Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823756 Composed by William Damon (c. 1540-1591). Arranged by John R. Knox & Richard Giszczak. Praise & Worship,Renaissance,Sacred. Individual part. 2 pages. Singing Winds Music Company #6436465. Published by Singing Winds Music Company (A0.823756). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, and 5 variations.The hymn tune name is SOUTHWELL. The words Lord Jesus, Think on Me are for general use. The arrangement is by John R. Knox with verses 4, 5, and introduction added by Richard Giszczak.

Full Orchestra - Level 2 - Digital Download SKU: A0.489936 Composed by Jason Ingram and Reuben Morgan. Arranged by Scott Harris. Contemporary,Easter,Praise & Worship,Sacred,Spiritual. Score and Parts. 69 pages. Scott Harris Music #106040. Published by Scott Harris Music (A0.489936). Full Orchestra with Rhythm Section accompaniment to my SATB Choir arrangement of this beloved worship song! *NOTE: The SATB Choir part is on the score ONLY (for reference) and NOT included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with rehearsal piano) available at Sheet Music Direct and Sheet Music Plus.* This arrangement was based on an early recording of this title found on an EP called Fellowship Songs, Volume One produced by Fellowship Bible Church in Brentwood, TN where this song was introduced in the States and first sung in corporate worship. Instrumentation:-SATB choir-Flutes-Oboe-Clarinets-Horns-Trumpet 1-3-Trombone 1-2-Trombone 3/Tuba-Percussion-Timpani-Rhythm Section-Violin 1-2-Viola-Cello-String Bass/Cello 2. Approximate Performance time: 5:03For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at ScottHarrisMusic.com.

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1352964 Composed by Hope Connelly. Chamber,Contest,Festival. 9 pages. Hope Connelly #937786. Published by Hope Connelly (A0.1352964). This string quartet was originally written with inspiration from the TV show Reign based on Mary, Queen of Scotts. Originally this piece was given the name Dance of the Scotts as it's musical style suggests. When I presented this piece to my sister, she misheard what I said and thought I said Dance of the Socks. She proceeded to tell me that she saw the socks dancing around in a dryer. From that point on I could no longer call this piece by its original name. This piece is dedicated to Rebecca Connelly.Instrumentation:Violin 1Violin 2ViolaCelloTime Signature: 6/8Key Signature: F Major.

Cello,Double Bass,Percussion,Piano Accompaniment,Timpani,Viola,Violin - Level 2 - Digital Download SKU: A0.489937 Composed by Jason Ingram and Reuben Morgan. Arranged by Scott Harris. Contemporary,Easter,Praise & Worship,Sacred,Spiritual. 34 pages. Scott Harris Music #106041. Published by Scott Harris Music (A0.489937). Strings, Percussion, and Piano accompaniment to my SATB Choir arrangement of this beloved worship song! **NOTE: The SATB Choir part is on the score ONLY (for reference) and NOT included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with rehearsal piano) available at Sheet Music Direct and Sheet Music Plus.**This arrangement was based on an early recording of this title found on an EP called Fellowship Songs, Volume One produced by Fellowship Bible Church in Brentwood, TN where this song was introduced in the States and first sung in corporate worship. Instrumentation:-SATB choir-Percussion-Timpani-Piano-Violin 1-2-Viola-Cello-String Bass-Cello 2 (doubles String Bass)Approximate Performance time: 5:03For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at ScottHarrisMusic.com.

Viola Duet Viola - Level 5 - Digital Download SKU: A0.1372266 Composed by Sophia Mackson. Classical,Contemporary. Score. 6 pages. Sophia Mackson #956545. Published by Sophia Mackson (A0.1372266). This work for two violas features soaring melodic lines and moments of fast paced demisemiquavers. It is ideal for advanced players who would like to add a piece that is very unique to their repetoire or program. A foreword from the composer:“First and foremost, this work is dedicated to Kristen Scott. It stands as a reminder of a lifelong friendship, and how strong that friendship is. Thank you for supporting me and being so wonderful.This work I began writing in May of this year, and initially it was just an improvisation for one viola. I had then realised after trying to write for Solo Viola how difficult it was, since it is such a unique instrument. I wanted to make the most of the technical and musical capabilities of the instrument, so I added another Viola. With that addition, each motif seemed to make more sense and the music just flowed. Centre is based on the concept of centring oneself, but also the beauty in being surrounded by motion; by seeing things happening around you and being able to observe. Just being allowed to exist, in a way.I’ve always been inspired by Australian composers, especially since I have been lucky enough to be surrounded by their music at different points in my life. My teacher Patricia Pollett, has been actively involved in advocating for Australian composition for the viola, including commissions, recording and performances. So, being able to take my work to our lessons was hugely thought provoking and inspiring. The insights she gave helped to access more depth and meaning within the work.� - Sophia Mackson.

