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Brass Ensemble - Level 5 - Digital Download SKU: A0.807040 Composed by Thomas Campbell. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 19 pages. Arrangements by GPoehlmann #6230585. Published by arrangements by GPoehlmann (A0.807040). AND CAN IT BE - BRASS QUINTET (or Brass Sextet)A challenging arrangement using melodic, harmonic and rhythmic variations of the popular hymn tune. For 2 Bb Trumpets, Horn in F, Trombone & Tuba. Optional part for Trombone 2 (or Baritone Treble Clef) to create a Brass Sextet.78 measures.  Performance Time approx. 4:20.  Difficult (Grade 4+)Key: Ab - Eb - F - Db - Gb - Eb - F.  Meter: 12/8 - 6/8 - 7/8 - 4/4.Instrument Ranges (C4=middle C): Trumpet 1 Eb4 - E6 (written).   Trumpet 2 Bb3 - Bb5 (written).Horn in F A3 - A5 (written).   Trombone Ab2 - G4.   Tuba Bb1 - C4 (optional Db4).
AND CAN IT BE - BRASS QUINTET (or Sextet) - unaccompanied
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$5.00 4.34 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Flute Solo - Level 3 - Digital Download SKU: A0.1137792 Composed by William H. Monk, Thomas Campbell. Arranged by Glen Poehlmann. Christian,Religious,Sacred. Individual part. 6 pages. Arrangements by GPoehlmann #738047. Published by arrangements by GPoehlmann (A0.1137792). ABIDE WITH ME and AMAZING GRACE 2 unaccompanied FLUTE SOLOS Hymn Tunes AMAZING GRACE and EVENTIDE 243A AMAZING GRACE You will get 2 versions of Amazing Grace. One is Grade 3+ and the other is Grade 3- 2 versions: 101 measures and 85 measures Meter: 4/4 - 5/4 - 3/4. Performance Times: 4:00 and 4:15 Key: C - F - Ab - Bb - C and C - Ab - Bb - D - F Flute Range (C4=middle C): C4 - F6 243B ABIDE WITH ME Medium in Difficulty (Grade 3-) 62 measures. Performance Time approx. 3:26 Key: Eb - E - F. Meter: 4/4. Flute Range (C4=middle C): Eb4 - E6
2 FLUTE SOLOS - ABIDE WITH ME and AMAZING GRACE (unaccompanied)
Flûte traversière

$5.00 4.34 € Flûte traversière PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano

$7.00 6.07 € Saxophone Alto et Piano PDF SheetMusicPlus

Full Score, Violin, Trumpet, Piano Choral; Organ Accompaniment (Instrumental Accompaniment) SKU: HL.275002 Composed by Thomas Campbell. Arranged by Bruce Wilkin and Mark Thallander. Fred Bock Publications. General Worship, Sacred. Softcover. Fred Bock Music Company #BG2655B. Published by Fred Bock Music Company (HL.275002). UPC: 888680741501. 8.0x11.0x0.15 inches.This well-known hymn begins simply with just violin, but it expands and builds into a full festival anthem. Provided with organ accompaniment, befitting the arrangers' gifts, a full score with additional piano parts and trumpet is available separately. A center section introduces a Bach chorale, and then returns even more majestically to the hymn-tune, this time with an invitation to the entire congregation. Lent and Easter season, Communion, General, and festival, all work for this piece. Easy to Medium in difficulty.
And Can It Be

$35.00 30.35 € PDF SheetMusicPlus

Bass Trombone,Horn,Organ,Percussion,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1431513 By Tim Zimmerman & The King's Brass. By Thomas Campbell. Arranged by Tim Zimmerman. Chamber,Christian,Religious,Sacred,Traditional. 54 pages. Tim Zimmerman & The King's Brass #1011979. Published by Tim Zimmerman & The King's Brass (A0.1431513). Performance tested by Tim Zimmerman & The King's Brass on their Best of Brass & Organ CD DCD 403 on the Summit Record Label (www.summitrecords.com).  This Brass Septet, Percussion & Organ arrangement is perfect for an Offertory, Prelude or Postlude during festive church celebrations.  Composed on the Charles Wesley text hymn by King's Brass member Tim Zimmerman, it can be played as an antiphonal piece.  Trumpet parts are made available in Bb or C with French Horn (trombone 1 sustitute) part included to give ensemble flexibility.  Duration 3:25  www.kingsbrass.org.
And Can It Be
Tim Zimmerman & The King's Brass
$19.99 17.34 € PDF SheetMusicPlus

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.622698 Composed by Traditional, Thomas Campbell. Arranged by Stephen DeCesare. Easter,Praise & Worship,Sacred. Score and parts. 20 pages. Exultet Music #3879345. Published by Exultet Music (A0.622698). This hymn combines the two melodies of And Can It Be? with the traditional and uplifting melody of Amazing Grace. Scored for a String Quartet (Violin (2), Viola, Cello) with Piano accompaniment. Accessible and appropriate for any church or concert setting and can be used throughout the liturgical year, but especially during the season of Lent.
And Can It Be? (with "Amazing Grace") (for String Quartet and Piano)
Quatuor à cordes: 2 violons, alto, violoncelle

$12.99 11.27 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus


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