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High Voice,Vocal Solo - Level 2 - Digital Download

SKU: A0.1141419

Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419).

William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.

The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€

This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.

Little lamb, who made thee? / Dost thou know who made thee,
Gave thee life, and bid thee feed / By the stream and o'er the mead;
Gave thee clothing of delight, / Softest clothing, woolly, bright;
Gave thee such a tender voice, / Making all the vales rejoice?
Little lamb, who made thee? / Dost thou know who made thee?

Little lamb, I'll tell thee; / Little lamb, I'll tell thee:
He is called by thy name, / For He calls Himself a Lamb.
He is meek, and He is mild, / He became a little child.
I a child, and thou a lamb, / We are called by His name.
Little lamb, God bless thee! / Little lamb, God bless thee!

Soprano range C4-G5; Tenor range C3-G4

©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment Voix haute
the stream and o'er the mead;
Gave thee clothing of delight, / Softest clothing, woolly, bright;
Gave thee such a tender voice, / Making all the vales rejoice?
Little lamb, who made thee? / Dost thou know who made thee?

Little lamb, I'll tell thee; / Little lamb, I'll tell thee:
He is called by thy name, / For He calls Himself a Lamb

He is meek, and He is mild, / He became a little child

$4.99 4.69 € Voix haute PDF SheetMusicPlus

Bass Clarinet Solo - Level 5 - Digital Download

SKU: A0.1023049

Composed by Kyle Rowan. Contemporary. Individual part. 8 pages. Penguinman Music #4595925. Published by Penguinman Music (A0.1023049).

Flicker is a varied and playful work for solo bass clarinet composed for Calvin Falwell.  The piece provides the larger clarinet with a degree of lightness perhaps more characteristic of its smaller brethren, with sections of agile flourishes, pointillistic staccato, and lyrical melodies juxtaposed against each other.  The instrument's strength remains evident, however, particularly in the lower register.  The playfulness emerges not only in the materials, but in the formal design, as the clarinetist flits from one character to another quickly and suddenly, rarely staying in one place for very long.  The virtuosity that the work requires is therefore about more than technical skill; the performer must also navigate these changes of character and style with a balance and fluency that allows for cohesion between these disparate elements.   

Flicker

$12.00 11.27 € PDF SheetMusicPlus

Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Viola,Violin - Level 4 - Digital Download

SKU: A0.530159

Composed by Gus Kahn, Ernie Erdman, Dan Russo. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show,Pop. Score and parts. 23 pages. Last Resort Music Publishing #2082095. Published by Last Resort Music Publishing (A0.530159).

Perform this upbeat hit sung by Al Jolson in the Academy Award Winning movie, The Jazz Singer. This quintessential song will bring out the Swing in any small ensemble! Parts included in Set Music Sample Part 1 Flute or Oboe or Violin Part 1 Clarinet Part 2 Flute or Oboe or Violin Part 2 Clarinet Part 2 Viola Part 3 Cello or Bassoon Part 3 Bass Clarinet Keyboard or Guitar Score (Parts 1-3 in C) Playable by Two Violins & Cello or Flute & Oboe & Bassoon or String Trio (Violin, Viola, Cello), Piano Trio & More. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, the arrangements could be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played.

Toot, Toot, Toostie for Sting, Woodwind, or Piano Trio Full Set of Parts
Trio à Cordes: violon, alto, violoncelle

$16.95 15.91 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download

SKU: A0.800220

Composed by Erik Satie. Arranged by Samantha J Bramley - stringspirational@gmail.com. Romantic Period,Wedding. Score and parts. 10 pages. Samantha Bramley #6014499. Published by Samantha Bramley (A0.800220).

Gymnopédie No. 1, by Erik Satie for ‘cello quartet plus continuo (‘cello or bass)

This iconic piano piece is one of the most recognisable and widely used classical pieces in the popular repertoire. It is both beautifully simple and elegant making this arrangement accessible to ensembles of beginner/early intermediate standard. Each of the 4 'cello parts has a turn at the melody, and the very easy ‘continuo’ can be played by either ‘cello or double bass. All parts are written in bass clef and none go above 4th position making it perfect for student groups. I like to play it with all ‘cello parts muted (con sordini) but mutes are generally not used on double bass. If playing with both ‘cello 5 and bass, try sempre pizzicato in the bass part for an interesting effect.