Cello Duet Cello - Level 5 - Digital Download SKU: A0.1372278 Composed by Sophia Mackson. Classical,Contemporary. Score. 6 pages. Sophia Mackson #956559. Published by Sophia Mackson (A0.1372278). This work was originally written for two violas. The composer has now arranged it for two cellos.This work features soaring melodic lines and fast demisemiquaver passages. It is an ideal work for advanced players to use in their repetoire or in a concert program.A foreword by the composer:“First and foremost, this work is dedicated to Kristen Scott. It stands as a reminder of a lifelong friendship, and how strong that friendship is. Thank you for supporting me and being so wonderful.This work I began writing in May of this year, and initially it was just an improvisation for one viola. I had then realised after trying to write for Solo Viola how difficult it was, since it is such a unique instrument. I wanted to make the most of the technical and musical capabilities of the instrument, so I added another Viola. With that addition, each motif seemed to make more sense and the music just flowed. Centre is based on the concept of centring oneself, but also the beauty in being surrounded by motion; by seeing things happening around you and being able to observe. Just being allowed to exist, in a way.I’ve always been inspired by Australian composers, especially since I have been lucky enough to be surrounded by their music at different points in my life. My teacher Patricia Pollett, has been actively involved in advocating for Australian composition for the viola, including commissions, recording and performances. So, being able to take my work to our lessons was hugely thought provoking and inspiring. The insights she gave helped to access more depth and meaning within the work.�.

Piano Solo - Level 4 - Digital Download SKU: A0.1495477 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 36 pages. Damien Gauci #1071994. Published by Damien Gauci (A0.1495477). This album follows the simple story of A Squirrel Named Whiskers. Whiskers is a curious but cautious little squirrel that lives in the woods and enjoys exploring new areas of the woods from time to time when he finishes collecting food for the day. This story follows Whiskers as he ventures out into an unknown part of the woods and happens to stumble across an old abandoned house which is surrounded by trees and bushes. There is no one to be seen or heard here and Whiskers can’t help but explore inside.I began writing this album with the track “And Carefully Crept Inside.” but I actually wasn’t planning on writing a full album at that point. I go into more detail in the individual track’s program note about it but it was the spark that led me to commit to writing a full album. I began composing other tracks for the music box to be part of the album and then I had an idea to make the titles into a story, but what would they be about? The music box is an enchanting and mysterious little instrument and is often associated with magic, fairies, and the forest which is what led me to decide to write the story about a Squirrel.I took some time to write out a short story and then created 10 titles that would fit the story. I continued to write the remaining tracks of the album now using the titles as inspiration to write the music which made it easy to create a certain mood and style. Writing this album was a great exercise in writing music that has a story behind it which something I always try to do when composing. I believe that every piece of music has a story behind it intentionally or unintentionally. I plan to continue to infuse a story in the music I write as it gives it much more meaning than a piece of music being written without a story in mind. I hope you enjoy listening to or practicing these pieces and have fun following along with whiskers on his journey into the unknown.

