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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4753 Composed by William Warren Bentley. Grooming, Courtship, Interpersonal relations. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4753). Beautiful Compositions by the Favorite Authors and Composers. Flirting on Our Block. Humorous Song and Chorus. Words by Theodore D.C. Miller, M.D. Music by W. Warren Bentley. Published 1880 by William J.A. Lieder, Son of and Successor to Mrs. Pauline Lieder, 60 Chatham Street in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Grooming, Courtship, Interpersonal relations. First line reads It's nice, they say, but naughty, as all good folks can tell.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Flirting on Our Block. Humorous Song and Chorus
Chorale SATB

$5.99 5.09 € Chorale SATB PDF SheetMusicPlus

Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.55 € Piano, Voix PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1285536 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 19th Century,Romantic Period. 15 pages. Lisa L Ochoco #876641. Published by Lisa L Ochoco (A0.1285536). Théodore Dubois was a French composer and organist who was well-known in the Paris music scene, due to his position as a professor of harmony at the Paris Conservatoire.  Most of his works were religious ones.  He had hoped for a successful opera career, but that unfortunately did not happen.Agnus Dei was originally a vocal duet with piano, which translates well as an instrumental duet.  I extended the piece to include some key changes to add interest.  Otherwise, the piece remains mostly as the composer wrote it.This arrangement is suitable for musicians with intermediate music skills.Scored for 2 violins and piano.Duration: 4.25 minutes.
Agnus Dei for Violin Duet and Piano
Violon et Piano

$12.00 10.2 € Violon et Piano PDF SheetMusicPlus

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
So Let Us Live - Really Live! for baritone and piano
Voix Baryton, Piano

$28.00 23.8 € Voix Baryton, Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.584913 Composed by Theodore Baker. Arranged by Jeff Tincher. Christian,Christmas,Jazz,Sacred. Score. 5 pages. Jeff Tincher #6086847. Published by Jeff Tincher (A0.584913). This is a smooth jazz arrangement of a grand old hymn. I originally heard this arrangement on a CD I purchased from the budget Christmas section. The CD had no band name on it. Doing some research I found that the band is Wordharmonic. The title of the CD is Light Jazz Christmas. The original hymn is in 7/4. This arrangement is mainly 4/4 with some 6/4, 2/4, and 3/4 measures. Duration = 4:11. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
Lo, How A Rose E'er Blooming
Piano seul

$5.99 5.09 € Piano seul PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.942063 Composed by Apostolos Paraskevas. Contemporary,Sacred. Score. 4 pages. Silver Sickle Publications #4755049. Published by Silver Sickle Publications (A0.942063). Hope By Emily Dickinson Hope is the thing with feathers -That perches in the soul -And sings the tune without the words -And never stops - at all -And sweetest - in the Gale - is heard And sore must be the storm -That could abash the little Bird- That kept so many warm -I’ve heard it in the chillest land -And on the strangest Sea -Yet - never - in Extremity, It asked a crumb - of me.  Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece.  He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar).  His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music.The Groves Dictionary of Music Costas Tsougras
Hope
Piano, Voix et Guitare
Emily Dickinson

Hope is the thing with feathers -That perches in the soul -And sings the tune without the words -And never stops - at all -And sweetest - in the Gale - is heard And sore must be the storm -That could abash the little Bird- That kept so many warm -I’ve heard it in the chillest land -And on the strangest Sea -Yet - never - in Extremity, It asked a crumb - of me

 

Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer
$3.99 3.39 € Piano, Voix et Guitare PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-12E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 41, No. 6: Amour me tue from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.55 € Piano, Voix PDF SheetMusicPlus

Piano and voice; ukulele - Digital Download SKU: LV.8989 Composed by Thurlow Lieurance. Flowers, Native Americans, Symbols, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8989). Ghost Pipes. Song. Words by Charles O. Roos. Music by Thurlow Lieurance. Published 1923 by Theodore Presser Co., 1712 Chestnut Str. in Philadelphia. Composition of sectional with piano and voice; ukulele instrumentation. Subject headings for this piece include Flowers, Native Americans, Symbols, Death. First line reads The Night Wind sighs, and trees are talking.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Ghost Pipes. Song

$5.99 5.09 € PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.1285739 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 19th Century,Romantic Period. 15 pages. Lisa L Ochoco #876834. Published by Lisa L Ochoco (A0.1285739). Théodore Dubois was a French composer and organist who was well-known in the Paris music scene, due to his position as a professor of harmony at the Paris Conservatoire.  Most of his works were religious ones.  He had hoped for a successful opera career, but that unfortunately did not happen.Agnus Dei was originally a vocal duet with piano, which translates well as an instrumental duet.  I extended the piece to include some key changes to add interest.  Otherwise, the piece remains mostly as the composer wrote it.This arrangement is suitable for musicians with intermediate music skills.Scored for 2 violas and piano.Duration: 4.25 minutes.
Agnus Dei for Viola Duet and Piano
Alto, Piano

$12.00 10.2 € Alto, Piano PDF SheetMusicPlus






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