Alto Voice,Bass Voice,Cello,Choir,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Digital Download SKU: A0.1317730 Composed by Franz Schubert. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 19 pages. Connie Boss #906411. Published by Connie Boss (A0.1317730). This version of Ave Maria has the same beautiful melody as the original. The lyrics, while maintaining the well-known Ave Maria words, also have some English translation along with Christmas Lyrics. It talks about the angel giving Mary the message from God that she will bear his son and needs to journey to Bethlehem. The melody is for a soloist if desired and then SATB quartet or choir parts that give beautiful harmonies off and on throughout the song. There is a very pretty  optional instrument part that can be played on flute, violin or cello - parts included. It's worth a listen. Any requests or questions, email cdboss@cvalley.net. For an accompaniment, please email me with proof of purchase. Lyrics:Ave Maria, I am an angel sent from GodMaria, here is God’s messageMaria, you will bear God’s sonAve, Ave, Hail to the LordThe Lord is with theeBlessed are you among womenFor you were born without sinAnd blessed be the fruit of thy wombOf thy womb Jesus ChristAve Maria….. Ave Maria, mother of GodMaria, do not be afraidMaria, God has chosen youAve, Ave Maria, the time has comeYou will make a journey to BethlehemWhere you will deliver God’s own sonAnd you will name your son JesusYour son will save the world from sinAve, Maria……….

Cello Solo - Level 4 - Digital Download SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?� The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.

Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801774 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718233. Published by Connie Boss (A0.801774). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional flute accent instrument that can be played or not and has piano accompaniment. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.

Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801776 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718237. Published by Connie Boss (A0.801776). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional cello accent instrument that can be played or not and has piano accompaniment. You can sing all the parts for each verse, or like the mp3, I added parts each verse.  Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.

Small Ensemble Trombone - Level 3 - Interactive Download SKU: A0.1085442 Composed by Aidan Tarpey. This edition: Interactive Download. Classical. Score and parts. 37 pages. Duration 169. Aidan Tarpey #C7vtbwN0s5P0WXvDRFQU3. Published by Aidan Tarpey (A0.1085442). Key: D major.The alto trombone is heavily underutilized so this piece was written to increase the repertoire of instrument; if you're like me and have difficulty reading alto clef, there is an additional transposing part for the alto.

Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801775 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718235. Published by Connie Boss (A0.801775). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional violin accent instrument that can be played or not and has piano accompaniment. You can sing all the parts for each verse, or like the mp3, I added parts each verse. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.

Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.918232 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by Samantha Hogan. Christmas,Film/TV,Holiday,Jazz,Rock. 11 pages. Coffee Seal Music #6113221. Published by Coffee Seal Music (A0.918232). This playful arrangement of Rudolph the Red-Nosed Reindeer was arranged for The brass group looking for something fun that won't bust the chops but will still impress a crowd.Each instrument gets to solo a bit of the melody at times or an opportunity pipe in and stick out, like the titular reindeer that the song is about. It is also in a Singable key if you want to have a SING ALONG with your audience!!!!It can be adapted for a Quintet or Sextet as there are cues for the optional euphonium/trombone part written in the remaining 5 parts. Difficulty- IntermediatePurchase includes a score and a full set of parts.Sor extra fun, TRY IT SWUNG!!If you have any questions about this arrangement or want to see what else I have available, please contact me at www.SamanthaHogan.com.

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1032610 Composed by Norman Mathews. Broadway,Jazz,Musical/Show. Score. 83 pages. Eburn Press #5026519. Published by Eburn Press (A0.1032610). This collection of ballads (six instrumental and ten vocal) was composed over a period of thirty years. I place these works together because the ballad is my favorite genre of song. All the songs are presented in lead-sheet format. The vocal pieces, however, are in addition given in their original arrangements. Some of these songs in the arranged form are not truly jazz inflected. I believe, though, that an inventive pianist may give them a jazz feel using the lead-sheets as blueprints. With some of the vocal works, I have transposed them up in order to make them more comfortable on the keyboard. The arrangements remain in their original keys. The vocal pieces are from either my Dorothy Parker musical, You Might as Well Live (which has been performed by Tony-Award-Winner Michele Pawk and Broadway star Karen Mason) or from a cabaret revue, entitled Somebody Write Me a Song (which has been performed by Tony-Award-Winner Debbie Gravitte and Tony-Nominee Liz Callaway). The vocal pieces are suitable for cabaret performances or audition purposes. The instrumental pieces are designed for jazz performers. The first piece, Anders' Theme, was originally written for sax. The recording of this can be heard on ht e AudioClip. I am an ASCAP composer. For more information, visit my website:  https://normanmathewsauthor.comMost of the vocal songs can be heard at the following SoundCloud links:https://soundcloud.com/user-240336285/sets/you-might-as-well-livehttps://soundcloud.com/user-240336285/sets/somebody-write-me-a-song

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534710 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 16 pages. Musik Fabrik Music Publishing #6359025. Published by Musik Fabrik Music Publishing (A0.534710). A NO. 7 IN B FLAT MAJOR I. Allegro II. Andante III. PrestoThe composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitum�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534709 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 13 pages. Musik Fabrik Music Publishing #6358997. Published by Musik Fabrik Music Publishing (A0.534709). SONATA NO. 6 IN D MINOR I. Cantabile II. Allegro The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitum�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534713 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #6359069. Published by Musik Fabrik Music Publishing (A0.534713). SONATA NO. 10 IN G MINOR I. Allegro !II. Allegro moderato The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.  

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534712 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 12 pages. Musik Fabrik Music Publishing #6359053. Published by Musik Fabrik Music Publishing (A0.534712). SONATA NO. 9 IN F MINOR I. Andante amoroso II. Allegro assai The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.  

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534714 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #6359077. Published by Musik Fabrik Music Publishing (A0.534714). SONATA NO. 11 IN D MINOR I. Andante un poco allegroII. Rondeau: Allegro The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.