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SATB choir and organ, with optional congregation, treble choir, 2 trumpets, and timpani - Moderately Easy - Digital Download SKU: MQ.60-7040-E Composed by Jeremy J. Bankson. Christ the King, Reformation. Score & instrument parts. 10 pages. MorningStar Music Publishers - Digital Sheet Music #60-7040-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-7040-E). English.This concertato could also be used as a festive anthem for SATB and optional treble choir, since congregational participation is not essential. The tune WESTMINSTER ABBEY is scored for two trumpets, timpani, and organ. There is a short introduction made of melodic material not in the hymn tune (which is also used in between the phrases of stanza two and for interludes between verses). Stanza one begins in unison and finishes in four parts. Stanza two is unison treble (which can be children's choir or just soprano and alto voices). The introduction is heard again with trumpet fanfares as an interlude before the third stanza. Stanza three gives the melody to the first trumpet while the choir creatively harmonizes around it. A final interlude leads into the fourth stanza for unison with descant and trumpet fanfares.Instrumental Parts include: Trumpets I and II in C and B-flat, Timpani.
Christ Is Made the Sure Foundation (Downloadable Choral Score)
Chorale SATB

$2.65 2.27 € Chorale SATB PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Published by Mark Wayne Music, LLC (A0.808194). Developed by a String Specialist for the String Specialist by Mark W. Huxhold (Who's Who Among America's Teachers- 2000, 2005, 2006) I developed this method over a 20 year period as a school orchestra teacher faced with ever diminishing classroom instructional time. My goal was to preserve and articulate the scope and sequence of the curriculum in a concise and efficient manner. This method is intended to foster music reading skills from the beginning when used in conjunction with teacher initiated rote and modeling teaching techniques.  Book 2 continues in standard portrait format at 100% scale. Curriculum Scope & Sequence Prerequisite: Book 1 or 1st position (bass 1st & 3rd pos.) on A and D strings. D major, Common time. Eighth, quarter and half notes. Detáche and whole bowing.  Technique: Position:violin/viola-1st position (viola half pos.), cello- 1st and extended position, bass- half, 1st, 2nd, 3rd, 3 1/2 position. Bowing: Slurs, Richochet   Keys: G, C, F/d, Bb/g, Eb/c, A/f#, b, e, a Rhythm   Time signatures: 2/4, 3/4, 6/8   Notes/Rests: whole, eight, dotted half, sixteenth, dotted quarter & eight,  eighth & quarter triplets Concerning the Double BassMy experience as a classroom teacher and a bassist has convinced me that a beginning bassist develops best in a heterogeneous string class when playing the same contour as the other instruments. This is achieved by introducing the bassist to 3rd position when the other instruments learn C# and D on the A string. I do advocate marking 3rd position on the fingerboard. Another benefit is that the bassist is able to develop good tone production and intonation more easily on the higher 2 strings.
The Concise String Method, Book 2- Teacher's Score
Orchestre à Cordes

$3.99 3.42 € Orchestre à Cordes PDF SheetMusicPlus






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