Bass Trombone - Level 3 - Digital Download SKU: A0.1392677 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by Aaron Hettinga. 21st Century,A Cappella,Comedy,Patriotic,Pop. 11 pages. Aaron Hettinga #976196. Published by Aaron Hettinga (A0.1392677). This fun and exciting song from pop band AJR is arranged here for a trio of 2 Tenor Trombones and Bass Trombone or Tuba but can also be pulled off with any combination of bass clef instruments: Trombones, Baritones/Euphoniums or Bassoons. The form here emulates the beginning of the AJR track with chorus, verse, chorus, then moves ahead to a different sort of trombone jam/playout (beginning at measure 51) which calls out some London-flavored melodies before a restatement of the last phrase of the chorus.The 1st part keeps the melody throughout this arrangement. There are some lower octave cues in the verse that will allow the player to only have to briefly touch on some F's and G's above the staff a few times if they donâ??t have a high B-flat at the ready. The remaining parts shoulder the greater technical challenge but also have some simplified cue notes available if needed.Optionally, if your group prefers not to undertake the brief tempo change (and Rule Britannia! quote) you can optionally skip measures 57 and 58 without slowing, but the chuckle from your audience will surely be worth the extra effort.

Choral (Clarinet) - Digital Download SKU: H1.C5690DP Piano with Optional Clarinet. Lent, Holy Week, Good Friday. Octavo. 12 pages. Hope Publishing - Digital #C5690DP. Published by Hope Publishing - Digital (H1.C5690DP). Jay Althouse.Original anthem The pilgrimage of Holy Week leads us to the ultimate question What have they done? in this thought-provoking anthem from Jay Althouse. The somber tone and minor key perfectly captures the anguish of Good Friday and the ultimate sacrifice. The choral writing is expressive yet straightforward, and the optional clarinet part (included) adds warmth and color.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1415432 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #997167. Published by Andrew Mc Donald (Macka Records) (A0.1415432). You Don't Like What I'm Saying is a song about a person who gets uptight with the mention of God or Jesus in the context of a bible study or conversation. The heckles go up and a disagreement ensues because they see Jesus in you. Nothing will convince that person otherwise and they will not listen to your side of the story. They do not like what you are saying and as a result they do not like you. This is a scenario that can happen to any christian. This is the piano and vocal score.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers.   Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet!  With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement.  Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley  .

Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.839901 Composed by Michael Jackson. Arranged by Christopher Alexander. Pop,Rock. 51 pages. Christopher Alexander #6069843. Published by Christopher Alexander (A0.839901). Michael Jackson wrote this protest anthem in the mid-1990's and the song reached #30 on the Billboard Top 100.  The music includes strong accents and rhythmic cadences to demonstrate a march-like feel to the performance.  Though controversial at the time of its release, lyrics including the line All I wanna say is that they don't really care about us is a strong message that should be heard in today's world.Octavo also available: https://www.sheetmusicplus.com/title/they-don-t-care-about-us-octavo-digital-sheet-music/21868851

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.839898 Composed by Michael Jackson. Arranged by Christopher Alexander. Pop,Rock. 16 pages. Christopher Alexander #6069839. Published by Christopher Alexander (A0.839898). Michael Jackson wrote this protest anthem in the mid-1990's and the song reached #30 on the Billboard Top 100.  The music includes strong accents and rhythmic cadences to demonstrate a march-like feel to the performance.  Though controversial at the time of its release, lyrics including the line All I wanna say is that they don't really care about us is a strong message that should be heard in today's world.Full score and parts available:https://www.sheetmusicplus.com/title/they-don-t-care-about-us-digital-sheet-music/21868853.

Piano - Digital Download SKU: A0.1064774 Composed by Bela Bartok. Arranged by Marcelo Torca. 20th Century. Full Performance. Duration 65. Marcelo Torca #2614055. Published by Marcelo Torca (A0.1064774). A música Ten Easy Pieces Folk Song They Say They Don't Care de Béla Bartók, tem a interpretação de Marcelo Torca ao piano solo.

