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Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1274487 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Contest,Festival,Folk,Irish,Wedding. Octavo. 10 pages. Colin Kirkpatrick Publications #866631. Published by Colin Kirkpatrick Publications (A0.1274487). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†(it rhymes with daily) which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SAT arrangement by Colin Kirkpatrick is ideal for school choir, amateur choir or college choir especially when there are few male voices. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest note is G5 (the G just above the staff, but only once). The alto part range is of B flat 3 to E5. The tenor range is D3 to D4. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike. 
The Water is Wide (SAT choir and piano)
Chorale 3 parties

$2.99 2.55 € Chorale 3 parties PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.861941 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208223. Published by Mark O'Connor Musik International (A0.861941). Surrender The Sword (violin solo part â€“ violin and string orchestra) MO136BViolin Solo Part (score and parts available)Music by Mark O’Connor7 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn  Catalogue Number MO136BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
Surrender The Sword (violin solo part – violin and string orchestra)
Orchestre à Cordes

$15.00 12.79 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940). Surrender The Sword (score – violin and string orchestra) MO136AScore (parts available)Music by Mark O’Connor24 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
Surrender The Sword (score – violin and string orchestra)
Orchestre à Cordes

$20.00 17.06 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.861942 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6208225. Published by Mark O'Connor Musik International (A0.861942). Surrender The Sword (string parts – violin and string orchestra) MO136C-GString Parts (parts available)Music by Mark O’Connor51 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn  Catalogue Number MO136C-GCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com 
Surrender The Sword (string parts – violin and string orchestra)
Orchestre à Cordes

$37.50 31.99 € Orchestre à Cordes PDF SheetMusicPlus

Large Ensemble Bass Trombone,Horn,Organ,Percussion,Piano,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1035503 By Tim Zimmerman & The King's Brass. By Ludwig Van Beethoven - Melody from Ninth Symphony. Arranged by Tim Zimmerman. Classical,Easter,Sacred,Traditional,Wedding. Score and parts. 54 pages. Tim Zimmerman & The King's Brass #640715. Published by Tim Zimmerman & The King's Brass (A0.1035503). Performance tested by Tim Zimmerman & The King's Brass on their Best of The King's Brass -35th Anniversary CD DCD 616 on the Summit Record Label (www.summitrecords.com) & Joyful CD KB 3025 (www.kingsbrass.org). Perfect for an Offertory during festive church celebrations. This arrangement of Beethoven's melody from the Ninth Symphony, has been used for Easter services and can be played as an Antiphonal piece. This piece is also ideal for Wedding Processionals with the bride entering at the final key change. Trumpet parts are made available in Bb or C with French Horn (Trombone 1 substitute part) included to give ensemble flexibility. This festive arrangement by King's Brass member Tim Zimmerman, is also available for Brass Quintet, Percussion & Organ/Piano; Trumpet Quartet, Percussion & Organ/Piano. Duration: 2:56 www.kingsbrass.org.
Joyful, Joyful, We Adore Thee
Tim Zimmerman & The King's Brass
$19.99 17.05 € PDF SheetMusicPlus

Brass Ensemble,Trombone Quartet Bass Trombone - Level 2 - Digital Download SKU: A0.781932 By The Beatles. By John Lennon and Paul McCartney. Arranged by Aaron Hettinga. Film/TV,Pop,Rock,Standards. Score and parts. 9 pages. Aaron Hettinga #5869621. Published by Aaron Hettinga (A0.781932). This timeless classic from the Beatles is presented here in an arrangement for four trombones. It can really be considered as a solo feature for the lead trombonist, with accompaniment provided by the other three. Aside from some of the rhythmic demands of the melody, the range is not too taxing for any of the four parts for players of an intermediate skill level.Flexibility: This arrangement will work in multiple contexts. Any of the four parts could be alternatively played by any other bass clef instruments: Euphonium, Bassoon, Cello, and the Bass Trombone part is well suited to be played by Tuba if desired.Additionally, this entire arrangement conforms to the original artist’s recording in Key and Form. If desired, this chart could be used along with a pianist or a rhythm section if desired to fill things out a bit further.
The Long And Winding Road
The Beatles
$19.99 17.05 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. Blaze Scheuerman #651896. Published by Blaze Scheuerman (A0.1047338). The Doomsday Clock is a piece that primarily shows anxiety and being overwhelmed. I composed this piece my senior year of high school. At the time I could feel the impending deadline of college piano auditions approaching, and this coupled with a hand injury caused me to be very stressed out and feel that I was unable to put in the time needed to practice and prepare. I chose the name “Doomsday Clock†as I felt that the event that was slowly creeping closer was actually going to be the destruction of my dreams. The intro starts up bleak as the main character feels lost and afraid. The baseline hints at something to come that keeps inching closer and closer. Then at measure 8 it hits him, the thing to come is inevitable and can’t be stopped. He tries to reason with it, but it does not budge. This forces him to go into a mad scuffle in order to keep up and be ahead, as seen in measure 13. What then proceeds is a series of highs and lows, such as in measure 24 where the main character is terrified of what is to come and in measure 33 where he begins to believe he can do it. The piece then modulates to C major, where the main character feels that he is ahead and going to be successful. But every time he states a confident line, it seems to deteriorate or break down. Eventually he leads back into the mad scuffle and reaches his lowest point in measure 74. Here he feels lost and is about to give up when something encourages him to keep on going. It manifests a childlike voice reminding him of why he started this journey in the first place, and it convinces him to not give up and instead keep on going (seen in the Eb major section in the style of the intro). He eventually reaches the end and makes it, almost collapsing at the finish.
The Doomsday Clock
Piano seul
Blaze Scheuerman
$5.99 5.11 € Piano seul PDF SheetMusicPlus






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