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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.568388 By Thad Jones. By Thad Jones. Arranged by Thomas Graf. Jazz. Score and parts. 9 pages. Thomas Graf - the-hit-factory.com #2920515. Published by Thomas Graf - the-hit-factory.com (A0.568388). Thad Jones composed this wonderful Christmas song, relaxed, very tender, smooth, with a wide melody.  Instrumentation:  Violin 1/2, Viola, Cello, Contra Bass            Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                                Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic    New catalog includedVideo: https://www.youtu.be/4JlSyZXC1fc
A Child Is Born
Quatuor à cordes: 2 violons, alto, violoncelle
Thad Jones
$40.00 38.11 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.568236 By Thad Jones. By Thad Jones. Arranged by Thomas Graf. Christmas,Jazz,Pop. 7 pages. Thomas Graf - the-hit-factory.com #2893569. Published by Thomas Graf - the-hit-factory.com (A0.568236).   Thad Jones composed this wonderful Christmas song, relaxed, very tender, smooth, with a wide melody.     2016 Holiday Contest Entry   Instrumentation: Flute 1/2, Alto Flute, Bass Flute            Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N.....                               Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic    New catalog includedVideo: https://www.youtu.be/LnkkDlWxpfk
A Child Is Born
Thad Jones
$14.99 14.28 € PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.568078 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Thomas Graf. Christmas,Jazz. 19 pages. Thomas Graf - the-hit-factory.com #2803903. Published by Thomas Graf - the-hit-factory.com (A0.568078). A very romatic adaption of the world famous Christmas classic, made famous by Frank Sinatra. The arrangement is full of jazzy chords and features all parts. The Festive Highlight of your upcoming concerts! Holiday season is coming soon!  Instrumentation:  Part I (Soprano/Alto), Part II (Alto), Part III (Tenor), Part IV (Baritone/Bass Sax)    Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...              Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic    New catalog included (2016,9 pages) Video: https://youtu.be/f8RISYTKn4o
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Quatuor de Saxophones: 4 saxophones
Colbie Caillat
$13.49 12.85 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.568522 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Thomas Graf. Jazz. Score and parts. 9 pages. Thomas Graf - the-hit-factory.com #2964419. Published by Thomas Graf - the-hit-factory.com (A0.568522). A very romantic adaption of the world famous Christmas classic, made famous by Frank Sinatra. The arrangement is full of jazzy chords and features all parts. The Festive Highlight of your upcoming concerts! Holiday season is coming soon!   Instrumentation:  Violin 1/2, Viola, Cello, Contra Bass            Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                                Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic     New catalogue includedVideo: https://www.youtu.be/XexXbkjQUns .
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Quatuor à cordes: 2 violons, alto, violoncelle
Colbie Caillat
$16.49 15.71 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568072 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Thomas Graf. Christmas,Jazz. 20 pages. Thomas Graf - the-hit-factory.com #2803869. Published by Thomas Graf - the-hit-factory.com (A0.568072). A very romatic adaption of the world famous Christmas classic, made famous by Frank Sinatra. The arrangement is full of jazzy chords and features all parts. The Festive Highlight of your upcoming concerts! Holiday season is coming soon!  Instrumentation:  Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb    Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...              Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic     New catalog included (2016,9 pages) Video: https://youtu.be/px5vi69Rv6k
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Colbie Caillat
$12.99 12.37 € PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.568288 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Thomas Graf. Jazz. Score and parts. 13 pages. Thomas Graf - the-hit-factory.com #2913225. Published by Thomas Graf - the-hit-factory.com (A0.568288). A very romantic adaption of the world famous Christmas classic, made famous by Frank Sinatra. The arrangement is full of jazzy chords and features all parts. The Festive Highlight of your upcoming concerts! Holiday season is coming soon!   Instrumentation:  Euphonium/Trombone/Baritone 1/2 in C/Bb, Horn in F, Tuba 1/2, Bass in Eb/Bb 1/2             Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                                Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic     New catalog includedVideo: https://www.youtu.be/nvrVZSWyXrY.
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Colbie Caillat
$16.99 16.19 € PDF SheetMusicPlus

Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)

$12.00 11.43 € PDF SheetMusicPlus

Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel

$9.99 9.52 € PDF SheetMusicPlus

Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the Terezín Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)    So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.    Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only