Large Ensemble Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Double Bass,Drums,Flute,Guitar,High Voice,Horn,Low Voice,Multi-Percussion,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.790076 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 57 pages. Diamond S Music #3561467. Published by Diamond S Music (A0.790076). WHAT YOU DON’T KNOW ABOUT WOMEN from the musical CITY OF ANGELS. MALE VOCAL DUET in the KEY of F with 17 piece Band accompaniment. FULL SCORE & PARTS. Scored for: Reed 1 (Flute, Bb Clarinet, Alto Sax), Reed 2 (Bb Clarinet, Alto Sax), Reed 3 (Bb Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Bb Trumpet 1 & 2, Horn in F, Bass Trombone, Piano, Synth, Violin 1 & 2, Cello, Acoustic Guitar, Double bass, Drum Set, Percussion. This is an exuberant jazzy song from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This song, in a very jazzy style,  was originally is a fun lament of two women about their men who won’t listen to them. This version is sung by men and causes the meaning to be slightly shifted so that the men say how they don’t understand the women and how they do the things mentioned in the song - Only the pronouns have been flipped from the original. This is in the style of the original Broadway arrangement and in the original Broadway key. This arrangement can also be purchased with just the RHYTHM PACK that contains the Piano/Vocal, Guitar, Bass, Drums Parts  or just the PIANO/VOCAL part if you don’t need the full orchestration. This arrangement is also available in the original FEMALE version. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Piano,Voice Duet Piano,Voice - Level 5 - Digital Download SKU: A0.790075 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. 10 pages. Diamond S Music #3561465. Published by Diamond S Music (A0.790075). WHAT YOU DON’T KNOW ABOUT WOMEN from the musical CITY OF ANGELS. MALE VOCAL DUET in the KEY of F with 17 piece Band accompaniment. This is the PIANO/VOCAL PART ONLY.  Scored for: Reed 1 (Flute, Bb Clarinet, Alto Sax), Reed 2 (Bb Clarinet, Alto Sax), Reed 3 (Bb Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Bb Trumpet 1 & 2, Horn in F, Bass Trombone, Piano, Synth, Violin 1 & 2, Cello, Acoustic Guitar, Double bass, Drum Set, Percussion. This is an exuberant jazzy song from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This song, in a very jazzy style,  was originally is a fun lament of two women about their men who won’t listen to them. This version is sung by men and causes the meaning to be slightly shifted so that the men say how they don’t understand the women and how they do the things mentioned in the song - Only the pronouns have been flipped from the original. This is in the style of the original Broadway arrangement and in the original Broadway key. This arrangement can also be purchased with just the RHYTHM PACK that contains the Piano/Vocal, Guitar, Bass, Drums Parts  or just the PIANO/VOCAL part if you don’t need the full orchestration. This arrangement is also available in the original FEMALE version. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Large Ensemble Double Bass,Drums,Guitar,High Voice,Low Voice,Piano Accompaniment - Level 5 - Digital Download SKU: A0.790077 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 16 pages. Diamond S Music #3561473. Published by Diamond S Music (A0.790077). WHAT YOU DON’T KNOW ABOUT WOMEN from the musical CITY OF ANGELS. MALE VOCAL DUET in the KEY of F with 17 piece Band accompaniment. This is the RHYTHM PACK - includes PIANO/VOCAL, GUITAR, BASS, DRUMS PARTS.) Scored for: Reed 1 (Flute, Bb Clarinet, Alto Sax), Reed 2 (Bb Clarinet, Alto Sax), Reed 3 (Bb Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Bb Trumpet 1 & 2, Horn in F, Bass Trombone, Piano, Synth, Violin 1 & 2, Cello, Acoustic Guitar, Double bass, Drum Set, Percussion. This is an exuberant jazzy song from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This song, in a very jazzy style,  was originally is a fun lament of two women about their men who won’t listen to them. This version is sung by men and causes the meaning to be slightly shifted so that the men say how they don’t understand the women and how they do the things mentioned in the song - Only the pronouns have been flipped from the original. This is in the style of the original Broadway arrangement and in the original Broadway key. This arrangement can also be purchased with just the RHYTHM PACK that contains the Piano/Vocal, Guitar, Bass, Drums Parts  or just the PIANO/VOCAL part if you don’t need the full orchestration. This arrangement is also available in the original FEMALE version. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1106321 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Country,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #709438. Published by Andrew Mc Donald (Macka Records) (A0.1106321). Don't Break My Heart is a song about having second thoughts about breaking up. There are things which one still loves about the other in a relationship. It is difficult when one realizes they cannot do without the other and could not bare trying to survive on their own. This is a country song for piano and vocals.

Piano Solo - Level 3 - Digital Download SKU: A0.929921 By One Direction. By Peter Wallevik, Tebey Ottoh, Tommy Lee James, and Tommy P. Gregersen. Arranged by Abby Simpson. Pop. Score. 5 pages. Abby Simpson #4810525. Published by Abby Simpson (A0.929921). They Don't Know About Us by One Direction arranged for solo piano. Intermediate level. No reach is farther than an octave. Perfect addition to any recital or solo performance.

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.515842 Composed by Michael Jackson. Arranged by Eve C. Mailly. Contemporary,Pop,Rock. Score and parts. 16 pages. Zene Strings #5019197. Published by Zene Strings (A0.515842). They Don't Care About Us - by Michael Jackson, is arranged here for String Trio.  As with all of our string trio arrangements, the middle part is included in both treble and alto clef so that it can either be played by two violins and a cello or a violin, viola and cello -- giving you greater performance flexibility.  From your friends at Zene Strings -- enjoy!To see our other great arrangements visit:  Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!

Drum Set,Drums - Level 1 - Digital Download SKU: A0.1412894 By Ariana Grande. By Ilya, Justin Timberlake, and Savan Kotecha. Arranged by Felipe Gonçalves. Pop. Score. 3 pages. Felipe Gonçalves #994899. Published by Felipe Gonçalves (A0.1412894). Drums simplified arrangement music They Don't Know by Ariana Grande From Film Trolls.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda