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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855253 Composed by Charles Austin Miles (1868-1946). Arranged by Joseph Pugh. Christian,Sacred. Score and parts. 9 pages. Joseph Pugh #6506087. Published by Joseph Pugh (A0.855253). In the Garden (sometimes rendered by its first line I Come to the Garden Alone is a gospel song written by American songwriter C. Austin Miles (1868–1946), a former pharmacist who served as editor and manager at Hall-Mack publishers for 37 years.The song was first published in 1912 and popularized during the Billy Sunday evangelistic campaigns of the early twentieth century by two members of his staff, Homer Rodeheaver and Virginia Asher .Roy Rogers and Dale Evans recorded the song with vocal quartet and orchestra on March 3, 1950.[2] Tennessee Ernie Ford performed the song on his 1956 platinum album Hymns. A June 18, 1958 recording by Perry Como was part of his album When You Come to the End of the Day.- wikipedia This BQ arrangement by, Joseph Pugh attempts to breathe new life in to this old tune.
In The Garden (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$19.99 17.07 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465870 Composed by James F. Linzey and George Elvey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044467. Published by Military Bible Association (A0.1465870). History of the United States Coast Guard and the Coast Guard HymnIn 1915 the United States Congress formed the United States Coast Guard (USCG) when it combined the Revenue Cutter Service with the Life-Saving Service.  The Coast Guard became the sole maritime arm of the United States Armed Forces with the purpose of saving people in danger at sea and enforcing America’s maritime laws. In 1939, the Coast Guard assumed responsibility for the Lighthouse Service and maintenance of aids to maritime navigation. In 1946 the Coast Guard assumed oversight of the Bureau of Marine Inspection and Navigation, including merchant marine licensing and merchant vessel safety. And in 1967, the Coast Guard assumed the administration of bridges over navigable waterways. The Coast Guard serves under the Department of Homeland Security in peacetime, but under the Department of the Navy in war. Missions include protecting the environment, and securing the nation by enforcing Federal laws on the high seas, on the nation's coastal waters, and in the nation’s inland waterways.  At one time, under its former name, the Coast Guard was the only Unted States Armed Force at sea. On August 4, 1790, President George Washington signed the Tariff Act, providing funds to finance the construction of ten ships to enforce Federal tariff and trade laws. Throughout much of its history, the Coast Guard used verse one of the Navy Hymn in its chapel services, because it did not have its own hymn. So, on June 18, 2024, hymn writer James F. Linzey, who dubbed the Coast Guard as the “Ruler of Land and Sea,” since it patrolled the shores and the seas, felt inspired to write the United States Coast Guard hymn. He felt that a score that matched the majesty of the Navy Hymn would be appropriate. Therefore, he chose “Diademata” by Elvey. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
Ruler of Land and Sea (The United States Coast Guard Hymn)
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1251775 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Historic,March,Patriotic. 20 pages. Matthew Nunes Music #845988. Published by Matthew Nunes Music (A0.1251775). Written in thanks to the Board of Directors of the 1893 St. Louis Exposition, who honored Sousa during a special ceremony in the exposition’s final week. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Directorate was composed in 1894, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 3, No. 50.
The Directorate
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$1.99 1.7 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47101 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: score. Downloadable, score. Duration 16 minutes. Schott Music - Digital #Q47101. Published by Schott Music - Digital (S9.Q47101). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design.The piece is dedicated to the two Bills (Cadman and Frisell).
After the Requiem

$18.99 16.22 € PDF SheetMusicPlus

Electric guitar, 2 violas and cello - Digital Download SKU: S9.Q47102 For electric guitar, 2 violas and cello. Composed by Gavin Bryars. This edition: set of parts. Downloadable, set of parts. Duration 16 minutes. Schott Music - Digital #Q47102. Published by Schott Music - Digital (S9.Q47102). I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is after the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design. The piece is dedicated to the two Bills (Cadman and Frisell).
After the Requiem

$29.99 25.61 € PDF SheetMusicPlus






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