Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1460728 Composed by Various. Arranged by Will Corbin. Jazz,Pop. 13 pages. Will Corbin #1039627. Published by Will Corbin (A0.1460728). Here's an oldie (maybe a fossil) from the Tin Pan Alley crypt. Its origin is apparently hazy, but it's generally credited to the guy whose version was the first recorded, in 1925. This one is short and relatively simple, done in Dixie style.If you need alternative instrumentation, contact me at wilcor@aol.com.

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.�The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session� the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam� Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues� was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues� was one of his nightly features with Satch’s ensemble along with “Tea for Two.� Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,� etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,� featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460789 By Will Corbin. By Milton Ager. Arranged by Will Corbin. Jazz,Pop. 19 pages. Will Corbin #1039688. Published by Will Corbin (A0.1460789). The full name is Hard-Hearted Hannah (The Vamp Of Savannah). If you've never heard the lyrics, look 'em up. They're a hoot.The song was written in 1924 and performed by a number of contemporary singers and bands. Its a favorite of barbershop quartets. Sammy Nestico did a terrific arrangement for big band.It was even sung by an American Idol contestant. She lost. Badly.This arrangement is adapted from an old stock Dixieland chart for mixed ensemble.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461113 Composed by Wilhelm Gabriel. Arranged by Will Corbin. Holiday,Traditional. 22 pages. Will Corbin #1040022. Published by Will Corbin (A0.1461113). First: Yes, I know there's supposed to be an umlaut. It's a pain to track down on an English system, and the software didn't produce the umlaut A the way it was supposed to. Use your imagination.If you've ever been to the Munich (Munchen, auch mit umlaut) Oktoberfest, this song is everywhere (as it is with most Oktoberfest celebrations everywhere). But it's always a part of the program at the Munich Hofbrauhaus.The song was written in Berlin in 1935. Wilhelm Wiga Gabriel wrote other songs as well, mostly for the Nazis. So he's pretty much written out of history and his work appropriately relegated to the dustbin of the ages.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.937763 By Ben Platt. By Alex Hope, Ben Abraham, and Ben Platt. Arranged by Justin P. Miller. 20th Century,A Cappella,Broadway,Contemporary,Musical/Show,Pop. Octavo. 15 pages. Justin P. Miller #543546. Published by Justin P. Miller (A0.937763). An a cappella arrangement of Grow As We Go by Ben Platt from his album Sing to Me Instead. This version is for SSAATTBB choir with soloist. It is an exciting arrangement that features a variety of textures, from contemporary a cappella instrumentation, to traditional homophonic choral singing, to a thrilling polyphonic climax.

Rhythm Section Alto Saxophone,Medium Voice,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1426324 By Lee Ann Womack. By Dudley Brooks, Harold Stanley, and Irving Taylor. Arranged by Scott Harris. Christmas,Holiday,Jazz,Standards. 62 pages. Scott Harris Music #1007046. Published by Scott Harris Music (A0.1426324). Based on Lee Ann Womack’s recording from her album The Season for Romance (2002). YouTube video is Lee Ann's recording for reference; this arrangement is for 4-piece horn section/band instead of big band. Key of G (down 1/2 step from original key of Ab) Vocal range: G4-B5 (for female or higher male vocalist) Instrumentation: Rhythm Section Trumpet Alto sax Tenor sax (has improvised solo) Trombone (w/ ext.) Separate Rhythm and Rhythm & Vocal chart included Performance time: approx. 2:30 For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at www.ScottHarrisMusic.com.

Piano - Digital Download SKU: LV.20252 Composed by Stephen Foster. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20252). Old Folks Quadrilles. Introducing (1) Old Folks At Home; (2) Oh! Boys, Carry Me Long; (3) Nelly Bly; (4) Farewell My Lilly Dear; (5) Cane Brake Jig. Composed by Stephen C. Foster. Published 1853 by Firth, Pond & Co., 1 Franklin Square in New York. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano - Digital Download SKU: LV.6596 Arranged by Charles M. King. Lester S. Levy Collection. 10 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6596). The Beauties of Amilie, or, The Love Nest. Includes My Boyhoods [sic] Home, Take Thou Cheat of Human Bliss, Yes Me Thinks I See Her Smiling, and To the Mountain Away. Containing the whole of the Songs, Duets, Choruses, Etc. in the above Celebrated Opera, arranged in Four Books,as Brilliant Divertimentos for the Piano Forte by Charles M. King. Published 1839 by Firth & Hall, 1 Franklin Square in New York. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Rhythm Section Alto Saxophone,Medium Voice,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1419779 Composed by Dudley Brooks, Harold Stanley, and Irving Taylor. Arranged by Scott Harris. Christmas,Holiday,Jazz,Standards. 62 pages. Scott Harris Music #1001201. Published by Scott Harris Music (A0.1419779). Based on Lee Ann Womack’s recording from her album The Season for Romance (2002). YouTube video is Lee Ann's recording for reference; this arrangement is for 4-piece horn section/band instead of big band. Key of G (down 1/2 step from original key of Ab) Vocal range: G4-B5 (for female or higher male vocalist) Instrumentation: Rhythm Section Trumpet Alto sax Tenor sax (has improvised solo) Trombone (w/ ext.) Separate Rhythm and Rhythm & Vocal chart included Performance time: approx. 2:30  For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at www.ScottHarrisMusic.com.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.923580 Composed by Erik Satie. Arranged by CJ Darnieder. Romantic Period. Score and parts. 15 pages. CJ Darnieder #3475075. Published by CJ Darnieder (A0.923580). Set of parts, for full score: https://www.sheetmusicplus.com/title/gymnopedie-no-1-for-small-chamber-orchestra-and-solo-violin-dig...Satie's famous and gorgeous Gymnopedie No.1 in a unique arrangement by CJ Darnieder. Instrumentation is as follows:1 flute, 1 oboe, 1 clarinet, 1 bassoon, 2 horns, harp, solo violin, and strings*For younger ensembles, doubling woodwinds is an option. *Piano may also be substituted for harp if harmonics are omitted or performed up the octave.*For more professional ensembles, the smaller the string section, the better.If you have any questions or would like to perform this arrangement, please do not hesitate to contact me! composercjdarnieder@gmail.com.

Guitar,Piano - Digital Download SKU: A0.746774 Composed by Trad. Arranged by Keith Terrett. Children,World. Score and part. 4 pages. Keith Terrett #3493925. Published by Keith Terrett (A0.746774). An arrangement of a popular Welsh song for Classical Guitar & Piano. Tab is available on request:keithterrett@gmail.com Suo Gân (Welsh pronunciation: [sɨɔ ɡɑ�n]) is a traditional Welsh lullaby written by an anonymous composer. It was first recorded in print around 1800. The lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). The song's title simply means lullaby (suo = lull; cân = song). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America  ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1''  - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De CÅ“niél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.   

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.752231 By Elvis Presley. By Doc Pomus and Mort Shuman. Arranged by Glenda Lloyd. Contemporary. Octavo. 7 pages. Glenda Lloyd #3511187. Published by Glenda Lloyd (A0.752231). His is a fun, energetic song that your audiences will absolutely love. It starts out with vocal stylings which match the original instrumentation, then fills out into a full arrangement as the song progresses. To manage the rangy melody line, the melody moves between voice parts, with the lowest voice singing some of the verse. A terrific opportunity to showcase your singer with the lowest voice!This arrangement is regularly performed by Frenzy! quartet, and was sung by Brindabella Chorus in their international championship package in Las Vegas in October 2017.Also available notated for women's barbershop - see my other listingsThe purchase price entitles you to make four copies of the work, as it has four parts.Visit www.lloydsong.com to see more of my work, or see me on Facebook at https://www.facebook.com/Glenda.LloydSong/

Brass Quintet Baritone Horn TC,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461374 By Various. By Charles Borel-Clerc. Arranged by Will Corbin. Latin,March. 19 pages. Will Corbin #1040130. Published by Will Corbin (A0.1461374). Music doesn't get more international than this. Frenchman Charles Borel-Clerc wrote it originally in 1905 as a French cafe song, La Mattchiche, based on the Brazilian dance maxixa, predecessor to the samba, and in his subtitle he described it as a march based on Spanish themes. He repurposed it as a tune for a Spanish zarzuela (a little like an American musical play) and retitled it La Sorella, Italian for the sister. John Philip Sousa heard it when his band was on a European tour and recast it as a military-style American march. And this arrangement treats it as a tango, very Argentine. This arrangement is for two trumpets, horn, baritone TC and tuba. If you'd like other instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460704 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Will Corbin. Broadway,Musical/Show. 34 pages. Will Corbin #1039610. Published by Will Corbin (A0.1460704). Richard Rodgers and Oscar Hammerstein crafted this music-teaching song for The Sound Of Music. Shows what a great composer can do with a basic scale -- in this arrangement, the familiar Bb scale that every middle-school band director warms up with. This arrangement is for two trumpet, horn (the heavy lifting), trombone and tuba.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.