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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon.                                                                                         As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)

$15.00 12.67 € PDF SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon.                                                                                         As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)

$22.50 19.01 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
However, after two years of quasi-famine, France remains
pround and great, although the necessity of liberation grows daily more urgent

$32.95 27.84 € 2 Pianos, 4 mains PDF SheetMusicPlus

String Ensemble,String Trio Cello - Level 4 - Digital Download SKU: A0.1031098 By Adele. By Adele Adkins and Paul Epworth. Arranged by The Cello Playin' Fool. Pop,R & B. Score and parts. 13 pages. Caitlin McAndry #3108637. Published by Caitlin McAndry (A0.1031098). Adele's Rolling in the Deep is an instantly recognisable hit, and is a real crowd pleaser. This arrangement, suitable for competent cellists, is designed to produce a full sound despite the small group size. The melody is swapped between parts to give each player a chance to shine. Suitable for any event, from wedding receptions to concerts, and always guaranteed to draw attention. Arrangement duration: ≈ 3:45Notes on the arrangement:Some sections are technically challenging, including double stopping in 3rds, 6ths, and open string octaves, and use of tenor clef. However anyone wanting to simplify this arrangement to make it more accessible to less experienced players would be able to do so; either by splitting up the double stops between a larger group of player, and/or transposing the melody down an octave.Performance notes:This piece should be played with energy and vigour, as intended by Adele. A good pulse and a steady speed will help players to keep together. Any repeated quavers should be played nice and staccato, and quite percussively. This avoids any mushiness sometimes associated with 3 lower instruments playing together in approximately the same range. More information:If anyone has any questions or wants more information, performance tips, rearrangements,or future requests, feel free to contact me:Caitlin McAndry ~ The Cello Playin' FoolEmail: cmcandry@me.comFacebook: The Cello Playin' FoolKudos for getting this far into the description! Thanks for reading, enjoy the music!From Caitlin The Cello Playin' FoolP.S Sorry for the awful sound quality on the recording, it was recorded on my headphone mic which is not all that good!
Rolling In The Deep
Trio à Cordes: 3 violoncelles
Adele
$12.99 10.97 € Trio à Cordes: 3 violoncelles PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.845988 By Van Halen. By Alex Van Halen, David Lee Roth, Eddie Van Halen, and Michael Anthony. Arranged by Kyle Pudenz. Metal,Rock. 3 pages. ViolinVagabond Music #6332317. Published by ViolinVagabond Music (A0.845988). One of the most iconic guitar solos of all time, written by one of the most influential guitarists in history, and now arranged for violin!!As a violinist who has extensively studied both the classical & rock genres, I made it my goal to be as faithful to EVH's original performance as possible, while also making this version more adaptable to the different virtuosic techniques available to violinists. We may not be able to tap out those signature arpeggios with 2 hands, but arpeggiating them with the bow creates a similar texture with a distinctly more violin-friendly approach! I've also used octave transpositions and re-voiced some of the chords to make them more adaptable to the violin's range without feeling chopped up.The result: a fresh take on this timeless solo that can be performed on any standard violin. No need for extra strings or electronics (though I'll admit, it will probably sound pretty awesome on an electric violin...) and no need to re-tune your instrument. This version is written a half-step higher than the original recording in concert A. If you want to match the original key of the Van Halen recording (Ab), you can tune a half-step down like Eddie does, and just read this chart exactly as written.Whether you're looking for a new encore or intro for your next solo performance, or just want to learn a few new licks from one of the greatest rock n' roll musicians of all time, this tune is a fantastic addition to the repertoire of any violinist looking to reach a bit beyond the norms of the classical tradition!Performance time: approximately 1:50 (the tapping section feels better at a slightly slower tempo on violin)Enjoy the chart, and if you have questions, comments or suggestions, you can contact me via my website www.kylepudenz.com/ or on Instagram @theviolinvagabond
Eruption
Violon
Van Halen
$9.99 8.44 € Violon PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.
The Spear of Destiny
Violon et Piano

