Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1369621 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 72 pages. Socrates Arvanitakis #953986. Published by Socrates Arvanitakis (A0.1369621). GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS114 ΛΑΖΑΡΟΥ ΤΟΥ (Lazarus' Song)115 ΛΑΛΑ Τ' ΑΗΔΟ�Ι (The Nightingale Sings)116 ΛΑΛΗΣΕ ΚΟΥΚΕ (Sing Cuckoo Bird)117 ΛΑΦΙ�Α Η 1 (The Doe 1)118 ΛΑΦΙ�Α Η 2 (The Doe 2)119 ΛΕΒΕ�ΤΙΑ 1 (Valour 1)120 ΛΕΒΕ�ΤΙΑ 2 (Valour 2)121 ΛΕΪΜΟ�ΙΑ Η (The Lemon Tree)122 ΛΕΜΟ�ΑΚΙ (Little Lemon)123 ΛΕ�ΚΩ Η (Lenko)124 ΛΟΥΛΟΥΔΙ ΤΗΣ ΜΟ�ΕΜΒΑΣΙΑΣ (Flower of Monemvasia)125 ΛΥΓΕΡΗ Η 1 (The Graceful Lass 1)126 ΛΥΓΕΡΗ Η 2 (The Graceful Lass 2)127 Μ' ΕΚΑΨΕΣ ΓΕΙΤΟ�ΙΣΣΑ (Neighbor, You've Burned Me)128 ΜΑΚΕΔΟ�ΙΚΟΣ (Dance from Macedonia)129 ΜΑΚΕΔΟ�ΙΚΟΣ ΚΛΕΦΤΙΚΟΣ (Macedonian Kleftik Dance).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1371762 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 75 pages. Socrates Arvanitakis #955993. Published by Socrates Arvanitakis (A0.1371762). GENERAL PREFACEThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS130 ΜΑΛΑΜΩ (MALAMO-The Golden)131 ΜΑ�ΙΑΤΙΚΟΣ (Dance from Mani)132 ΜΑ�ΤΗΛΙ ΚΑΛΑΜΑΤΙΑ�Ο(Neckerchief from Kalamata)133 ΜΑΡΑΘΗΚΕ ΚΙΤΡΟΛΕΪΜΟ�ΙΑ (It withered, Citro-Lemon Tree)134 ΜΑΡΙΑ ΠΕ�ΤΑΓΙΩΤΙΣΣΑ  (Maria from Five-Saints Village)135 ΜΑΡΤΥΡΙΑ Η (The Testimony)136 ΜΑΤΙΑ ΣΑ� ΚΑΙ ΤΑ ΔΙΚΑ ΣΟΥ 1 (Eyes Like Yours 1)137 ΜΑΥΡΙΔΕΡΗ Η (The Blackish One)138 ΜΑΥΡΟ ΓΕΜΕ�Ι (Black Kerchief)139 ΜΕ ΓΕΛΑΣΕ �' Η ΧΑΡΑΥΓΗ (The Dawn Fooled Me)140 ΜΕΛΑΧΡΟΙ�Ο 1 (Dark Lass 1)141 ΜΕΛΑΧΡΟΙ�Ο 2 ΤΟ (The Dark One 2)142 ΜΕ�ΟΥΣΗΣ Ο (Menoussis)143 ΜΕΡΜΥΓΚΑΣ (The Master Ant)144 ΜΙΑ ΒΛΑΧΑ (A Wallachian Woman)145 ΜΙΑ ΚΟΡΗ ΑΠΟΦΑΣΙΣΕ (A Maiden Decided).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1371768 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 75 pages. Socrates Arvanitakis #955999. Published by Socrates Arvanitakis (A0.1371768). GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS146 ΜΙΑ ΠΑΠΑΔΙΑ (A Certain Priest's Wife)147 ΜΙΑ ΠΕΡΔΙΚΟΥΛΑ ΞΕΒΓΑΙ�Ε (A Little Partridge Was Coming Out)148 ΜΙΑ ΣΜΥΡ�ΙΑ ΣΤΟ ΠΑΡΑΘΥΡΙ (A Lass From Smyrna In The Window)149 ΜΙΑ ΦΟΡΑ 'ΜΟΥ�Α ΠΟΥΛΙ (Once I  Was A Bird)150 ΜΟΙΑΖΕΙΣ (You Are Like...)151 ΜΟΙΡΟΛΟΓΙ (Dirge)152 ΜΟΥ ΠΑΡΗΓΓΕΙΛΕ Τ' ΑΗΔΟ�Ι (The Nightingale Messaged Me)153 ΜΠΑΙ�Ω ΜΕΣ' Τ' ΑΜΠΕΛΙ (I enter the Vine Yard)154 ΜΠΑΛΟΣ Ο (Balos Dance)155 ΜΠΑΤΕ ΚΟΡΙΤΣΙΑ ΣΤΟ ΧΟΡΟ 1 (Girls, Joint The Dance 1)156 ΜΠΑΤΕ ΚΟΡΙΤΣΙΑ ΣΤΟ ΧΟΡΟ 2 (Girls Joint The Dance 2)157 ΜΠΕΡΔΕΥΤΗΚΕ ΜΙΑ ΛΕΪΜΟ�ΙΑ (A Lemon Tree Was Entangled)158 �Α ΧΑΜΗΛΩ�Α� ΤΑ ΒΟΥ�Α (Let The Mountains Come Low)159 �Α�ΟΥΡΙΣΜΑ (Lullaby)160 �ΑΣΑ� ΤΑ �ΕΙΑΤΑ ΔΥΟ ΦΟΡΕΣ (I Wish Youth Was Twice)161 �ΑΧΑ �ΕΡΟ 'ΠΤΟ� ΠΛΑΤΑ�Ο  (I Wish I Had Water From The Plane Tree).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1360705 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 74 pages. Socrates Arvanitakis #945206. Published by Socrates Arvanitakis (A0.1360705). GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS65  ΕΡΗ�ΑΚΙ (Little Irene)66  ΕΣΕΙΣ ΠΟΥΛΙΑ ΤΟΥ ΜΑΗ (You, Birds Of May)67  ΖΑΛΙΑΡΙΚΟ ΤΟ (The Little Dizzying One)68  ΖΙΑΚΑΣ Ο (Ziakas)69  Η ΑΞΙΑ ΤΟΥ ΦΙΛΙΟΥ (The Value of the Kiss)70  Η ΜΑ�Α ΜΟΥ ΜΕ ΔΕΡ�ΕΙ (My Mother Hits Me)71  Η ΜΑΧΗ ΤΗΣ ΑΡΑΧΩΒΑΣ (The Battle Of Arahova)72  ΗΛΙΟΣ Ο (The Sun)73  ΗΡΘ' Η Α�ΟΙΞΗ (The Spring Has Come)74  ΘΑΛΑΣΣΑ ΜΠΑΜΠΕΣΑ (Sea Unreliable)75  ΘΑΛΑΣΣΑΚΙ (Little Sea)76  ΘΕΣΣΑΛΙΚΟΣ (Dance from Thessaly)77  ΙΚΑΡΙΩΤΙΚΟΣ (Dance from Ikaria)78  ΙΤΙΑ (Willow Tree)79  ΚΑΒΑΛΑΣ (Dance from Kavala)80  ΚΑΪΚΑΚΙ (Little Caique).

