Large Ensemble Cello,Double Bass,Flute,High Voice,Low Voice,Oboe,Piano Accompaniment,Violin - Level 2 - Digital Download SKU: A0.1021737 Composed by Shiu yu chuen. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 11 pages. Shiu yu chuen #6260523. Published by Shiu yu chuen (A0.1021737). and with you, Lord, is unfailing love; and,

Choir - Digital Download SKU: A0.1059288 Composed by David Warin Solomons. 20th Century,Christian,Christmas,Praise & Worship. Full Performance. Duration 155. David Warin Solomons #32941. Published by David Warin Solomons (A0.1059288). Score:https://www.sheetmusicplus.com/title/19982639?aff_id=175705Christmas Song for mixed choir (SATBB) performed by the Composer's Choir under Dan Shaw.  A jaunty melody with countermelodies with words telling of children playing their games in the dusty streets (ie of Bethlehem) unaware that a miracle has happened and asking them to look up to the angels and join their singing: See the children playing in the dusty alleyways all the buildings round them give no hint of the miracle which happened in a tiny stable just close by Sing Nowell The time has come The time is here For God has come To visit us in the form of a baby called Jesus See the children playing in the dusty alleyways They don't know the miracle happened in their very midst They don't see the angels hovering overhead They don't hear the angels singing singing praises They are playing their own games of mirth so carefree. [Soprano descant] The angels hover unseen over the stable singing their praises They are just like everyone engrossed in their own lives Never looking up to the sky where angels sing [Soprano descant] Sing Alleluia... and the children do not hear oh children you do not hear and the children do not know oh children you do not know the great and mighty wonder the full and blessèd cure Jesus is God incarnate Children hear! Rise now from the dusty streets and noisy alleyways Come and see the wonder which is come to you Leave your games and join the great celestial choir of angels Sing Nowell The time is here the Word has come to visit us in the form of a baby called Jesus We were children playing in the dusty alleyways Now we know the miracle which happened in our very midst [Soprano descant] the angels hover unseen over the stable singing their praises Sing Alleluia... O Children sing!.

Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better. 

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,World. 11 pages. Johnson Gao #890537. Published by Johnson Gao (A0.1300859). Anthem of the “All nations will be perished, and the world must unite� Colorful Number One Scholar October 3, 2023 The world was originally no any nations.The land was plundered and divided into territories.Colonize first after occupying a frontier;If you had formed a country, you must raise an army.Warfare is a deadly killing weapon,The saints use it when there are no other satisfied ways.Today's world is in ruins.The United States, China, Russia, and European Union compete. Each of them wants to dominate the world.They don't want to be cooperative diligently;They use the dirty tricks instead;They use every possible means for cunning.When the saint raises only one foot high,While the devil has already jumped ten feet tall.They are blind at what the Doomsday is coming,They still love to rob and snatch.They would like to die together;You die and I die, too.What a shame.The human body contains cells.All cells have membranes.With membranes they know how to be selfish.Selfish genes have played an important role in evolution.Love yourself and your country is only a low level of selfishness; Sacrifices oneself and destroys countries are the high level of selfishness: The world must be for the global public welfare.It is really a kind of selfish seeking benefit only for human beings. Looking at the world today, Among Emperors, Empresses, Presidents and Chairmen,No one is worthy of become a future world leader.They only know how to love themselvesAnd their countries’ benefits in a naive way;They dislike to destroy all the countries,They don’t practice the rule for world population’s commonwealth, Knowing not the brilliance patriotism in the past Has becoming the hurdles on the road to globalization. How sad, how sad!Preparing to establish the “World Leadership Education Institute�. It should be put to the top priority.I advise you not to be too innocent,All nations will be perished;This is a historical march.Ah, ha, oh, eh, yah!Home sapiensism needs to be promoted.The world must be unified. �國消亡, 世界一統歌 七彩狀元 2023 年 10 月 3 日 世界原無國。 掠地割為疆。 開疆先殖民; 有國必建�。 兵乃凶器也, �人�得�而用之。 如今世�悪。 美, 中, 俄, �爭。 �想稱霸雄; ���作勤。 �用拆臺術。 �鑽觸押計, 無所�用其極。 �高�一尺, 魔高已一丈。 �見末日近, 還��與奪。 情願�歸盡; 你死我�活。 �笑何等絕。 人體�細胞。 細胞皆有膜。 有膜知自�。 自�基因在進化中功勳�著。 ��愛己愛國; 大��己滅國, 天下為公。 蓋實為�人類之大�也。統觀當今世界,皇, �, 總統, 主席, 無一�當未來世界領袖。 唯其�知��愛己愛國; 勿崇大�滅國, 天下為公。 孰�知昔日辉煌的爱国主义 正在�为全�化�路上的攔路虎。 悲哉, 悲哉! 籌建世界領袖教育學院。 �謂當務之急。 勸�莫太蠢, �國必消亡; 此乃歷��律。啊, 哈, 哦, �, 呀! 智人主義需�創; 世界必歸一。.