$32.99 27.87 € Violon et Piano PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1438346 By Sharon Wilson. By American Folk Song, Cecil Frances Alexander, Irish Folk Song, Isaac Watts, Johann Cruger, Johann Franck, and Johann Sebastian Bach. Arranged by Sharon Wilson. Christian,Easter,Folk,Multicultural,Spiritual,World. 43 pages. Sharon Wilson #1018365. Published by Sharon Wilson (A0.1438346). This collection contains five (5) sacred hymns arranged for a STRING QUARTET. These arrangements are straight-forward and suitable for late beginner to intermediate string groups since all notes for all instruments can be played in the first position. An optional repeat is provided for each song in case a longer selection is desired. The audio sample plays one verse of Give Me Jesus and the YouTube video features Jesus, Priceless Treasure.The VIOLIN 3 part is the same as the VIOLA part in case a Viola player is not available. For each of the five songs in this collection there is a 3-page grand staff score plus a 1-page, 1-staff score for each part (VIOLIN 1, VIOLIN 2, VIOLIN 3, VIOLA, and CELLO).Each string quartet arrangement is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Give Me JesusJesus Calls Us, O'er the Tumult (PLEADING SAVIOR)Jesus, Priceless Treasure (JESU, MEINE FREUDE)I Sing the Mighty Power of God (ELLACOMBE)There Is a FountainVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
Songs for Reflection (A collection of 5 hymns and spirituals for String Quartet)
Quatuor à cordes: 2 violons, alto, violoncelle
Sharon Wilson
$24.99 21.11 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1164054 Composed by Bruno Tapia. Jazz. Score and parts. 58 pages. Bruno Tapia #764395. Published by Bruno Tapia (A0.1164054). Gato de callejón es mi primera pieza para big band. Fue presentada al primer concurso de composición para bandas estudiantiles CORFOBAE durante el 2022, resultando en un cuarto lugar.Esta obra tiene por referencia las sonoridades de swing usadas en varias bandas sonoras de series clásicas (como lo es Don Gato y su pandilla), y por lo tanto, ampliamente extendido en el inconsciente colectivo. El crear una obra en este estilo responde a la necesidad de formentar la creación en este tipo de lenguajes, y en particular, en big band. Fue la primera vez que usé voicings cerrados en toda regla. Se usan armónicamente un par de vueltas relativamente sencillas. En este caso, me excedí con los grados de dificultad para el concurso (3-4), y me quedó una obra que está más cerca del grado 5 en la escala de música instrumental de Hal Leonard. Gato de Callejón is my first big band piece. It was presented to the first CORFO BAE composition contest for student bands during 2022, resulting on a 4th place.This piece has as reference the swing sonorities used on several OST's of classical series (as Top Cat), and because of that, widely extended on the colective inconscient. Creating a work on this style responds to the necessity of fomenting the musical creation on this kind of languages, and in particular, on big band. This was my first time using closed voicings on rule. There's harmonicly a pair of relatively simple turnarounds.In this case, I exceeded the difficulty grades of the contest (3-4), and I had a work mostly near to the grade 5 on Hal Leonard's Instrumental Music Scale.
Gato de Callejón
Orchestre d'harmonie

$24.99 21.11 € Orchestre d'harmonie PDF SheetMusicPlus

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
Seven Steps To Heaven (2002) for string septet or string orchestra
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.44 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.867626 Composed by Crosby/Doane, Lowry, and Newell/Townsend. Arranged by Lois Mountz. Easter,Sacred. Score and parts. 16 pages. Mountzmusic #6319073. Published by mountzmusic (A0.867626). Download for this medley is automatically for Two Sets of Music - 16 pages This Medley is made up of three old favorite Easter hymns with At Calvary for the intro and to link the other two hymns together.  Organ part can be played on a keyboard with accompanying instrumental additions such as strings, harp, cello, chimes, etc. being added as in the YouTube video.  This medley could be used at Easter, but would also be appropriate for communion services during the year.  It is of intermediate difficulty 'At Calvary' - Newell/Townsend/'Jesus, Keep Me Near the Cross' - Crosby/Doane; 'He Arose' - Lowry;.
Calvary Medley for Piano and Organ/Keyboard
Orgue

