Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1119316 By David Catherwood. By Various. Arranged by David Catherwood. Celtic,Chamber,Easter,Folk,Irish. 47 pages. Opus 3 Music #720731. Published by Opus 3 Music (A0.1119316). 3 Brass Quintets arr. by David Catherwood - Londonderry Air, O Waly Waly, Holy, Holy, Holy (Nicaea) 1) The world famous Irish tune in an arrangement for Brass Quintet or small brass band with optional percussion.The download contains all scores and parts for both orchestral brass and treble clef brass band instruments:Full Score and parts for standard brass quintetTrumpet 1 in BbTrumpet 2 in BbHorn in FTromboneTubaFor Brass Band - Full Score plus1st Cornet Bb2nd Cornet Bb1st Horn Eb2nd Horn EbBaritone/Trombone BbEuphonium BbBass EbBass BbPercussionAlso available on SMP in arrangements for String Orchestra, String Quartet and Flexible Concert Band 2) The arrangement of the well loved Folk song O Waly, Waly will work equally well for a Brass Quintet accompanying Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for Brass quintets playing at weddings or other functions. 3) JB Dykes' famous hymn tune Nicaea is associated with the wordsHoly, holy, holy Lord God Almighty, Early in the morning our song shall rise to thee...This arrangement will be useful to accompany congregational or choral singing as it is in suitable keys or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Trumpet 1 in BbTrumpet 2 in BbHorn in FTrombone TubaPercussion (Optional)Organ/Keyboard (Optional)

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.918945 Composed by Mary Kay Aufrance. Pop. 6 pages. Mary Kay Aufrance #2151027. Published by Mary Kay Aufrance (A0.918945). A Featured Choral Contest Entry - This ballad celebrates the natural beauties of Lake Tahoe, and enjoying Tahoe with friends. This score of the Lake Tahoe Song is in SA and TB (2 parts) with chord names and chord notes and the guitar part on the score. It's features verse and sing-along style chorus, Oh! Lake Tahoe...The Lake Tahoe Song was originally debuted by popular Tahoe area part-singing and theatrical group, The Motley Madrigals, in the Valhalla Estate Boathouse Theater in South Lake Tahoe. The 12-member group sang in 4-part harmony on the stage that features its famous arched window showcasing the beach and Lake Tahoe. This song can also be done as a duet as on the mp3 sample, or 2-part (SA and TB) choral performance. The mp3 sample is Tom and Mary Kay Aufrance singing and playing as done on this score, from their CD Musical Dreams available on Amazon, Routenote, Spotify and several other music download and CD sales sites. So, the mp3 can be used to practice with.Thank you for considering The Mountain Sea The Lake Tahoe Song for your sheet music purchase.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.826776 Composed by Abraham Wood. Arranged by Ryan D. Neaveill. Classical,Folk,Instructional,Sacred,World. Octavo. 15 pages. Ryan Neaveill #2017989. Published by Ryan Neaveill (A0.826776). This is a marvelous piece from one of the United States’ earliest composers. How Beauteous Are Their Feet falls under the classification of fuging tune--a popular idiom in colonial New England in the late 18th century and used frequently by many early American composers including William Billings. Fuging tunes typically begin with all voices together in a homophonic hymn-like statement, followed by a section where each voice enters one after the other in an imitative manner similar to a fugue. Another striking characteristic of this genre is the use of open fifths, as well as the nontraditional use of parallel fifths. These features, in addition to the contrast between homophony and polyphony, give this style of music its unique flavor.

Piano,Violin - Level 3 - Digital Download SKU: A0.727499 Composed by Frederick William Faber and Henri F. Hemy. Arranged by Carol Troutman Wiggins. Christian,Holiday,Religious,Sacred,Traditional. 4 pages. Carol Troutman Wiggins #4596037. Published by Carol Troutman Wiggins (A0.727499). FAITH OF OUR FATHERS Violin & Piano DuetOriginally written as a Catholic hymn by Frederick William Faber in 1849, this popular hymn is now used in the congregations of many denominations. The melody is ‎St. Catherine by Henri F. Hemy. It was written in memory of the Catholic martyrs during the establishment of the Church of England by Henry VIII and Queen Elizabeth.Intermediate level solo and piano accompanimentExcellent for preludes, offertories, and postludes.Perfect for celebration of Father's Day or Memorial DayPiano Accompaniment Track available on this site.

Flute,Piano - Level 3 - Digital Download SKU: A0.727498 Composed by Frederick William Faber (1849) and Henri F. Hemy. Arranged by Carol Troutman Wiggins. Christian,Holiday,Religious,Sacred,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4596029. Published by Carol Troutman Wiggins (A0.727498). FAITH OF OUR FATHERSFlute & Piano DuetOriginally written as a Catholic hymn by Frederick William Faber in 1849, this popular hymn is now used in the congregations of many denominations. The melody is ‎St. Catherine by Henri F. Hemy. It was written in memory of the Catholic martyrs during the establishment of the Church of England by Henry VIII and Queen Elizabeth.Intermediate level solo and piano accompanimentExcellent for preludes, offertories, and postludes.Perfect for celebration of Father's Day or Memorial DayPiano Accompaniment Track available on this site.