Piano Solo - Level 4 - Digital Download SKU: A0.744621 Composed by Elena Fortin. Contemporary. Score. 4 pages. Elena Fortin #4717595. Published by Elena Fortin (A0.744621). Hidden Pathways for Piano SoloI have always loved the poem The Road Not Taken by Robert Frost. It started me on the following thought process: What if you had the chance to wander through some woods and you happened to discover a hidden path. What would happen if you followed it? Maybe you would find an amazing, enchanted place that you would want to visit and re-visit again and again. Hidden Pathways is written in D-flat major–which sounds like a challenging key–it has five flats! But for some reason, D-flat sounds really enchanting to me. And it seems to fit the hands really well too! The piece could probably be classified as Neo-classical or New-Age Instrumental. I never know how to classify these things. The piece explores the whole range of the piano and the challenge is to play this piece with sensitive pedaling and expressiveness.It is a suitable solo for recitals, church settings, or your own personal enjoyment.I hope you enjoy it!Please visit my website: www.the-piano-studio.com or subscribe to my YouTube Channel here: https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg

String Trio Viola - Level 2 - Digital Download SKU: A0.1430078 Composed by Lauro Pecktor. 21st Century,Chamber,Classical,Contemporary. 2 pages. Lauro Pecktor #1010753. Published by Lauro Pecktor (A0.1430078). The Bestiary for viola trio is a five movement work originally composed in 2023. Each movement is inspired by an imaginary beast from the Middle Ages.Please feel free to contact me if you would like to commission works for this or any other instrument formations.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032346 Composed by Edward W. Harrington. 20th Century,Christian,Contemporary,Praise & Worship,Sacred. Octavo. 12 pages. Edward W Harrington #4786357. Published by Edward W Harrington (A0.1032346). Widely known as the prayer of peace, the beautiful writing is also known as the Prayer of Saint Francis, Peace Prayer, or Make Me an Instrument of Your Peace. The music elegantly expresses the message in four voices (SATB) and piano. The opening measures may feature soloists or ensemble sections. This piece is expressive and dramatic with a magnificent amen closing. .

C Trumpet,Piano - Level 1 - Digital Download SKU: A0.1096085 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #700036. Published by M das Melodias (A0.1096085). Play this beautiful song with your favorite instrument. Sheet music of the song Have You Ever Seen The Rain by Creedence Clearwater Revival for Trumpet in C. Easy level. Someone told me long ago There's a calm before the storm I know It's been coming for some time When it's over so they say It'll rain a sunny day I know Shining down like water I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard I know Been that way for all my time 'Til forever on it goes Through the circle, fast and slow I know It can't stop, I wonder I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day (Yeeaahh) I want to know Have you ever seen the rain I want to know Have you ever, ever seen the rain Coming down on a sunny day.

Cello and piano - Moderately Difficult - Digital Download SKU: MQ.8052-E Composed by David Conte. Score & instrument part. 67 pages. E. C. Schirmer Music Company - Digital #8052-E. Published by E. C. Schirmer Music Company - Digital (MQ.8052-E). Sonata for Violoncello and Piano was written especially for cellist Emil Miland. As a performer, Mr. Miland has frequently appeared with many of the world’s finest singers, and his playing for me has always embodied many features of vocal technique, including a special kind of portamento, and varying speeds of vibrati. To that end, I fashioned in this piece long, arching melodies that are unabashedly lyrical and romantic in character.The first movement, marked Allegro Moderato Appassionato, is cast in an expansive sonata-allegro form, and its trajectory unfolds with bold, sweeping gestures. Though firmly in D Major, the entire melodic and harmonic texture of the movement is highly chromatic, giving the musical character a sense of heightened inflection and intensity. -David ConteIncludes score and part.