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Violin Solo - Level 3 - Digital Download SKU: A0.1196711 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. 4 pages. Samuel Sequeira #795874. Published by Samuel Sequeira (A0.1196711). When I Get There - Pink - ViolinPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This arrangement of When I Get There by Pink for violin with chords features the key of D Major and captures the emotional depth of the song. The violin part has been expertly crafted to include the vocal melody while also incorporating beautiful violin techniques, making it a joy to play for intermediate and advanced players. The guitar chords provide a deeper understanding of the underlying harmony, creating a beautiful and engaging musical experience. Whether you're a violinist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this violin arrangement with chords in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
When I Get There
Violon
Pink
$4.99 4.26 € Violon PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.1196753 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #795915. Published by Samuel Sequeira (A0.1196753). When I Get There - Pink - ViolaPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This arrangement of When I Get There by Pink for viola with piano accompaniment features the key of D Major and captures the emotional depth of the song. The viola part has been expertly crafted to include the vocal melody while also incorporating beautiful viola techniques, making it a joy to play for intermediate and advanced players. The piano accompaniment provides a rich harmonic texture. Whether you're a violist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this viola arrangement with piano accompaniment in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
When I Get There
Alto, Piano
Pink
$4.99 4.26 € Alto, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1198336 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #797515. Published by Samuel Sequeira (A0.1198336). When I Get There - Pink - CelloPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This arrangement of When I Get There by Pink for cello with piano accompaniment features the key of D Major and captures the emotional depth of the song. The cello part has been expertly crafted to include the vocal melody while also incorporating beautiful cello techniques, making it a joy to play for intermediate and advanced players. The piano accompaniment provides a rich harmonic texture. Whether you're a cellist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this cello arrangement with piano accompaniment in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
When I Get There
Violoncelle, Piano
Pink
$4.99 4.26 € Violoncelle, Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1196706 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. 18 pages. Samuel Sequeira #795869. Published by Samuel Sequeira (A0.1196706). When I Get There - Pink - ViolinPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This arrangement of When I Get There by Pink for violin with piano accompaniment features the key of D Major and captures the emotional depth of the song. The violin part has been expertly crafted to include the vocal melody while also incorporating beautiful violin techniques, making it a joy to play for intermediate and advanced players. The piano accompaniment provides a rich harmonic texture, creating a beautiful and engaging musical experience. Whether you're a violinist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this violin arrangement with piano accompaniment in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
When I Get There
Violon et Piano
Pink
$4.99 4.26 € Violon et Piano PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1308264 Composed by Haim Saban, Jeremy Adam Sweet, Ron Kenan, and Shuki Levy. Arranged by Elizabeth Essex. 21st Century,Children,Classical,Pop,Rock. Score. 4 pages. Elizabeth Essex #897497. Published by Elizabeth Essex (A0.1308264). This arrangement of 'Avengers Theme' from the Avengers movie series is for beginner piano students in their first or second year of study. Leveled for students who have mastered Faber Piano Adventures Primer Level, Wunderkeys Primer 3, or equivalent. Easy, Middle C position reading. Requires 2-hand coordination, includes accidentals (sharps and flats) and eighth notes. 2 pages of sheet music.See my other arrangements:Sheet Music Press (copyrighted music available)https://www.sheetmusicplus.com/publishers/elizabeth-essex-sheet-music/3018847Sheet Music Direct (copyrighted music available)https://www.sheetmusicdirect.com/en-US/Search.aspx?query=Elizabeth%20EssexTop Music Marketplace (piano studio licenses available)https://topmusicmarketplace.com/pages/seller-profile/elizabeths-music-artsTeachers Pay Teachers (classroom licenses available)https://www.teacherspayteachers.com/Store/Elizabeths-Music-And-ArtsContactTo commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: https://elizabethmusicnarts.wordpress.com
Avenger Theme
Piano Facile

$5.50 4.69 € Piano Facile PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.835445 Composed by Stuart Brown. Concert,Contemporary. Octavo. 17 pages. Stuart Brown Music #1921315. Published by Stuart Brown Music (A0.835445). Duration 2'35, this may work for church services if the subject is a celebration of freedom, although it is intended primarily for concert use. This is a dazzling piece of choral music, for the choir looking for something with wow factor. Arranged by the composer from the third song in his Idylls cycle, the music assimilates the concept of freedom in a way that is dazzling in its effect: conventionally modal choir harmonies yet with total fluidity of modulation; having a regular metre and yet always trying to break free from it; a piano accompaniment that is a work of art in its own right (and needs to be played as such), a rippling tapestry of sound whose rhythms cut across those of the choir yet whose harmonies complement the voices perfectly. Together the piano and choir demonstrate more clearly than could words alone, that freedom and diversity working together can achieve great things. This is a celebration of liberty and its place in the civilisations of the United Kingdom, the United States of America and all other countries where freedom of expression is valued and inspires people to majestic works. The choir parts are of intermediate difficulty. The piano part requires a fairly proficient pianist. Well worth the effort and thoroughly recommended.
Of old sat freedom on the heights
Chorale SATB

