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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
The Birds
Voix Soprano, Piano

$3.99 3.43 € Voix Soprano, Piano PDF SheetMusicPlus

Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings.  Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls.  They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends.  The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark.  Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends.  We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor.  And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums.  Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
Now the Dove Flies

$8.00 6.87 € PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1401260 Composed by Randy Newman. Arranged by Cathy Pate. 21st Century,Children,Film/TV. Score. 2 pages. Aiwo Production #984446. Published by Aiwo Production (A0.1401260). Gonna Take You There from Disney's The Princess and the Frog is an upbeat jazz-inspired song that exudes energy and excitement. Sung by the characters Tiana and Louis, the song celebrates the joy of embarking on a thrilling adventure. With its lively rhythm, catchy melody, and spirited lyrics, Gonna Take You There transports listeners to the vibrant streets of New Orleans, capturing the essence of the film's setting and the characters' determination to chase their dreams. It's a feel-good anthem that encourages listeners to embrace life's journey with optimism and enthusiasm.
Gonna Take You There
Piano Facile

$6.99 6 € Piano Facile PDF SheetMusicPlus

Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397653 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 8 pages. Duration 48. Heather Mueller Music #3K7TCJJezZU9wKkgjos8d6. Published by Heather Mueller Music (A0.1397653). Key: D major.Title: The Boys of Antrim Type/Genre: Traditional Fiddle Tune - Jig Availability: Sheet Music for Sale Celebrate the spirit of Irish heritage in North America with The Boys of Antrim, a lively jig that echoes the rhythms of the Emerald Isle across the Atlantic. Key Features: Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, allowing for personalized renditions of The Boys of Antrim. Tailor the tune to suit your playing style, facilitating enjoyable practice sessions and confident performances. Irish Influence in North America: The Boys of Antrim pays homage to the vibrant Irish community in North America, blending traditional jig melodies with the dynamic energy of American folk music. Experience the fusion of Celtic and frontier traditions as you explore this captivating composition. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by The Boys of Antrim. Delve into scales, bowing techniques, and rhythmic patterns derived from this spirited melody, honing your mastery of both Irish and North American fiddling techniques. Cultural Connection: Connect with the rich cultural heritage of both Ireland and North America as you explore The Boys of Antrim. Let the music transport you across continents, from the rolling green hills of County Antrim to the bustling streets of Irish-American communities, celebrating the enduring legacy of Irish tradition in the New World. Whether you're a seasoned performer or a newcomer to traditional music, The Boys of Antrim offers an exhilarating musical experience that celebrates the shared heritage and cultural exchange between Ireland and North America. Join in the celebration of transatlantic connections and let the music inspire your own musical journey across borders.
The Boys of Antrim
Violon et Piano
Traditional Fiddle Tunes
$2.99 2.57 € Violon et Piano PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet

$14.95 12.83 € PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet

$4.99 4.28 € PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.19799 Composed by John Quinn. Couples, Bicycles & tricycles, Dwellings, Country life, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19799). Wheeling Together. Music by John Quinn. Words by Adam Graig. Published 1896 by El Dorado Cycle Co., Cor. Dearborn & Harrison Streets in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Couples, Bicycles & tricycles, Dwellings, Country life, Courtship & love. First line reads 'Twas in the early summer, While riding on my wheel.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Wheeling Together
Piano, Voix

$5.99 5.14 € Piano, Voix PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1019350 Composed by Kevin Longley. Contemporary. Score and parts. 105 pages. Kevin Longley #3248395. Published by Kevin Longley (A0.1019350). The Last Supper, scored for Symphony Orchestra was conceived in 1984, completed in 1986 and later revised in 2017. The work is built around the idea of a visitor who is transported back in time to the events of the Last Supper. This visitor is only an observer to the event; having no effect upon what he sees. The piece opens with a dark theme, signifying the visitor walking through the shadowy streets of Jerusalem. As the theme comes to an end an oboe, high above, signals the visitors first view of the Last Supper. The music takes the listener from the Passover Meal to the Mount of Olives and finally to the Betrayal of Lord Jesus. Throughout the score are written biblical passages, meant to inspire the performer and give context to the music. They may optionally be spoken as part of the performance. Orchestra (1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, bass drum, suspended cymbal, tam-tam, snare drum, triangle, harp, strings) Composed by Kevin Longley (1958-). Full score. 55 pages. Duration 15 minutes.
The Last Supper
Orchestre

$15.50 13.31 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1398392 By Dizzy Gillespie, Sonny Stitt, Sonny Rollins. By Dorothy Fields and Jimmy McHugh. Arranged by Sebastián Lafarge. 20th Century,Blues,Contemporary,Jazz. Score. 4 pages. Sebastián Lafarge #981669. Published by Sebastián Lafarge (A0.1398392). Embark on a melodious journey through the swinging streets of jazz with Sebastian Lafarge's masterful arrangement of Sunny Side of the Street. This timeless jazz standard, originally composed by Jimmy McHugh with lyrics by Dorothy Fields, receives a fresh interpretation in Lafarge's expert hands.Ideal For:Intermediate to Advanced Pianists: While accessible to intermediate players, this arrangement offers plenty of opportunities for advanced pianists to explore their creativity and musicality.Jazz Enthusiasts: Whether you're a seasoned jazz aficionado or just dipping your toes into the genre, Sunny Side of the Street arranged by Sebastian Lafarge is sure to delight with its infectious groove and timeless appeal.Performance Settings: Perfect for recitals, gigs, cocktail parties, or simply enjoying a leisurely jam session at home, this arrangement adds a touch of class and sophistication to any occasion.
On The Sunny Side Of The Street
Piano seul
Dizzy Gillespie, Sonny Stitt, Sonny Rollins
$7.99 6.86 € Piano seul PDF SheetMusicPlus


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