$12.99 10.97 € Orgue PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1237519 By Steve Thweatt. By Steve Thweatt. Arranged by Steve Thweatt. 21st Century,Contemporary,Multicultural,Religious,Sacred,World. Score and Parts. 74 pages. Steve Thweatt #833033. Published by Steve Thweatt (A0.1237519). The Mysteries of God's Creation truly depicts in music the mysteries of His creation. Scored for piano and orchestra, each instrument is essential to bring all the color and glory of His creation in music. The harp has the pedaling notated. Included also is a keyboard string reduction if there are not enough string players available. An accompaniment track is available upon request for a pianist. Contact me at this email: SheetMusicBySteve@gmail.com Any questions or comments, please email at this email.
The Mysteries of God's Creation
Orchestre
Steve Thweatt
$49.95 42.2 € Orchestre PDF SheetMusicPlus

Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971699 Composed by J. Wyeth. Arranged by Michael E. Ropp. Baroque,Sacred. Score and parts. 10 pages. Michael E. Ropp #2959187. Published by Michael E. Ropp (A0.971699). This piece is one of a series of compositions for brass quartet (two trumpets, horn, tuba/euphonium).  The Nettleton Prelude is based on the Nettleton hymn tune, and was written for use as a prelude on a festival Sunday.  It features a bold, recurring fanfare, flashy accompaniment parts in the trumpets (yes, the trumpets have to take their turn at NOT playing the melody :) ), an opportunity for every instrument to get the melody, and lots of really choice suspensions that give the piece a bit of a neo-Baroque feel.  It is of moderate difficulty because of the running parts in the trumpets and the fact that the tuba covers a fairly wide range.  It can be played by a student ensemble--when this piece was premiered, two of my players were 14 years old.  Please feel free to contact me!  michael.ropp@ieee.org.
Nettleton Prelude

$5.99 5.06 € PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.894397 Composed by Zack Richards. 20th Century,Contemporary,Film/TV. Score and parts. 120 pages. Zack Richards #5210677. Published by Zack Richards (A0.894397). Throughout my youth, I was highly influenced by Science Fiction, especially Star Trek: The Next Generation. It inspired me from a creative, musical, and human perspective and was a large factor in most of my current views of the world in which we all live. This work is largely inspired by that show as well as other Star Trek shows and movies. The title is inspired by the idea of space, called the final frontier throughout Star Trek. The first melody pulls many aspects from the The Original Series, including the opening interval of a minor 7th, the rhythmic use of triplets, and the chromatic intervals in the second half of the melody. It sits over quartal harmonies which help create the open spacey sound. The countermelody introduced by the Oboe in measure 13 is inspired intervalically and rhythmically by the 2009 Star Trek reboot movie theme. These 2 melodies are used in various ways from start to finish, sometimes rhythmically diminished, sometimes just as a motif passed from one instrument to another. Every section has a moment to shine like a distant star in this fun sci-fi inspired piece.
The Greatest Frontier
Orchestre d'harmonie

$59.99 50.68 € Orchestre d'harmonie PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453552 By Glenn Miller & His Orchestra. By Joe Garland. Arranged by John Hoesly. Jazz,Pop,Standards. 74 pages. PRS&B #1032776. Published by PRS&B (A0.1453552). IN THE MOOD- You know it! You love it (maybe)! A staple for big band. Arrangement for Little Big Band/ Jazz Ensemble. In the Mood is a swing-era classic that has endured as a timeless favorite since its release in 1939. Composed by Joe Garland and popularized by the Glenn Miller Orchestra, this instrumental piece is synonymous with the vibrant, toe-tapping sound of the Big Band era. A reduction of the big band version (all the same notes). Difficulty: Intermediate.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
In The Mood
Ensemble Jazz
Glenn Miller & His Orchestra
$55.00 46.46 € Ensemble Jazz PDF SheetMusicPlus






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