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.510163 Composed by words and music by Glyn Lehmann. Hip-Hop,Pop,R & B. Octavo. 8 pages. Glyn Lehmann #3507847. Published by Glyn Lehmann (A0.510163). It’s something we all want and something we all need - respect!Tolerance and respect for each other, and ourselves, builds a bridge between us and breaks down the barriers.For 2 parts plus a rapper.Respect (Build A Bridge)Words and music by Glyn LehmannVerseThere's a thing that we all need Just like water and the air we breatheIt's a bridge between us all Makes you feel you're ten feet tallPre-chorusIt cannot be bought, it cannot be sold But you can earn it if you take controlChorus AAnd respect each otherRespect yourselfRespect and tolerance Build a bridge - break down the fenceRespect each otherRespect yourselfRespect and toleranceChorus BBuild a bridge - break down the fence andBuild a bridge - break down the fence andBuild a bridge - break down the fence andBuild a bridge of respectBridgeOo – Oo – Oo – Oo – OoRepeat VerseRepeat Pre-chorusRepeat Chorus ARepeat Chorus BOutroRespect each otherRespect yourselfRespect and toleranceBuild a bridge - break down the fencerepeat Outro twice, then…Respect!Rap lyricsVerse, Pre-chorus, Chorus A (no lyrics)Chorus BBreak down the fence and build a bridge (6 times) then…Of respectBridgeDon’t respect the bully thoughCos we know something they don’t knowThey’re just putting up a great big fenceAround themselves it makes no senseSooner or later they’ll realizeThey can’t get out cos they’re trapped insideThe only way now for them to be freeShow respect for you and me - cosVerseThere's a thing that we all need Just like water and the air we breatheIt's a bridge between us all Makes you feel you're ten feet tallPre-chorus, Chorus A(no lyrics)Chorus BBreak down the fence and build a bridge (6 times) then…Of respectOutrofirst time no lyrics, then…There's a thing that we all need Just like water and the air we breatheIt's a bridge between us all Makes you feel you're ten feet tallRepeat Outro, then…Respect!© 2016 Glyn Lehmann. All rights reserved

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1024938 Composed by Abigail Gilson. Contemporary. Score and parts. 11 pages. Abigail Gilson #3631501. Published by Abigail Gilson (A0.1024938).          A Conversation is a duet that represents the feeling of falling in love. Starting off slow and daunting at first, with shifts and odd dynamics and rhythms as you just allow yourself to fall into this new feeling. Then, the piece takes off. With confusing chords, a ground bass but always a visible motet. The ground bass always sounds like it may rush, like any second the pianist could speed up and leave the other pianist behind but it never does. The voices often trade parts and dance back and forth. With the treble line taking off suddenly, ending the ground bass line. The last section has question chords, and unresolved lines as a relationship starts to lose the new lover buzz and falls into a steady rhythm. Some may feel that the relationship is ending, that the two pianos don’t sound the same as they used to together. But really the two pianos have found their music. They don’t need to experiment with different rhythms, keys, or time signatures. They know what sounds good together, they can continue to make music forever.