Note from the arranger: All my arrangements for 'cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the 'cello in mind - no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced 'cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of individual parts is included.

I also specialise in string arrangements giving the ‘cello and viola a fair share of the limelight! Contact Samantha at stringspirational@gmail.com for more information.

Gymnopédie No. 1 arranged for 'cello/bass ensemble
Violoncelle, Contrebasse (duo)

$5.99 5.62 € Violoncelle, Contrebasse (duo) PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download

SKU: A0.1288210

By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. 59 pages. Bennett A Rabiega #863243. Published by Bennett A Rabiega (A0.1288210).

This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and piano accompaniment. A fully orchestrated version is available, as is a version with reduced orchestration.

1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)

O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
Chorale SATB
Bennett Rabiega
$9.95 9.34 € Chorale SATB PDF SheetMusicPlus

String Ensemble,String Trio Double Bass - Level 1 - Digital Download

SKU: A0.844441

Composed by Anon. Arranged by Phil Beaman. Folk,Gospel,Instructional,Jazz,Spiritual. Score and parts. 7 pages. Phil Beaman #3363155. Published by Phil Beaman (A0.844441).

Rock-a-my-Soul is a Traditional song that is equal parts folk, gospel, spiritual, and camp song.  Therefore, it is great for school, church, lessons, or with friends in the room.
This easy, lively arrangement is divided into five 8-bar sections:  Intro, Verse 1 with accented rhythm, Chorus with a jazzy walking bass line, Verse 2 with fuller harmonies, (all sections repeated) then Coda.
The Melody goes back and forth between Parts I and II and stays within the range of 1 octave.  Part III is super easy and just gently rocks back and forth between 4 repeated half notes (minims) to help anchor the beat and maintain harmony and key while the other parts move around and syncopate.

This song teaches light syncopation with a tie into Beat 3.  Great harmonies are created when all 3 parts are together.  But you won't think of that because this version is so much fun to play!
Rock-a-my-Soul - Double Bass Trio

$5.99 5.62 € PDF SheetMusicPlus

Flute Duet Flute - Level 4 - Digital Download

SKU: A0.1182916

By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #782665. Published by Helene Schulthess (A0.1182916).

You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528
The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)

Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.

Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.

The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.

The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).

The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).

* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Swiss Folk Dance for two flutes and piano – 22 Canton Wallis – Ländler
2 Flûtes traversières, Piano
Helene Schulthess
$6.00 5.63 € 2 Flûtes traversières, Piano PDF SheetMusicPlus

Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.1002409

By The Four Seasons. By Bob Gaudio and Judy Parker. Arranged by Ben Trigg. Pop,Rock. 8 pages. OlivePress Music #6645105. Published by OlivePress Music (A0.1002409).

Chord chart with horn cues for the band leader, and parts for Alto and Tenor Sax, Trumpet in Bb and Trombone (not all parts need to be covered to make an effective horn section). These charts are intended for use in function bands where the band leader can call the arrangements on the fly, therefore exact structures are not always fully represented, but often indicated through general verbal instructions. Used in real life with my function band, the staff size is great for low-light situations on paper or for displaying on a tablet smaller than A4.

Find the complete 'For Pop Covers' catalogue from OlivePress Music at
https://olivepressmusic.com/for-pop-covers/

December 1963 (oh, What A Night) The Four Seasons
$12.99 12.2 € PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.530733

Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 30 pages. Last Resort Music Publishing #4887849. Published by Last Resort Music Publishing (A0.530733).

An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.

