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Piano Solo - Level 3 - Digital Download SKU: A0.984314 Composed by Various. Arranged by Michael Ward. Baroque,Classical,Concert,Musical/Show. Score. 12 pages. BGMA Publications #3674899. Published by BGMA Publications (A0.984314). Seven arrangements of 7 famous pieces that are ideal for intermediate beginners of all ages!Great concert pieces!Can be played as a complete Suite or as individual pieces: BACH: 'Jesu Joy of Man's Desiring' - Chorale theme; BEETHOVEN: Bagatelle 'Fur Elise' - Main theme; SCHUBERT: 'Wiegenlied' - Main theme; LARIONOV: 'Kalinka' - Main theme, TRAD: 'In a Field Stood a Birch Tree'; SCHONBERG: 'Castle in a Cloud' (Les Miserables) - Main theme; THEODORAKIS: 'Zorba the Greek' - Main theme. Lots of possibilities for musical development: covers Neo-Baroque Styles to Minimalism.Addresses many technical and musical issues.
SEVEN FAMOUS PIECES
Piano seul

$8.95 7.62 € Piano seul PDF SheetMusicPlus

2 orchestra - Digital Download SKU: S9.Q6445 New Version 1994. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 40 minutes. Schott Music - Digital #Q6445. Published by Schott Music - Digital (S9.Q6445). Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom (Stars in the Night), later the first bars of Mikis Theodorakis hymn of freedom is heard. The second movement is based on the poem Fe de erratas (errata sheet) by Miguel Barnet. In the original version, the three parts of the symphony merge without interruption. In the revised version, I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound, the most significant alternation in comparison to the first version is that I fully composed all of the aleatoric passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control. - Hans Werner HenzeOrchester I: 2 (2. auch Picc.) · 0 · Engl. Hr. · 0 · Bassklar. · 2 (2. auch Kfg.) - 2 · 0 · 3 · 0 - S (I: 3 Bong. · Glsp. · Vibr.; III: Tamt. · kl. Tr. · gr. Tr. · Metallplatte · 3 Kuhgl.) - Git. (auch Banjo oder Charango mit Kontaktmikr. ad lib.) · Hfe. · Klav. - Str. (6 · 6 · 6 · 6 · 4) Orchester II: 0 · Altfl. · 2 · 2 (2. auch Piccoloklar.) · Tenorsax. · 0 - 2 · 3 (3. auch Trp. in hoch B) · 0 · 0 - P. S. (II: Mar. · hg. Bambusstäbe · Kettenrassel auf Beck. · Kettenrassel auf Paukenfell · Marimba; IV: 3 hg. Beck. · Tamt. · 9 Tomt. · Guiro · Metallplatte) - E-Org. (Beat-Org.) - Violine mit Kontaktmikr. - Str. (6 · 6 · 6 · 6 · 4).
Sinfonia N. 6

$45.99 39.16 € PDF SheetMusicPlus






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