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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Orchestre de chambre

$9.99 8.53 € Orchestre de chambre PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.928376 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Thomas J. West. A Cappella,Pop,Rock. Octavo. 9 pages. Thomas J. West #5989503. Published by Thomas J. West (A0.928376). This arrangement was commissioned by a high school contemporary a cappella group. It has a tenor lead vocal with a very accessible homophonic background parts and a very characteristic bass line. There are also several spirit cheer parts for singers to chant as well as a typical Daddy-O pick-up line for the lead singer to improvise. Share some classic high school football cheer spirit with your singers! Bass range is from F2 to F3. Soprano range is from D#4 to E5. www.thomasjwestmusic.com
Be True To Your School
Chorale SATB
The Beach Boys
$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5751651. Published by Thomas Oboe Lee (A0.869653). I am not a huge fan of Mahler's music but his Kindertotenlieder is a cultural gem!   I inadvertently discovered that the poet Friedrich Rückert who penned Kindertodtenlieder (yes, with a d ... LOL!) wrote 400-plus of these KTL poems after his two youngest children died of scarlet fever.  I bought the book @ Amazon.   After plowing through 442 of them, I winnowed it down to ten poems for my song cycle.  It is scored for soprano and piano.  NB: I cannot afford an orchestra, and it would be too much unnecessary work.  LOL!!!  The entire song cycle has a duration of ca. 35 minutes.  It ends like a mechanical music box while the soprano sings a lullaby.  Sleep is of course a perfect metaphor for being dead.  Enjoy!!!https://thomasoboelee.bandcamp.com/album/kindertodtenlieder-2020
Kindertodtenlieder (2020) for soprano and piano
Voix Soprano, Piano

$9.99 8.53 € Voix Soprano, Piano PDF SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.869349 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 20 pages. Thomas Oboe Lee #13481. Published by Thomas Oboe Lee (A0.869349). Program note: I met Jan Müller-Szeraws through Andrés Díaz back in the 80’s … Since then Jan has participated in a number of performances of my work, including my String Quartet No. 12 … The Seasons (2010). Most recently he premiered with colleagues in the Boston area my piano quintet, Pq2 … (2014). Suite for Solo Cello (2014) is dedicated to him. My work is modeled after JS Bach’s Six Suites for Unaccompanied Violoncello. The sequence of movements in my Suite is similar to that Bach’s … 1. Fantasia … Moderato 2. Allemande … Allegro 3. Courante … Allegretto 4. Sarabande … Adagio 5. Minuet … Allegretto 6. Arioso … Adagio 7. Gigue … Presto Enjoy!!! Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/suite-for-solo-cello-2014.
Suite for Solo Cello (2014)
Violoncelle

$9.99 8.53 € Violoncelle PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre

$9.99 8.53 € Orchestre PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download SKU: A0.869492 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and part. 41 pages. Thomas Oboe Lee #3030241. Published by Thomas Oboe Lee (A0.869492). Program note. I saw Clare perform with the NEC Symphony Orchestra a couple of years ago in Jordan Hall. She played principle cello and had several solo features in the program. I was so impressed with her performance that I hired her to participate in several recordings of my music. She played cello in my string quartet, Sodium, my Octet in D, and my song cycle Alice. She is now a senior at NEC, and I decided that as a parting gift I would write a cello duet for her. The end result is Concerto Barocco for cello and piano. Concerto Barocco like the Bach dance suites is in six sections. 1. Allemande … Moderato 2. Courante … Moderato 3. Sarabande … Adagio 4. Gavotte … Moderato 5. Air … Adagio 6. Gigue … Allegro Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-barocco-2017-for-cello-and-pianoVideo link: https://youtu.be/iL-2pOEk-Ec
Concerto Barocco (2017) for cello and piano
Violoncelle, Piano

$9.99 8.53 € Violoncelle, Piano PDF SheetMusicPlus

Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.869619 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 41 pages. Thomas Oboe Lee #4969819. Published by Thomas Oboe Lee (A0.869619). Nancy Braithwaite has been a champion of my music since 1996 when I wrote a solo clarinet piece (Trinca de Chôros) for her to play at her sister Ann's wedding that year in Vermont. After the wedding Nancy asked me if I would write a new piece for her group the Arto Ensemble. I said yes, and I gave them Yo Picasso (1997) for clarinet, viola, cello and piano. Subsequently Nancy asked for more works from me over the years. Octet in D (2012)Clarinet Quintet (2013) La Serenissima (2013) Alice (2015)B.A.C.H. (2018) This year she asked me to write a Nonet so that she could feature it with her group the Rietveld Ensemble in a program with nonets by Bohuslav Martinu and Louis Farrenc.   I said yes.   This work is scored for flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass. It is in five movements. 1. Introduction, Moderato 2. Largo, Vivace, TRIO 3. Prestissimo 4. Largo, Adagio 5. Vivace, TRIO Enjoy!!! Audio link: https://thomasoboelee.bandcamp.com/album/nonet-2019 YouTube link: https://youtu.be/xpn2Ov-37tk
Nonet (2019) for chamber ensemble