Violin - Digital Download SKU: A0.1065689 Composed by Frederick William Faber and Henri F. Hemy. Arranged by Carol Troutman Wiggins. Christian,Holiday. Accompaniment. Duration 125. Carol Troutman Wiggins #4596039. Published by Carol Troutman Wiggins (A0.1065689). FAITH OF OUR FATHERS Piano TrackViolin & Piano DuetOriginally written as a Catholic hymn by Frederick William Faber in 1849, this popular hymn is now used in the congregations of many denominations. The melody is ‎St. Catherine by Henri F. Hemy. It was written in memory of the Catholic martyrs during the establishment of the Church of England by Henry VIII and Queen Elizabeth.Intermediate level solo and piano accompanimentExcellent for preludes, offertories, and postludes.Perfect for celebration of Father's Day or Memorial Day

Flute - Digital Download SKU: A0.1065688 Composed by Frederick William Faber and Henri F. Hemy. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 125. Carol Troutman Wiggins #4596033. Published by Carol Troutman Wiggins (A0.1065688). FAITH OF OUR FATHERS Piano TrackFlute & Piano DuetOriginally written as a Catholic hymn by Frederick William Faber in 1849, this popular hymn is now used in the congregations of many denominations. The melody is ‎St. Catherine by Henri F. Hemy. It was written in memory of the Catholic martyrs during the establishment of the Church of England by Henry VIII and Queen Elizabeth.Intermediate level solo and piano accompanimentExcellent for preludes, offertories, and postludes.Perfect for celebration of Father's Day or Memorial DayPiano Accompaniment Track available on this site.

Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Century,Broadway,Contemporary,Jazz. Score and parts. 58 pages. Labenske Music Services #6285603. Published by Labenske Music Services (A0.844203). Veteran composer and arranger, Victor Labenske, (ASCAP), weaves together the award-winning poetry of Katie Manning to create a dramatic song cycle, with speaking and singing parts for both soloist and accompanist who serve as actors in a musical theatre inspired cycle that joins both classical and popular styles. The 22 minute work with 9 songs, explores feelings of a mother-to-be and young mother dealing with pregnancy and birth in both humorous and touching ways.Appropriate for recital settings; songs may be used independently of the cycle as well.  YouTube playlist: https://youtube.com/playlist?list=PLeFVMSU4Y57wZ4lm-zl1_xpeNZKyNSSJ0      VictorLabenske.comKatieManningPoet.com

Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march.  The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty.  Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker!  The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea.   Instrumentation   The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting.  With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required.  A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted.    A piano part is included, primarily for optional use indoors as a color instrument for the ensemble.  However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited.  Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment.   Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation.  Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players.   Double reed parts are not included.  Double these instruments on appropriate parts to suit the needs of your ensemble.   Teaching Points   Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again.   Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion.  Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.

Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - Digital Download SKU: A0.569889 By Sharon Wilson. By Arthur de Lulli. Arranged by Sharon Wilson Music. 20th Century,Children,Folk,Instructional,March. 46 pages. Sharon Wilson #6616395. Published by Sharon Wilson (A0.569889). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). For most of the song, the Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords.The first 31 measures progress through the melody one time and can be used as a stand-alone performance. This first part of the arrangement is perfect for introducing new players to Bells and Boomwhackers®. Beginning in measure 32, the arrangement becomes more challenging by embellishing the melody, adding eighth notes, and alternating the chopstick theme between the parts. This second section utilizes more advanced note-reading and rhythmic skills and helps develop the ringing and whacking techniques needed for more advanced songs. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. In addition, a complete set of scores for 4 ringers and 3 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 7 performers with 2 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Notes used for each instrument are as follows: Bells ~ C D E F G A B C* where C* is high C, one octave above middle C Boomwhackers® ~ C D E F G B Note assignment suggestions are provided. Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permissionVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, plastic tubes, elementary classroom music

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1408410 By Neil Young. By Neil Young. Arranged by Jason Sullivann. Chamber,Folk,Historic,Multicultural,Rock,World. 22 pages. Green Bicycle Music #990996. Published by Green Bicycle Music (A0.1408410). Https://en.wikipedia.org/wiki/Southern_Man_(song)https://en.wikipedia.org/wiki/Slavery_in_the_United_StatesThis is a setting of Neil Young's SOUTHERN MAN (from the album AFTER THE GOLD RUSH) for woodwind quintet and optional percussion.The song is chosen by the arranger as a reponse to recent confisions surrounding the poisonouslegacy of Slavery, and various questionable debates regarding its history in America.Ironically, the arranger was originally ready to mention the song written as a response to thissong by the band Lynyrd Skynyrd, but found interesting information on Wikipedia (the links areprovided). Apparently the song by Young that spurred Lynyrd Skynyrd to write SWEET HOME ALABAMAwas the one titled simply ALABAMA, which is on the album HARVEST. Also interesting was the information that the bands and composers did get along, even showing this by wearing each other'st-shirts when performing.This arrangement is advanced grade 3 or grade 4, with no extreme playing in the outer registers,or meter changes, etc.. The optional percussion can be added to create a more solemn-march feel.The socio-political element is not varied or diffused in any way. If possible, the complete lyricsshould be contained in program notes. This piece offers a serious contemplation of the history andhorror of Slavery in America.

Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!

Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta  - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original.  The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.