$3.99 3.4 € Chorale SATB PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.5378 Composed by Bertha Metzler. Fads, Clothing & dress, Fairs, Gambling, Card playing, Divorce. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5378). I Wonder What They Will do Next? Topical Song and Chorus. Composed by Bertha Metzler. Published 1893 by Wm. A. Pond & Co., 25 Union Square in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Fads, Clothing & dress, Fairs, Gambling, Card playing, Divorce. First line reads The fashions keep changing they say, I wonder what they will do next?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
I Wonder What They Will do Next? Topical Song and Chorus
Piano, Voix

$5.99 5.11 € Piano, Voix PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
Orchestre

$9.99 8.52 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
Mass for the Holy Year 2000, pt. 2 (2000) for SATB soloists, chorus and orchestra
Orchestre

$9.99 8.52 € Orchestre PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1214466 Composed by Sy Brandon. 20th Century,Chamber,Contemporary. 78 pages. Sy Brandon #811453. Published by Sy Brandon (A0.1214466). Divertissement was composed during 2005 for the Cadence Music Ensemble and rewritten in 2010 for Bret Pimentel, a virtuoso performer on multiple woodwinds. This version was created in 2023 and is a showcase for members of the quintet. A divertissement is a multi-movement composition designed to divert, entertain or to amuse. There are six contrasting movements in this composition; Intrada (flute feature), Nocturne (Horn feature), Valse (bassoon feature), Marche (clarinet feature), Romanza (oboe feature), and Galop (spotlight on members of the ensemble). The Intrada is energetic and playful with a lot of interplay between instruments. The Nocturne, being a night piece, is both lyrical and mysterious. The Waltz is in a flowing waltz tempo with occasional shifts away from three beats in the measure. The Marche is not a piece that would be used in a parade. It is a march that exists in the mind of a child who is playing with toy soldiers; therefore there is playfulness and humor that would not occur in a functional march. Lyrical lines and expressiveness are the predominating features of the Romanza. The piece comes to a rousing close with the Galop, which is a “perpetual motion†type of movement with a lot of rhythmic variety.
Divertissement for Wind Quintet (A showcase for members of the quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$15.00 12.79 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780036 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. Concert,Standards. Individual part. 15 pages. Graham Boag #5023179. Published by Graham Boag (A0.780036). The Lost Chord is a song composed by Arthur Sullivan in 1877  at the bedside of his brother Fred during Fred's last illness.  The manuscript is dated 13 January 1877; Fred Sullivan died five days later.  The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord,  published in 1858 in The English Woman's Journal.   The song was immediately successful and became particularly associated with  American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds,  and with British contralto Clara Butt.   Sullivan was proud of the song and later noted:  I have composed much music since then,  but have never written a second Lost Chord.  Many singers have recorded the song, including Enrico Caruso, who sang it at the  Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims  of the Titanic disaster.   The piece has endured as one of Sullivan's best-known songs,  and the setting is still performed today.  .
The Lost Chord for Double Bass Choir
Contre Basse

$15.99 13.64 € Contre Basse PDF SheetMusicPlus

Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.780114 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. 20th Century. Score and parts. 30 pages. Graham Boag #6474497. Published by Graham Boag (A0.780114). The Lost Chord is a song composed by Arthur Sullivan in 1877at the bedside of his brother Fred during Fred's last illness.The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord,published in 1858 in The English Woman's Journal.The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds,and with British contralto Clara Butt.Sullivan was proud of the song and later noted:I have composed much music since then,but have never written a second Lost Chord.Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victimsof the Titanic disaster.The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today.Alternative Treble Clef parts included
The Lost Chord for Tuba Choir

$22.99 19.61 € PDF SheetMusicPlus

Tenor Trombone,Trombone Solo - Level 3 - Digital Download SKU: A0.1227780 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823743. Published by Tim Curd (A0.1227780). Trombone Scales Grade 5 (Bass Clef). For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed tongued only. The candidate will only need to learn one type of minor scale: either harmonic or melodic.A Major Scale: a 12thA Major Arpeggio: a 12thC Major Scale: a 12thC Major Arpeggio: a 12thF Major Scale: a 12thF Major Arpeggio: a 12thG Major Scale: 2 OctavesG Major Arpeggio: 2 OctavesA Harmonic Minor Scale: a 12thA Melodic Minor Scale: a 12thA Minor Arpeggio: a 12thC Harmonic Minor Scale: a 12thC Melodic Minor Scale: a 12thC Minor Arpeggio: a 12thEb Harmonic Minor Scale: 1 Octave and down to the dominantEb Melodic Minor Scale: 1 Octave and down to the dominantEb Minor Arpeggio: 1 Octave and down to the dominantG Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesF Chromatic: 2 OctavesWhole Tone in F, 2 OctavesDominant 7th in the key of Bb, 2 Octaves resolving on the tonicDominant 7th in the key of C, 2 Octaves resolving on the tonicDiminished 7th in F: 2 Octaves.
Trombone Scales (bass clef) Grade 5. For the new ABRSM Syllabus from 2023.
Trombone

$1.99 1.7 € Trombone PDF SheetMusicPlus






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