$9.99 8.53 € PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869312 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Recitativo and Allegro. You are everywhere. You were everywhere. You tapped the window when the preacher preached his sermon, And ran along the road beside the boy going to school. You stood by the pasture-bars to give the cows good milking, You persu. 38 pages. Thomas Oboe Lee #2283. Published by Thomas Oboe Lee (A0.869312). Lilacs … a poem by Amy Lowell (2012) 1. Lilac, false blue ... Moderato.  2. You Are Everywhere ... Recitativo, allegro.   3. Lilacs, false blue ... Moderato.  4. Maine Knows You ... Recitativo, allegro.  5. Lilacs, false but ... Moderato.  Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/lilacs-a-poem-by-amy-lowell-2012Video link: https://youtu.be/K1ERB6S6c0YAmy Lowell, Lilacs from The Complete Poetical Works of Amy Lowell. Copyright © 1955 by Houghton Mifflin Company. Copyright © renewed 1983 by Houghton Mifflin Company, Brinton P. Roberts, and G. D'Andelot, Esquire. Used by permission of Houghton Mifflin Company. All rights reserved.
Lilacs ... A Poem by Amy Lowell (2012, rev. 2016) for soprano and piano
Voix Soprano, Piano

$9.99 8.53 € Voix Soprano, Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes arranged for SATB
Quatuor de Saxophones: 4 saxophones

$64.95 55.43 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Chamber orchestra and basso continuo - Digital Download SKU: S9.Q12514 D major. Composed by Johann Sebastian Bach. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12514. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12514). Key: D major.From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers - including Rosenmüller, Fischer, Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture', whose name betrays its French theatrical origins. From Bach himself only four such suites have survived thanks to the diligence of C.F.Penzel, a student at the Thomasschule from 1751, who made copies of Bach's MSS which he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in D major, recent criticism suggests that it may originally have been written for strings only, and dates, in its final form from around 1731. Penzel's copy of the suite includes significant variants to be played by a solo violin (marked Violino Concertato) which are included here in the Appendices. The score is newly-edited from the extant sources consisting of sets of parts (some in Bach's autograph) and copyist's scores are preserved in the Staastbibliothek zu Berlin - Preußischer Kulturbestitz, Musikabteilung mit Mendelssohn-Archiv. This edition replaces the former Eulenburg miniature score edited by Wilhelm Altmann.
Overture (Suite) No. 3

$11.99 10.23 € PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016196_VA1 Viola. Composed by Benny Thomasson. Arranged by Renata Bratt. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016196_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016196_VA1). UPC: 038081342382.A famous, majestic, mid-tempo fiddle tune sure to please any audience! Easy and accessible, this Texas waltz features beautiful Americana harmonies. In D Major, all instruments stay in first position. Since the arranger teaches beginners and performs fiddle-style music regularly as a cellist, she believes that every section should have a turn playing the tune as well as the accompaniment, so there is plenty here for all sections to enjoy!
Midnight on the Water: Viola
Alto (partie séparée)

$5.99 5.11 € Alto (partie séparée) PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016196_VN2 2nd Violin. Composed by Benny Thomasson. Arranged by Renata Bratt. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016196_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016196_VN2). UPC: 038081342382.A famous, majestic, mid-tempo fiddle tune sure to please any audience! Easy and accessible, this Texas waltz features beautiful Americana harmonies. In D Major, all instruments stay in first position. Since the arranger teaches beginners and performs fiddle-style music regularly as a cellist, she believes that every section should have a turn playing the tune as well as the accompaniment, so there is plenty here for all sections to enjoy!
Midnight on the Water: 2nd Violin
Violon (partie séparée)

$5.99 5.11 € Violon (partie séparée) PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry.  Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today.  From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments.  The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included.  The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources.  P.S.-  The score was written on Finale. The sound file was produced with samplers from Garritan,  merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
I Had Much Grief
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$7.94 6.78 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016196_SB String Bass. Composed by Benny Thomasson. Arranged by Renata Bratt. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016196_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016196_SB). UPC: 038081342382.A famous, majestic, mid-tempo fiddle tune sure to please any audience! Easy and accessible, this Texas waltz features beautiful Americana harmonies. In D Major, all instruments stay in first position. Since the arranger teaches beginners and performs fiddle-style music regularly as a cellist, she believes that every section should have a turn playing the tune as well as the accompaniment, so there is plenty here for all sections to enjoy!
Midnight on the Water: String Bass
Contrebasse (partie séparée)

$5.99 5.11 € Contrebasse (partie séparée) PDF SheetMusicPlus






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