into a mele hula (dance that tells or depicts a story) about the Phoenix bird rising from its ashes and beginning to live a new life for itself. With a call and response setting transcending into the melodic treatment, the eight voices create a powerful and triumphant ending to this song.Full score and other movements (On That Night, Forever Anew, Kama'aina) also available for purchase.

Piano Solo - Level 2 - Digital Download SKU: A0.1466704 Composed by Guillermo A. Hernandez III. Children,Classical,Contemporary,New Age. Score. 1 pages. Guillermo A. Hernandez III #1045261. Published by Guillermo A. Hernandez III (A0.1466704). A short, but very beautiful piano composition that has a melancholic feel, yet there are also elements of hope.  My daughter did not want to play a Faber piece for her recital, so I wrote her this piece. The difficulty level is Easy/Intermediate.