The following 6 parts plus score are included in the set:
Part 1 Flute or Oboe or Violin
Part 2 Flute or Oboe or Violin
Part 3 Viola
Part 3 Violin
Part 4 Cello or Bassoon
Keyboard or Guitar
Score

Don't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and  www.lastresortmusic.com

Published by Last Resort Music Publishing www.lastresortmusic.com

Overture from The Nutcracker for String Quartet (or Mixed Quartet or Piano Quintet)
Orchestre de chambre

$9.95 9.34 € Orchestre de chambre PDF SheetMusicPlus

Small Ensemble,Strings - Level 3 - Digital Download

SKU: A0.726264

Composed by Giulio Caccini. Arranged by Joel Jacklich (ASCAP). Baroque,Contemporary,Sacred,Wedding. Score and parts. 10 pages. Joel Jacklich #6718459. Published by Joel Jacklich (A0.726264).

Giulio Caccini's setting the Ave Maria, made famous by Andrea Bocceli and Charlotte Church, is here presented in the key of E minor.  Range for mezzo or alto would be B3-E5, tenor or baritone an octave lower, B2-E4.  Other keys are also posted here for other vocal ranges, as the arrangements cannot just be transposed due to the problems with required double-stops in the strings; therefore each arrangement is specific to its key and the ease or difficulty of performing the double-stops on violin or viola.

Ave Maria (Caccini) E minor for voice and string quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$12.99 12.2 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.1002410

By Daft Punk Featuring Pharrell Williams. By Guy Manuel Homem Christo, Nile Rodgers, Pharrell, and Thomas Bangalter. Arranged by Ben Trigg. Contemporary. 7 pages. OlivePress Music #6645639. Published by OlivePress Music (A0.1002410).

Chord chart with horn cues for the band leader, and parts for Alto and Tenor Sax, Trumpet in Bb and Trombone (not all parts need to be covered to make an effective horn section). These charts are intended for use in function bands where the band leader can call the arrangements on the fly, therefore exact structures are not always fully represented, but often indicated through general verbal instructions. Used in real life with my function band, the staff size is great for low-light situations on paper or for displaying on a tablet smaller than A4.

Find the complete 'For Pop Covers' catalogue from OlivePress Music at
https://olivepressmusic.com/for-pop-covers/

Get Lucky Daft Punk Featuring Pharrell Williams
$12.99 12.2 € PDF SheetMusicPlus

String Ensemble,String Quintet - Level 3 - Digital Download

SKU: A0.767815

Composed by John W. Bratton. Arranged by Ellen Harle. 20th Century,Children. Score and parts. 27 pages. Fireworks Music #5796691. Published by Fireworks Music (A0.767815).

This charming and popular children's song is arranged here for strings. It would work for quartet (2 violins, viola or violin 3, and cello), String Quintet with the inclusion of double bass, or string orchestra or ensemble. The included violin 3 part is primarily viola in treble clef, if a viola player is not available. The violin 1 part includes some third position work, and a simplified cello part is also included if the player finds the string crossings too difficult. This would suit intermediate  level players and therefore suitable for school chamber groups and ensembles. It is particularly enjoyable repertoire for more senior students to perform to younger students. Purchase includes score and all parts. Please enjoy, and remember: don't go into the woods alone!

The Teddy Bears Picnic - String Quartet, String Quintet, String Ensemble or Orchestra

$12.99 12.2 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download

SKU: A0.837493

Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493).

Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire.

The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts.  One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured.

One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.

C.G. Jung

Making the Darkness Conscious
Saxophone Tenor et Piano
the end of the piece, the soloist’s character is transformed into something more ruthless and tortured

One does not become enlightened by imagining figures of light, but by making the darkness conscious
$14.95 14.04 € Saxophone Tenor et Piano PDF SheetMusicPlus

Small Ensemble Guitar,Low Voice - Level 3 - Digital Download

SKU: A0.576041

Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Score and parts. 8 pages. David Warin Solomons #2030189. Published by David Warin Solomons (A0.576041).

Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years, (sound sample performed by the composer) but it also works equally well as an instrumental piece. I have therefore provided versions on this site for guitar with: voice flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes.

Three words too many for alto and guitar

$7.00 6.57 € PDF SheetMusicPlus






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