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596550 Composed by Juan María Solare. 20th Century,Blues,Instructional,Latin,Sacred. Score and parts. 12 pages. Juan Maria Solare #4408887. Published by Juan Maria Solare (A0.596550). Blues en mí [Blues in E / Blues in me] for piano. Composed in Worpswede (Germany) from 9th to18th October 2001. Dedicated to Hans-Dieter Ludwig (H.D.). Duration: 3'20. First performance by the composer at the Music Hall in Worpswede on 3rd May 2002. This concert was filmed by Reinhard Hölker, who also held a scholarship at the Künstlerhäuser Worpswede.   The Argentine first performance was given by Cecilia Strack on 17th December 2003 at the Conservatorio de la Ciudad de Buenos Aires, during a monographic concert (Compositions for Piano by Juan María Solare) organised by the Professors Silvia Dabul and Manuel Massone.   The title is a pan in Spanish: Blues in E minor / Blues in me.   At some moment I had a dream related with this piece. I cannot recall exactly when or where, but it must have been during 2003; any case not later. Possibly I've written it down somewhere, I will find it. Reconstructed by memory: It was an open-air concert, maybe in Worpswede. The audience sits down in banks around tables, eating; it is a kind of party. A music sounds that comes familiar to me. I recognized the Blues en mí. A young lady is performing it, whom I don't absolutely know. I ask myself: How could this lady get the score? She have possibly found it on the internet. And actually it was this dream that ended up convincing me to put some of my scores in Internet, beginning with the Blues en mí. According to my registers, I sent the sheet music to Mariano Rocca (webmaster of compositores e intérpretes, www.ciweb.com.ar) on 2nd November 2003 (ergo, this dream must have occurred before).   Juan María Solare Worpswede, 15th February 2007 (four days after the dedicatee's death)

Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.915679 Composed by Traditional. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. Score and parts. 11 pages. Barber Music Company #3556955. Published by Barber Music Company (A0.915679).    I started this piece back in the 80's for flute with piano accompaniment. My youngest daughter recently asked me to write some more things she could play in church, and being too busy to do something from scratch, it occurred to me that this piece would work fine for violin. It is about six minutes long with some nice mood changes. It would make a fine prelude, offertory or special. It would also be a good concert or recital piece.    It is challenging -- not a good selection for anyone less than advanced intermediate. The piano accompaniment also has its challenges. However, people who have heard this piece have found it quite enjoyable and have said so.   I wish a had a recording of a live performance to share with you, but this Finale version is really not to bad, especially when you consider that I am not very good yet at using the human playback feature that Finale offers. Some people really no how to make it sound fantastic. Not me.   If you have any comments or questions about this piece, please contact me at aspiringtunerrjb@sbcglobal.net. I would be delighted to hear from you.

Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,� profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…� Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.� The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1460728 Composed by Various. Arranged by Will Corbin. Jazz,Pop. 13 pages. Will Corbin #1039627. Published by Will Corbin (A0.1460728). Here's an oldie (maybe a fossil) from the Tin Pan Alley crypt. Its origin is apparently hazy, but it's generally credited to the guy whose version was the first recorded, in 1925. This one is short and relatively simple, done in Dixie style.If you need alternative instrumentation, contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1461317 By The Beach Boys. By John Phillips, Mike Love, Scott McKenzie, and Terry Melcher. Arranged by Will Corbin. Film/TV,Pop. 22 pages. Will Corbin #1040125. Published by Will Corbin (A0.1461317). Beach Boys purists consider this 1988 song -- recorded two decades after the band's heyday -- a heresy. Yeah, maybe, but it was wildly popular and remains so. Never mind that there's no Kokomo in the Florida Keys. It's a town in Indiana where the surf is almost never all-time. Or maybe a private resort island in Fiji, but that was probably named after the song. And the music video for Kokomo was filmed at the Grand Floridian Hotel at Disney World in inland Central Florida, where the surf is also never quite up. But i's still a fun song, arranged here for two trumpets, horn, trombone and tuba. If you'd like alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1461373 By Many. By Sebastián Iradier. Arranged by Will Corbin. Latin,Traditional. 12 pages. Will Corbin #1040129. Published by Will Corbin (A0.1461373). La Paloma is said to be the most frequently played song in the world. And it's about as world as it can be. Composer Sebastian Yradier was a Basque (Spain). It was first performed in Cuba, It's a Mexican love and protest song, a German sailors' lament and a Romanian funeral dirge. This easy arrangement is for two trumpets, horn, trombone and tuba. If you need other instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America  ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1''  - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De CÅ“niél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.