Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. This edition: Interactive Download. Contest,Rock. Individual part. 7 pages. Duration 428. David Oosse #3B8VfaKu94vDmyZecDoRrX. Published by David Oosse (A0.1144838). Key: D major.One - Metallica Marimba arrangement for a soloist. All due credit given to the legends themselves - the members of Metallica. --- One day I thought to myself, How cool would it be to play a Metallica song on a marimba, for a solo and ensemble event? then I thought, What would be a good song? One with a slower, more lyrical part, and a crazy solo and a heavy ending? ... What about One? Then I sat down for some time, and started listening and writing, listening and editing, then playing and editing, until everything felt possible to play, with no weird transitions or stickings or anything else weird. Even with what little chops I had at the time, I learned the piece, made edits on the way to minimize awkward transitions, and now I am sharing the final product.

Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1159857 By Christina Perri. By Oscar Hammerstein and Richard Rodgers. Arranged by Cindy Blevins. Broadway,Film/TV,Musical/Show. Individual part. 8 pages. Cindy Blevins #760119. Published by Cindy Blevins (A0.1159857). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.If you have a pianist in your life, there is a piano and tin whistle arrangement of this piece listed separately (I am not allowed to bundle them for reasons of copyright).

String Orchestra - Level 1 - Digital Download SKU: A0.835561 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #4847803. Published by Vincent Vitale (A0.835561). OLDE TYME CHARM is written for beginning string orchestra using simply rhythms and keeping all parts in First Position. To help with the lack of instrumentation but still producing a full sound the 2nd Violin and Viola are doubled as are the Violincello and Contrabass. Included are full score and parts for Violin 1, Violin 2, Viola, Violincello and Double Bass. I am sure you will find this composition easy to put together and will certainly be a crowd favorite. . If this composition appeals to you please review others in this string series by typing VINCENT VITALE in the search bar. Thank you and as always I wish you and your students much musical success. …Copyright 2019...

Concert Band - Level 5 - Digital Download SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #686377. Published by Jeff Tyzik/Macaroni Music (A0.1082229). Three Latin Dances was composed for the Eastman Wind Ensemble at the request of Mark Scatterday in September of 2018. In the past twenty years, Mark has been very instrumental in encouraging me to compose wind music. I am grateful for the many wind ensemble projects and recordings we have collaborated on including IMAGES, our CD that was released in October 2018. I've always been attracted to the music of great Latin composers including de Falla, Gimenez, Chapi, Piazzolla, Ginastera, Lacuona and many others. In this short suite, I used three different popular Latin dance forms. The first dance section is based on the Danzón, a Cuban dance that is slow, formal and elegant. The Danzón transitions into a Cha Cha, another Cuban dance that is a medium tempo rhythmic dance that I first experienced during my student days at Eastman when I played in local Latin bands. After a brief recap of the Danzón another transition evolves into a Malambo, an Argentine dance that is exciting, up tempo and whose roots can be traced back to the 1600s. As one might imagine, the percussion section is very busy and featured throughout from the elegant and lyrical introduction to the exciting finish. As an alumni of the EWE under Donald Hunsberger, it is an honor to have this preeminent Eastman ensemble premiere this new suite with Mark Scatterday conducting at Severance Hall in Cleveland on May 7, 2019.

Concert Band - Level 1 - Digital Download SKU: A0.1402009 Composed by James Smith. Contest,Festival,Instructional. 26 pages. James Smith #985205. Published by James Smith (A0.1402009). Chill out with this selection intended for first-year players, Time Out. Written with the first 4 notes of the A minor blues scale in mind, and using only 6 different notes, younger players will find instant success when learning its catchy bass line and repeated rhythms.Time Out can be performed by a minimal concert ensemble of flutes, clarinets, alto saxophones, trumpets, trombones, and percussion, and uses the A minor blues scale (A, C, D, E♭). I am incredibly excited to offer this selection to you in a effort to diversify concert band music repertoire for younger player that avoids using typical key signatures, but does not veer too far away from standard practices. It is suggested that players practice playing the first few notes of the concert B♭ scale (B♭, C, D, E♭), then swapping out concert B♭ for concert A. Make sure measures 1-3 are accurately learned by the wind players before learning the rest of the piece. In measure 39, there is a glissando, or “fall� that might be seen in jazz music. (The playback does not support accurate sounds for this effect.) Have players find a random high note, then all descend to the low register of their instruments within 4 beats through fingerings, slides, etc.View more of my catalog here at linktr.ee/jamessmithmusic.