Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900405 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637525. Published by Gustavo Fuentes (A0.900405). Diamond in the Rough. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The most important symbol of Celtic art is the triskelion. It is made up of three curved legs representing the past, the present and the future. It can also symbolize the balance between mind, body and spirit; the beginning and the end; or constant learning versus eternal evolution.Life is a timeline. Memories from the past can sometimes evoke pleasant images and beautiful experiences in our minds, but they can also fill us with sadness and nostalgia. Thinking of the future can give us hope, but it can also awaken anxiety. The only time when we can truly be, make decisions, and effect change is the present. Today is a gift, a diamond in the rough that we can cut and polish to our liking. Quoting the wise words of Irish author Oscar Wilde in The Picture of Dorian Grey: Life is a moment. There is no hereafter. So make it burn always with the hardest flame. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violín, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El símbolo más importante del arte celta es el trisquel. Formado por tres brazos en espiral representan el pasado, el presente y el futuro, y simboliza el equilibrio entre cuerpo, mente y espíritu, el principio y el fin, el aprendizaje perpetuo y la eterna evolución.Nuestra vida está construida en el tiempo. A veces el pasado nos trae recuerdos gratos y experiencias hermosas; en otros momentos, nos llena de melancolía y añoranza. El futuro puede generarnos esperanza, pero también ansiedad. El único momento donde podemos ser, donde podemos elegir, donde podemos cambiar, es el presente. Deberíamos considerar el ahora como una verdadera joya, como un diamante que podemos tallar y lustrar para que tenga la forma y el brillo que merecemos. Y estaría bien recordar las palabras que el escritor irlandés Oscar Wilde nos dejó en El retrato de Dorian Grey: La vida es el presente, el futuro no existe. Haz que la vida arda siempre con la llama más intensa.

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.515990 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Eve C. Mailly. Folk,Multicultural,Pop,World. Score and parts. 13 pages. Zene Strings #6521377. Published by Zene Strings (A0.515990). Day-O (The Banana Boat Song) is a traditional Jamaican folk song, commonly classified as calypso music.  It is a work song sung from the point of view of dock workers who have finished their night shift and are loading bananas onto ships. The lyrics describe how daylight has come, their shift is over, and they want their work to be counted up so that they can go home.This is a fun little song, both to play, and to hear -- perfect for parties, and other events.  It is arranged for string quartet from your friends at Zene Strings -- enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.515991 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Eve C. Mailly. Film/TV,Folk,Multicultural,Pop,World. Score and parts. 13 pages. Zene Strings #6521411. Published by Zene Strings (A0.515991). Day-O (The Banana Boat Song) is a traditional Jamaican folk song, commonly classified as calypso music.  It is a work song sung from the point of view of dock workers who have finished their night shift and are loading bananas onto ships. The lyrics describe how daylight has come, their shift is over, and they want their work to be counted up so that they can go home.This is a fun little song, both to play, and to hear -- perfect for parties, and other events.  This arrangement is for string trio, with the middle part included in both treble and alto clef, giving you the freedom to perform the piece with either two violins and cello, or violin, viola and cello.  From your friends at Zene Strings -- enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!

Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.991980 Composed by Jayme K .Hayes. Instructional,Standards. 3 pages. Cantabile Music Jayme K. Hayes #3126461. Published by Cantabile Music Jayme K. Hayes (A0.991980). Serenade for Flute Trio is a wonderful piece written for intermediate players. This piece can be played with as little as 3 players, or can be played as a flute choir with more. It is in ABAB format, which will require the performers to find out how they can make the two like sections sound different. It is a wonderful tool to teach ensemble playing, dynamics, legato tonguing and intonation. .

Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness.  Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it.  This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal.  .

Drums - Level 2 - Digital Download SKU: A0.919433 By Vanessa Carlton. By Vanessa Carlton. Arranged by Cameron Duncan. Pop. Score. 4 pages. Cameron Duncan #6440713. Published by Cameron Duncan (A0.919433). A simplified, easier version of Vanessa Carlton's A Thousand Miles, on the drum-set. After seeing students frustrated with the complex drum part, I decided to make it much more approachable so they can still play the song appropriately without having to take the time to learn each and every ghost note and ornament. .

Small Ensemble Cello,Viola,Violin - Interactive Download SKU: A0.481708 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jaclyn L Duncan. This edition: Interactive Download. Pop,Rock,Wedding. Score and parts. 7 pages. Duration 171. Published by Jaclyn Duncan (A0.481708). The Beatles classic, for string duo, trio or quartet. Arrangement inspired by the wedding scene in the film Love Actually where the chorus plays before the verse. A perfect wedding recessional! As seasoned wedding musicians who know how unique each event can be, all of our wedding arrangements are scored such that they can be played in any of the following formats: Solo Violin, Violin and Cello Duo, String Trio (Violin/Violin/Cello), String Trio (Violin, Viola, Cello), String Quartet, Solo Flute, Flute and Cello Duo, Flute/Violin/Cello Trio, Flute/Viola/Cello Trio, Flute/Violin/Viola/Cello Quartet.

Oboe,Piano - Level 5 - Digital Download SKU: A0.1386502 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #970386. Published by jmsgu3 (A0.1386502). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

B-Flat Trumpet,Piano - Level 5 - Digital Download SKU: A0.1385593 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #969556. Published by jmsgu3 (A0.1385593). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1384419 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 26 pages. Jmsgu3 #968693. Published by jmsgu3 (A0.1384419). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1384473 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968744. Published by jmsgu3 (A0.1384473). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

Baritone Saxophone,Piano - Level 5 - Digital Download SKU: A0.1384356 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #968675. Published by jmsgu3 (A0.1384356). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

French Horn,Piano - Level 5 - Digital Download SKU: A0.1385401 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #969383. Published by jmsgu3 (A0.1385401). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1384458 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968722. Published by jmsgu3 (A0.1384458). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

B-Flat Tuba,Piano - Level 5 - Digital Download SKU: A0.1385714 Composed by James M. Guthrie. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 13 pages. Jmsgu3 #969652. Published by jmsgu3 (A0.1385714). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.