Piano Solo - Level 3 - Digital Download SKU: A0.761940 Composed by Louis Landon. Concert,Contemporary,Instructional,Standards. Score. 4 pages. Landon Creative, Inc. #6341121. Published by Landon Creative, Inc. (A0.761940). If a person listens closely to the melodies and the sections of The Final Conversation, he or she might hear the back & forth of a conversation between two people in a relationship. They are clearly taking positions with their points of views and there is an attempt to work things out. Unfortunately, this is truly The Final Conversation of their relationship and that the relationship is over. The chord at the end is clear.   This is the sheet music for The Final Conversation, from the Solo Piano Space Traveler album, and was released on August 5, 2019. Recorded at the Peace Palace from February - April, 2019. You can listen to the song by streaming on Spotify, Apple Music, and Pandora Radio You can also download the recording iTunes, Amazon, and Bandcamp.. Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ Cover photo: NASA Cover art: DanLevin.com All music published by Landon Creative, Inc. BMI All music produced, arranged, composed & performed by Louis Landon.

Advanced Clarinet, Flute, Woodwind Ensemble, Woodwind Duet - Difficulty: medium SKU: HL.4471050 Advanced. Edited by H. Voxman. Ensemble Collection. Baroque and Classical Period. Flute/clarinet duet book. 72 pages. Rubank Publications #RUBL197. Published by Rubank Publications (HL.4471050). ISBN 9781423445425. UPC: 073999710502. 9x12 inches. Edited by H. Voxman.A wonderful compilation of duets from Rubank, the two volumes presented here supplement musical development and provide a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I – Easy to Medium, Vol. 2 – Advanced).

Violin; Violin Duet - Grade 3 SKU: HL.4472660 Medium First Position. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Concert, Contest, Instruction. 40 pages. Rubank Publications #RUBL167. Published by Rubank Publications (HL.4472660). ISBN 9781540001740. UPC: 073999726602. 9.0x12.0x0.103 inches.This classic series of duets is recognizable to nearly everyone who has ever studied an instrument. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. These volumes written specifically for violin duet are carefully edited and bowed. (Vol. I – First Position [Medium]; Vol. II – First Position [Advanced]).

Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano  The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.

Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.

Piano Solo - Level 1 - Digital Download SKU: A0.811340 Composed by Daniel Light. Standards. Score. 3 pages. Daniel G. Light #6672259. Published by Daniel G. Light (A0.811340). Dreaming is an elementary-level piano solo that I teach to students once they can easily play five-finger scales. It’s built on a 5-note whole tone scale and uses the damper pedal throughout to give it a dreamy quality.My students who play this piece haven’t necessarily learned to read the notes above the treble staff yet, so I give them the image of the hand position to make sure they don’t get lost when they’re home practicing on their own.Students tend to use a combination of rote and reading when I have them learn this piece. It sounds harder than the pieces they typically play at this level, and they love that.Composed by Daniel Light, daniel-light.com.

Full Orchestra - Level 5 - Digital Download SKU: A0.890746 Composed by French Traditional. Arranged by Andrew Wainwright. Christmas. Score and parts. 69 pages. Andrew Wainwright #4888451. Published by Andrew Wainwright (A0.890746). A spectacular opener to any Christmas concert, based on the French carol, Bring a torch, Jeanette, Isabella. This work tells the story of a group of children in medieval Provence, dressed up as shepherds and milkmaids, carrying torches and candles as they proceed to the stable. As they draw closer and their excitement increases, they are constantly reminded by their parents to keep the noise down so that they don't wake up the baby Jesus. The music begins quietly and builds to a majestic conclusion. If I were still conducting regularly, this would certainly be on my list as a Christmas concert opener - it sets the energy and mood most effectively. The scoring is terrific. Paul Hindmarsh, music critic *Please note audio is of the version with choir.

3fl. - Intermediate-Advanced - Digital Download SKU: F2.FM390 Composed by Liz Sharma. Flute Trio. Score and Parts. 4 pages. Forton Music - Digital #FM390. Published by Forton Music - Digital (F2.FM390). ISBN 9790570482894.This piece describes the bird calls heard at the start of the day. Melodic fragments are shared between the three equal flute parts. Sometimes they synchronise, sometimes they don't. Sometimes they harmonise, sometimes they work in very different keys. The whole thing melds together to create a strong mood and atmosphere.