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Small Ensemble - Level 3 - Digital Download SKU: A0.954430 Composed by Robert Ashford. Contemporary,Sacred. Score and parts. 3 pages. Robert Ashford #3022583. Published by Robert Ashford (A0.954430). Also available as part of Sacred Suite. Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who lovesbeautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages. Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring. Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear. Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia. According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind. With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future. Robert Ashford’s music is available on cdbaby.com
The Lord’s Prayer - Matthew 6: 9 – 13

$4.99 4.31 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.954425 Composed by Robert Ashford. Contemporary,Sacred. Octavo. 6 pages. Robert Ashford #3022577. Published by Robert Ashford (A0.954425). Also available as part of Sacred Suite.Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who lovesbeautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
The Beatitudes - Matthew 5: 3 – 12
Chorale SATB

$4.99 4.31 € Chorale SATB PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.809104 Composed by Tony Benade. Instructional,Jazz. 193 pages. Tony Benade #3503099. Published by Tony Benade (A0.809104). Jazz, The Language of Music is a comprehensive study that is presented in three parts. Each section contains the essential elements the student of jazz must know which are The Fundamentals of Jazz Theory,Common Chord Progressions of Jazz Standards and Creating Jazz Phrases. This is for the individual who is very serious about learning the art of improvising. It begins with the necessary musical theory needed to play jazz followed by the common chord progressions that would  be encountered in the jazz standards. And finally, the actual process of creating jazz phrases. This method was created by a professional jazz musician who has spent over 50 years performing jazz as well as a jazz educator. This method that has been used for several decades and has produced several young students and hobbyists who have become professional musicians. It is not a quick and easy 20 minute type of study. It does require commitment and a strong desire to perform jazz like the many jazz greats of the past. There is no magic or mystery involved, just the right information presented in an easy to understand format. If your are a serious student of jazz, then this is for you.
Jazz, The Language of Music - for Saxophone
Quatuor de Saxophones: 4 saxophones

$45.00 38.91 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
Haiku by The Khromatiks, for Electric Violin & Loop Station

$7.99 6.91 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1031519 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Tamara Cashour. Jazz. Score. 7 pages. ChloeMuse #5298735. Published by ChloeMuse (A0.1031519). Jazz-infused piano solo with classical influences allows great freedom for the creatively and technically gifted pianist. This is an incredible showpiece for a child prodigy that is also easily learned by the adult specialist. Improvisational skills welcome! Suitable for:  piano recitals; solo cabaret shows; incidental music to middle or high school assemblies/graduations; higher education colloquia; and conference presentations.  Also suitable for sacred/somber religious events such as church services (may be played as prelude, offertory or intermezzo); post-Bat/Bar Mitzvah celebrations; as well as events which celebrate children and/or their coming-of-age such as weddings, baby showers.   [Keywords: Classic Jazz, Cabaret, Advanced Piano Solo, Arrangement, Religious, Improvisation]. Suggest using acoustic piano for most musically aesthetic effect, but can also be rendered on electronic piano models. Duration: 4'01.3. Arranger Tamara Cashour is an ASCAP composer member. Website:  tamaracashourcomposer-pianist.com or  www.tamaracashour.com. Facebook:  TCCollaborativePianist. Twitter:  #Ontic14.  Email: tamaracashour@gmail.com.
God Bless' The Child
Piano seul
Billie Holiday
$6.99 6.04 € Piano seul PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020007. Published by Musik Fabrik Music Publishing (A0.533560). This is the score of this work. The string parts are available on rental from the publisher. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
Orchestre à Cordes

$25.95 22.44 € Orchestre à Cordes PDF SheetMusicPlus

Small Ensemble High Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.533559 Composed by Frederick Frahm. Concert,Contemporary,Folk. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020003. Published by Musik Fabrik Music Publishing (A0.533559). This is the composer's transcription of the original version for voice, organ and strings. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
Frederick Frahm: Spaces of Night for voice and organ

$19.95 17.25 € PDF SheetMusicPlus

Small Ensemble Handbell,Piano,Voice - Level 2 - Digital Download SKU: A0.917288 Composed by Robert Chamberlin. Christian,Christmas. Score and parts. 7 pages. Robert Chamberlin #4896519. Published by Robert Chamberlin (A0.917288). The Child is a Song was composed in 1994 and is dedicated to Dawn Schuessler and the handbell choir of Gethsemane Lutheran Church in St. Louis, MO. The premiere performance of this piece happened that year on Christmas Eve, performed by singer/songwriter and guitarist Peter Mayer, accompanied by piano and two members of the Gethsemane handbell choir playing on bell trees to accommodate the ostinato patterns. This version is for piano and tenor voice, with optional handbells. If handbells are used, they should duplicate the right hand piano part at m. 16 – 28, m. 53 – 54, and m. 59 – 64. These measures have been marked on the score with an * sign.  The sound clip attached is a digital track which is not ideal since the lyrics are not sung by the digital tenor.  Hopefully, this does not detract from the overall score.
The Child is a Song (Piano/Vocal)

$3.99 3.45 € PDF SheetMusicPlus

Piano,Vocal,Voice - Digital Download SKU: A0.818208 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 40 pages. Stephen R Dalrymple #3070553. Published by Stephen R Dalrymple (A0.818208). Song of the Recovering Perfectionist original song by Stephen R Dalrymple music © 1999 (© registered in 'Sacred Songs 1978-1999’ collection) recording ℗ 2020 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple sequenced by the composer ♫ At the age of 37, God used a good friend to reset my course in life and ministry. I learned a perfectionist is someone who is obsessed with doing things right so he or she can be accepted by others and that Jesus is not a perfectionist. I learned that perfectionism is one possible syndrome of rejection syndrome, and that the antidote to rejection syndrome is to learn to feel accepted in Jesus Christ. ♫ This journey has been extremely threatening but powerfully liberating. To be Christlike is to be accepting, not critical; to see potential in others, not continuously looking for flaws to pick; to be secure in my Heavenly Father, not trying to continuously please people and earn acceptance. ♫ I often sing this song to myself when I catch myself feeling rejected and/or acting in perfectionistic ways. ♫ Based on passages such as Romans 15:7 and Ephesians 1:3-6, this song celebrates the unconditional love of God and how learning to accept God's acceptance will help me pass acceptance and forgiveness on to others, allowing me to loosen the obsession to be 'perfect' and in control. ♫ This .pdf file includes 1) letter size lead sheet 2) vocal score with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
Song of the Recovering Perfectionist original song by Stephen R Dalrymple
Piano, Voix
Stephen R Dalrymple
$4.50 3.89 € Piano, Voix PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.966540 Composed by JohnWillard Utuk. Contemporary,Film/TV,Instructional,Standards,Video Game. Score. 4 pages. JohnWillard Utuk #6597591. Published by JohnWillard Utuk (A0.966540). This original piano solo features a sense of adventure, with room for story-telling and imagery. Vayriel: Protector of the Mountains (Vayriel’s Theme) is inspired by one of the characters from the upcoming fantasy/sci-fi new adult novel, Trials of the Innermost (May 2023). The melody is based off each letter of her name. This is the first movement of the ,Etherea Suite, one of three character themes. Short and lyrical, it can be used as a nice recital piece, sight reading exercise, or played for fun. For piano teachers, this piece explores phrasing, pedaling, different articulation, expression marks, and creating a musical narrative through sound. Students can outline the simple ABA structure, and maybe find the melody memorable.
Vayriel: Protector of the Mountains (Vayriel's Theme) from The Etherea Suite, Vol. 1
Piano seul

$3.00 2.59 € Piano seul PDF SheetMusicPlus

Harp - Level 3 - Digital Download SKU: A0.797493 Composed by Carol Wood. Celtic,Halloween,Holiday,New Age,Spiritual. Score. 22 pages. Afghan Press Music for the Harp #4886961. Published by Afghan Press Music for the Harp (A0.797493).  While all eight of these Celtic holidays may not be truly ancient, several of them certainly are; some, like Samhain, have had Christianizing veils cast over them but have kept many of the pre-Christian customs associated with their celebration. Interested harpists will find a wealth of available information about these holidays, their names, and their customs. Imbolc, February 1st or 2nd, is also the Feast of St. Bridget or Brigid and is associated with the ancient goddess of that name in Celtic mythology.Ostara is the name sometimes given to the neo-Celtic celebration of the Spring Equinox. This piece depicts the dawn of the day and of the year. Beltaine, the joyous celebration of spring’s warmth and wealth of flowers and new greenery, occurs on the first day of May. The longest day of the year and the shortest night mark the Summer Solstice-Midsummer. Since long before Shakespeare’s funny and lyrical play A Midsummer Night’s Dream, the Summer Solstice has been associated with magic.Lughnasadh, on August 1st, is the festival of the first harvest. A version of the name of this festival survives in Manx and Scots Gaelic as well as in Irish Gaelic, and the name itself derives from Lugh, one of the most important Celtic godsMabon marks the Autumn Equinox and the end of summer; for me, it is a wistful moment of the year-extremely beautiful yet transitory. Samhain is one of the most significant celebrations in the Celtic year- the word itself means the end of summer, the beginning of the dark part of the year. It survives even in non-Celtic countries as Halloween, thanks to its adoption into the Christian calendar as All Hallows’ Eve. It is said to be the  time when the veils between this world and the next are at their most thin.The Winter Solstice is marked in many European cultures as a time for celebrating the birth of the new light and a time for decorating with evergreens like holly. For The Holly King, modal and traditional versions of the carol The Holly and the Ivy, were used because of the lyrics’ references to the rising of the sun, and the running of the deer.
Wheel of the Year
Harpe

$12.00 10.38 € Harpe PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1504111 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Advent,Christian,Christmas,Religious,Sacred. Score. 4 pages. Anastace #1079566. Published by Anastace (A0.1504111). Here is a beautiful, simple advent song I wrote to serve churches through the season of Advent, particularly during the candle lighting portion of each Sunday the weeks leading up to Christmas. This piano solo version is perfect to use as a prelude or postlude to any Advent service or Christmas week service, particularly if the vocal version is already being used by the congregational as a piece of the liturgy. There are recordings available for each of the weeks of Advent and this piano solo as well on all streaming platforms as of November 1, 2024, in case that is helpful to your service preparation or while learning the song. There is also an instrumental track entitled Fill Our Hearts, which is musically cohesive to the main song and is a great song to stream after service, to keep the mood matching and inspire the congregation to leave singing the melody, Let Your love fill our hearts, Jesus, Light of the world.This piano solo is easy yet flowing, with beautiful dynamic contrast and a lilting, hopeful 6/8 feel. Also available, by searching Stacey Plays Hymns and the song title on this site, is a full piano vocal accompaniment version and a lead sheet version for those who play guitar or piano based on chords.Purchase includes a free license for four church services with under 300 people, with proper attribution and credit to Stacey Plays Hymns in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
Light of the World: A Song for Advent - Piano Solo
Piano seul
Stacey Plays Hymns
$5.99 5.18 € Piano seul PDF SheetMusicPlus

Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Baroque,Easter,Holiday,Praise & Worship,Sacred. Score and parts. 36 pages. As do Ray meflute studio production #4573517. Published by as do Ray meflute studio production (A0.874253). Https://www.youtube.com/watch?v=05dsgxhs9qM&feature=youtu.beSheep May Safely Graze      Sheep may safely graze (German: Schafe können sicher weiden) is a soprano aria by Johann Sebastian Bach setting words by Salomon Franck. The piece was written in 1713 and is part of the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208. The cantata's title translates The lively hunt is all my heart's desire, and it is also known as the Hunting Cantata.  Like the same composer´s Jesu, Joy of Man's Desiring, it is frequently played at weddings.[1] However, it was originally written for a birthday celebration, that of Christian, Duke of SaxeWeissenfels. Bach was based at the nearby court of Weimar, and musicians from both courts appear to have joined together in the first performance in Weißenfels. Bach is known to have used the music again for other celebrations, but it remained unpublished until after his death. Perfect for church, religious holidays, weddings, Easter, Birthdays , concerts, program performances, themed performances, recital, you name it.. this arrangement is a must.Score for a larger nsemble , Piccolo, G soprano flute or 1st c flute , 2nd flute, 3rd flute, 4th flute, 5th flute, 6 th flute , Alto flute in g , Bass flute and contrabass flute . Definiately a piece that will get used many times for many occasionals.also, check out my other arrangements!   Real flute choir / ensemble arrangements for real flutes, and real parts ( no piano funny business ) for real performances.  **ALSO check out my other arrangemnts -   https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545
Sheep May Safely Graze " The Birthday Cantata " by Bach for flute choir / ensemble
Ensemble de Flûtes

$15.99 13.83 € Ensemble de Flûtes PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597365 By Antonin Dvorak. By Antonin Dvorak. Arranged by Flavio Regis Cunha. Contest,Festival,Instructional,Romantic Period,Wedding. Score. 8 pages. Flavio Regis Cunha #5766443. Published by Flavio Regis Cunha (A0.597365). Songs My Mother Taught Me - German: Als die alte Mutter sang) is a song for voice and piano written in 1880 by Antonín Dvořák. It is the fourth of seven songs from his cycle Gypsy Songs (Czech: Cigánské melodie), B. 104, Op. 55. The Gypsy Songs are set to poems by Adolf Heyduk in both Czech and German. This song in particular has achieved widespread fame. The song has been recorded by a number of well-known singers, including Gabriela BeňaÄková, Evan Williams, Gervase Elwes, Nellie Melba, Rosa Ponselle, Jeanette MacDonald, Elisabeth Schwarzkopf, Victoria de los Angeles, Joan Sutherland, Paul Robeson, Frederica von Stade, Edita Gruberová, Angela Gheorghiu, Magdalena Kožená, and Renée Fleming. The song is also featured on the album Charlotte Church. Fritz Kreisler transcribed the song for violin and piano and performed it frequently. His transcription was first published in 1914. Artists who have recorded instrumental versions of the song include Kreisler himself, Glenn Miller, Julian Lloyd Webber, Yo-Yo Ma, Itzhak Perlman, Joshua Bell, and Tine Thing Helseth. The title Songs My Mother Taught Me has frequently been used by singers in recitals or on recital discs even when the song itself is not included in the recording.Intermediate.Format: Concert 12 x 9 inches. 8 pages.
DvoÅ™ák: Songs My Mother Taught Me for Voice and Piano
Piano, Voix
Antonin Dvorak
$4.99 4.31 € Piano, Voix PDF SheetMusicPlus






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