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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349636 By Karl Kang. By Karl Kang. Arranged by Karl Kang. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. Karl kang #934401. Published by karl kang (A0.1349636). The Lord is My Shepherd(in Korean â€œì£¼ë‹˜ì€ ë‚˜ì˜ ëª©ìžâ€)“ is a hymn with lyrics based on Psalm 23. This song was first introduced to the public through a performance by the Seoul Catholic Singers at the 23rd New Sacred Music Concert hosted by the Catholic Composers Association of Korea, which took place at Jongno Cathedral in Seoul on November 18, 2023. The composer of this song, Karl Kang, is one of the prominent composers representing the Catholic Church in Korea.Looking back, my life so far feels like a miracle. Even when traversing the dark valleys of life, I believe I am where I am today because the Lord has always guided me on the right path. That's why I've always harbored the hope of creating a piece with the lyrics based on Psalm 23. This is a scripture that has consistently provided me with great strength, especially in difficult times. After pondering the words and melodies for a long time, I finally completed the composition. I express my gratitude to the Vox Coeli Youth Choir of Dogok-dong Cathedral, who first performed this song. Without the voices of Vox Coeli, this song might never have come into existence. I hope that through 'The Lord is My Shepherd,' many people will find the strength to take a step forward in a life that feels like a miraculous journey led by the Lord..
The Lord is My Shepherd (ì£¼ë‹˜ì€ ë‚˜ì˜ ëª©ìž)
Chorale SATB
Karl Kang
$2.99 2.54 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1044629 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #649243. Published by Kevin G. Pace (A0.1044629). A beautiful, joyful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Those who seek peace lean on the Lord, hearkening every day, Comforting others, marking His words, following His righteous ways. Those who seek peace lean on His Name, choosing to always believe, Asking for rescue, banishing fear, blessing with sacred relief. Lean on the Lord; in Him abide. Doubt not the calm He provides. Lean on the Lord; lean on His grace. Bring souls to His sacred place. Those who seek peace lean on His oaths, doubting not God’s sacred vows, Loving a neighbor, pardoning faults, begging for gifts to endow. Those who seek peace lean on His voice, caring for others who plead, Lending a stillness, causing a hush, succoring those most in need. Lean on the Lord; lean on His ways. He will grant peace ev’ry day. Lean on the Lord; lean on His love To be his children above.
Lean On the Lord, a sacred hymn
Chorale SATB

$1.99 1.69 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1058289 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Kevin G. Pace #662610. Published by Kevin G. Pace (A0.1058289). Beautiful, joyful, sacred music for SATB choir with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Those who seek peace lean on the Lord, hearkening every day, Comforting others, marking His words, following His righteous ways. Those who seek peace lean on His Name, choosing to always believe, Asking for rescue, banishing fear, blessing with sacred relief. Lean on the Lord; in Him abide. Doubt not the calm He provides. Lean on the Lord; lean on His grace. Bring souls to His sacred place. Those who seek peace lean on His oaths, doubting not God’s sacred vows, Loving a neighbor, pardoning faults, begging for gifts to endow. Those who seek peace lean on His voice, caring for others who plead, Lending a stillness, causing a hush, succoring those most in need. Lean on the Lord; lean on His ways. He will grant peace ev’ry day. Lean on the Lord; lean on His love To be his children above.
Lean On the Lord, sacred music for SATB choir
Chorale SATB

$1.99 1.69 € Chorale SATB PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 236. Boothe Publishing #4632021. Published by Boothe Publishing (A0.1069947). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
A Storm is Gathering Piano Minus Vocal
Piano seul

$1.99 1.69 € Piano seul PDF SheetMusicPlus

Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publishing #4633697. Published by Boothe Publishing (A0.1069968). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
A Storm is Gathering Piano Vocal Performance

$1.99 1.69 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 7 pages. Boothe Publishing #4360789. Published by Boothe Publishing (A0.983990). 1st Kings 19: Verses 11 & 12When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
A Storm is Gathering PVG
Piano, Voix

$3.99 3.39 € Piano, Voix PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.790 Composed by C.A. White. Children sleeping, Mothers & children, Storms, Snow, Lampposts, Crimes, Police stations, Families, Orphans, Abandoned children, Homeless children, Poor persons. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.790). Wreath of Songs. Please Let My Brother Go. Song & Chorus. Poem by Dexter Smith. Music By C.A. White. Published 1871 by White, Smith & Co. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Children sleeping, Mothers & children, Storms, Snow, Lampposts, Crimes, Police stations, Families, Orphans, Abandoned children, Homeless children, Poor persons. First line reads My brother did to mean to steal, his conscience told him 'twas not right.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Wreath of Songs. Please Let My Brother Go. Song & Chorus
Chorale SATB
C A
$5.99 5.09 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company.   At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc.   At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process.   The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral.   In the premiere, the Robinson Ballet will dance in the orchestral movements.  The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man.   It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor.   God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre

$9.99 8.49 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.954420 Composed by Robert Ashford. Contemporary. Score. 1 pages. Robert Ashford #3008887. Published by Robert Ashford (A0.954420). From Robert Ashford’s CD, Where Are The Heroes and Heroines? (available on cdbaby.com)Other selections from the CD available on Sheet Music Plus:Beauty of Love (Flute and Piano)Beauty of Love (Violin)Because (String Quartet)Children’s Dance (Piano)Crazy Waltz (Piano)Far and Near Love Song (Violin and Cello)Father Rondo (Piano)Here We Come (Woodwind Sextet)Life Like Water Flowing (Piano)Rise and Fall and Peaceful Rest (Violin, Cello, and Piano)Short and Suite for Violin and CelloSummer’s End (Piano Version)Summer’s End (String Quartet)Where Are the Heroes and Heroines? (Piano)Young and Old Together (Violin and Cello)Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
Where Are The Heroes and Heroines? (Piano Solo)
Piano seul

$4.99 4.24 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1345130 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #930064. Published by Phyllis Love (A0.1345130). We'll Be Together Again for intermediate pianoThis 1945 ballad was written by Carl Fisher and Frankie Lane. Here we have a sentimental treatment of a 40's ballad with a nice bass line accompanying the melody, as well as rich chords.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
We'll Be Together Again
Piano seul
Frankie Laine
$5.99 5.09 € Piano seul PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.901487 Composed by Hayden Woods. Instructional. Guitar Tab. 3 pages. Hayden Lee Woods #5998889. Published by Hayden Lee Woods (A0.901487). In working on concepts to break away from some of the more tonal aspects of music, I have been working on some exercises focused on scales that are not utilized in a classical sense, which brings us to this file.The whole-tone scale series uses the concept in the name: only whole steps, no half steps. For guitar, the best way to visualize the scale is by performing this scale by picking a string and playing only the even frets or odd frets on that string in order (0-2-4-6-8-10-12 or 1-3-5-7-9-11-13) to get that string's basic whole tone scale. This sheet music exercises the C and C# whole tone scales as they are the common anchors of whole tone scales, working all six strings and some techniques to maneuver appropriately. With this you get the two whole-tone scales and two exercises in each of the keys to get started on a less standard procedure! Enjoy!!!
Whole-Tone Scales & Exercises
Guitare notes et tablatures

$2.39 2.03 € Guitare notes et tablatures PDF SheetMusicPlus






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