$9.99 9.52 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1504747 Composed by Johann Sebastian Bach. Arranged by Thomas Ling. Baroque,Classical,Instructional. Score. 11 pages. Thomas Swee Chin #1080174. Published by Thomas Swee Chin (A0.1504747). Capriccio on the Departure of a Beloved Brother, BWV 992 is an early keyboard work by Johann Sebastian Bach, composed in 1704 when Bach was still a teenager. It is considered one of his few programmatic compositions, telling a specific story through music. The piece was likely written to bid farewell to Bach’s brother, Johann Jacob, who was leaving to serve as an oboist in the military.Structure and Programmatic Elements:The Capriccio is divided into six short movements, each with a descriptive title, narrating the emotional journey of the departure:Arioso: Adagio – A friend tries to dissuade him from leavingA gentle, expressive movement representing a friend’s attempt to persuade Johann Jacob to stay.Andante – They picture the dangers that may befall himThis section evokes the imagined dangers and perils of travel, characterized by ominous, foreboding musical gestures.Adagissimo – A lament of the friendsA sorrowful, slow lament, capturing the grief and sadness of those bidding farewell to the brother.Aria di Postiglione – The postillion’s horn is heardThis movement imitates the sound of a post horn, as if signaling the brother’s imminent departure by coach, a common mode of travel in that period.Fuga all’imitazione della cornetta di postiglioneA lively fugue that continues the imitation of the post horn, showcasing Bach’s contrapuntal skills even at this young age.Aria – The friends’ farewellThe final movement brings the capriccio to a touching close as the friends say their last goodbye.Style and Significance:Musical Innovation: While Bach is typically known for abstract works, this early piece is unique for its use of vivid musical storytelling. Each movement serves a narrative function, making it one of the earliest examples of program music, where the music is designed to evoke specific images or emotions outside of purely musical ideas.Youthful Playfulness: The Capriccio reveals the young Bach’s ability to blend humor, drama, and emotion. It also shows his developing mastery of counterpoint, which would later define his mature works.Historical Context: Bach composed this piece at the beginning of his career, before his major positions in Weimar, Köthen, or Leipzig, making it an important insight into his early stylistic development.This capriccio is an expressive and inventive work that balances emotional depth with technical brilliance. It stands out as a unique, personal piece within Bach’s extensive oeuvre, reflecting both a sense of farewell and a joyful exploration of musical ideas.
Capriccio on the Departure of a Beloved Brother
Piano seul

$8.00 7.62 € Piano seul PDF SheetMusicPlus

Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel

$9.99 9.52 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1399635 Composed by Charles Francois Gounod. Arranged by Thomas Ling. Classical,Film/TV,Romantic Period. Score. 4 pages. Thomas Swee Chin #982912. Published by Thomas Swee Chin (A0.1399635). Originally scored for the orchestra, Gounod's Funeral March of a Marionette is a captivating musical composition that skillfully blends elements of drama, mystery, and whimsy. Composed by Charles Gounod, this piece is perhaps best known as the theme music for the television series Alfred Hitchcock Presents.The composition opens with a solemn and haunting melody played by the woodwinds, setting a somber tone reminiscent of a funeral march. The mournful melody is accompanied by a steady, solemn rhythm in the lower registers, evoking a sense of reverence and solemnity.As the piece progresses, Gounod introduces variations on the main theme, adding layers of complexity and intrigue. The music builds in intensity, with dramatic flourishes and sudden shifts in dynamics, creating a sense of suspense and tension.Despite its mournful undertones, Funeral March of a Marionette also contains moments of whimsy and playfulness, reflecting the quirky and eccentric nature of its titular marionette. These lighter moments provide a stark contrast to the more serious elements of the composition, adding depth and dimension to the music.Overall, Gounod's Funeral March of a Marionette is a masterful composition that combines elements of drama, mystery, and whimsy to create a captivating and evocative musical experience. With its haunting melody, dramatic flourishes, and unexpected twists and turns, it remains a beloved and iconic piece in the classical repertoire.
Funeral March of A Marionette (puppet)
Piano seul

$6.80 6.48 € Piano seul PDF SheetMusicPlus

Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.877060 Composed by Thomas Tallis. Arranged by Michael O. Shaw. Renaissance. Score and parts. 15 pages. Michael O. Shaw #5026665. Published by Michael O. Shaw (A0.877060). Agnes Dei (a Renaissance Mass) for French Horn quintet, 5 hornsA harmonically rich adaption of a Renaissance piece by Thomas Tallis originally scored for four voices but adapted/arranged for French Horn quintet. Duration is 4:05 and is great for concert and group recitals. Tight harmony work is required. Good for genre familiarity and ear training for intermediate to advanced horns. Score and set of parts, 15 pages.For comments: https://www.facebook.com/michael.shaw.3150
Agnes Dei "A Renaissance Mass" by Thomas Tallis for French Horn Quintet (5 Horns)
Ensemble de Cors

$14.00 13.34 € Ensemble de Cors PDF SheetMusicPlus






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