Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1303209 By DaCapo Primary Music. By Carl Herring and John Ashton Thomas. Arranged by Louis d’Heudieres. Contemporary. Score. 3 pages. DaCapo Primary Music #892809. Published by DaCapo Primary Music (A0.1303209). Sail With Me is an original score composed by John Ashton Thomas for DaCapo Primary Music as part of a suite named Around the World. The words were written by Carl Herring and this piano reduction was arranged by Louis d’Heudieres.It can be performed by a children’s chorus in 3 parts or in unison (top line only) with a piano accompanist. The piano parts can be simplified or filled out more depending on the accompanist's abilities.Sail With Me is a lilting melody which explores rhythmic diminution with the first entry being double the note values of the following passages. The vocal range is in the scope of any school choir and the whole piece builds to 3 parts.This piece is approx 2 mins and you can find more DaCapo pieces for Children’s Chorus and piano accompaniment at DaCapo Music Shop.

Piano and voice - Digital Download SKU: LV.1787 Composed by Thomas H. Bayly. Musicians, Courtship, Love. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1787). Gaily the Troubadour. Composed and Arranged or the Piano Forte by Thomas H. Bayly. Published [n.d.] by Klemm & Brother, 287 Market St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Musicians, Courtship, Love. First line reads Gaily the Troubadour touch'd his guitar First l;ine of chorus Singing From Palestine hither I come, Ladye Love! Ladye Love!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1300130 By DaCapo Primary Music. By Carl Herring and John Ashton Thomas. Arranged by Louis d’Heudieres. Contemporary. Score. 7 pages. DaCapo Primary Music #889872. Published by DaCapo Primary Music (A0.1300130). We’re On Holiday is an original score composed by John Ashton Thomas for DaCapo Primary Music as part of a suite named Around the World. The words were written by Carl Herring and this piano reduction was arranged by Louis d’Heudieres.It can be performed by a children’s chorus of 3 separate parts and a piano accompanist. The piano parts can be simplified or filled out more depending on the accompanist's abilities.The melody contains a 5/8 polyrhythm and the simple chord structure of the song should help with teaching the complicated rhythmic pattern. The CC parts contain unison and some use of canonical singing / (singing in rounds?).The piece is in a modern pop style and should be performed energico in order to convey the excitement of finishing school for the summer holidays (for teachers and students both!).This piece is approx 2mins and you can find more DaCapo pieces for Children’s Chorus and piano accompaniment at DaCapo Music Shop.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1353032 By Harry Styles. By Harry Styles and Thomas Hull. Arranged by James Widden. 21st Century,Pop,Singer/Songwriter,Wedding. 14 pages. James Widden #937858. Published by James Widden (A0.1353032). Harry Styles's gorgeous piano ballad, released as the third single from his album Fine Line.  It was written in collaboration with Thomas Hull (better known as Kid Harpoon) - Styles commented on the writing of the song Tom had come up to my place to grab something, and he'd sat at the piano and I'd just got out of the shower. He started playing, and we wrote it there. So I was completely naked when I wrote that song.  So there we go!  All James Widden's arrangements are beautifully made and carefully edited so that players and listeners alike will get maximum pleasure from the performance.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1300095 By DaCapo Primary Music. By John Ashton Thomas and Tracey Mathias. Arranged by Louis d’Heudieres. Contemporary. Score. 5 pages. DaCapo Primary Music #889851. Published by DaCapo Primary Music (A0.1300095). Bom Chicka is an original score composed by John Ashton Thomas for DaCapo Primary Music as part of a suite named Around the World. The words were written by Tracey Mathias and this piano reduction was arranged by Louis d’Heudieres.It can be performed by a children’s chorus in unison and a piano accompanist. The piano parts can be simplified or filled out more depending on the accompanist's abilities.The melody is based on a folk tune from Albania. In typical DaCapo fashion, the piano is rhythmically and tonally complex but the melody is purely diatonic and rhythmically uncomplicated in order to help young children easily learn it. The words were written by the DaCapo in-house lyricist Tracey Mathias and tells the story of Granny meeting an alien.This piece is approx 2mins and you can find more DaCapo pieces for Children’s Chorus and piano accompaniment at DaCapo Music Shop.

Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, William O Cushing. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 51 pages. Stephen R Dalrymple #6091833. Published by Stephen R Dalrymple (A0.818333). Rock of Ages hymn arrangement for flute and piano by Stephen R Dalrymple transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello     Rock of Ages (text by Augustus M Toplady 1776, tune by Thomas Hastings 1830) Hiding in Thee (text by William O Cushing 1876, tune by Ira D. Sankey 1877)     To describe might, power, security, protection – the images we think of are exploding bombs, a nuclear arsenal, security systems. None of these existed in the ancient world. The image of a rock, its density, its hardness, its inability to be shaken, actually, that is a universal metaphor. And so we find it often in the Bible.    Moses struck the rock to produce water. Paul tells us that rock was Christ. [Ex 17, 1 Cor 10] Moses was hidden in the cleft of a rock to watch the presence and glory of God pass by. [Ex 33] David often alluded to the rock as a fortress in the Psalms. [Ps 18] And the picture of Christ as the cornerstone is another favorite theme. [Mt 21, I Pt 2] Several of our hymns use (and mix) these metaphors to speak of the Rock, a place of refuge, a place of safety, a place of redemption.     Suitable for preludes, offertories, concerts, personal meditation.     Includes pdf of 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1042846 By DaCapo Primary Music. By Carl Herring and John Ashton Thomas. Arranged by Louis d’Heudieres. Contemporary. Score. 4 pages. DaCapo Primary Music #647578. Published by DaCapo Primary Music (A0.1042846). Aaye chelera aye Mayra is an original score composed by John Ashton Thomas for DaCapo Primary Music as part of a suite named Around the World. The words were written by Carl Herring and this piano reduction was arranged by Louis d’Heudieres.It can be performed by a children’s chorus in unison and a piano accompanist. The piano parts can be simplified or filled out more depending on the accompanist's abilities.The piano part is polyrhythmic and experiments with the usual phrasing of 6/8 compound time. The melody is based on a Bangladesh folk tune and it remains uncomplicated throughout the piece despite the rhythmically sophisticated piano part. The piece modulates through several keys and tonalities including G major, E major, E mixolydian and several others.This piece is approx 2mins and you can find more DaCapo pieces for Children’s Chorus and piano accompaniment at DaCapo Music Shop.

1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - Digital Download SKU: S9.Q23450 Opera in 1 act. Composed by Huw Watkins. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 45 minutes. Schott Music - Digital #Q23450. Published by Schott Music - Digital (S9.Q23450). English.Taking Thomas Hardy’s short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person’s actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur. Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely. Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan. As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.Wenn wir den Ausgangspunkt von Thomas Hardy Geschichte betrachten, fühlen wir uns in die Gegenwart, zu einem heutigen Blick auf die Novelle transportiert. Diese Sicht verdeutlicht, welche Macht der menschliche Geist über die Handlungen einer Person hat. Eine verschlossene Tür kann eine Obsession so entzünden, dass Realität und Fantasie zu verschwimmen beginnen.

1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - Digital Download SKU: S9.Q23800 Opera in 1 act. Composed by Huw Watkins. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 45 minutes. Schott Music - Digital #Q23800. Published by Schott Music - Digital (S9.Q23800). English.Taking Thomas Hardy’s short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person’s actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur. Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely. Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan. As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.Wenn wir den Ausgangspunkt von Thomas Hardy Geschichte betrachten, fühlen wir uns in die Gegenwart, zu einem heutigen Blick auf die Novelle transportiert. Diese Sicht verdeutlicht, welche Macht der menschliche Geist über die Handlungen einer Person hat. Eine verschlossene Tür kann eine Obsession so entzünden, dass Realität und Fantasie zu verschwimmen beginnen.

Piano - Digital Download SKU: LV.10329 Composed by Mary D. Thomas. Mountains, Cliff, Pines. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10329). Raymond's Kill. Galop. Composed by Mary D. Thomas. Published 1871 by Oliver Ditson & Co., 451 Washington St. in Boston. Composition of sectional with piano instrumentation. Subject headings for this piece include Mountains, Cliff, Pines. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1104186 By Matchbox Twenty. By Rob Thomas. Arranged by Nicholas Palmer, ASCAP. Contemporary,Pop,Singer/Songwriter. Octavo. 10 pages. Nicholas D Palmer #707418. Published by Nicholas D Palmer (A0.1104186). Rob Thomas is known for writing expressive and evocative songs, great vocals, and great musicians in his band. This song appears in recordings from a few different concerts and performances, each with variations in rhythms and accompaniments. This arrangement tries to capture the feeling of the different performances, the intimacy of the verses, and the powerful singing called for in the choruses. There are optional opportunities for short solos, or at the director's discretion, even whole verses available for the right soloist. The text of this song speaks of how mental illness can affect a person, but don't shy away from this serious subject with any worry that singers might find it too heavy or depressing. Singers will readily adjust to the subject matter and sing it with the variety of character the song demands.

Organ - Level 3 - Digital Download SKU: A0.912499 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 6 pages. Thomas R. Schadl #4992627. Published by Thomas R. Schadl (A0.912499). The second movement is mystical in character and may be used in lenten services or in other somber occasions. The piece uses the TRSCH (B flat, D, E flat, C B ) motive as the basic theme, but varies in motivic arrangement. The work becomes less somber between measures 60 and 105, depicting the longing of good times to come. Piece ends quietly.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.710528 Composed by Wolfgang Amadeus Mozart. Arranged by Thomas Jancso. Classical. Octavo. 6 pages. Thomas Jancso #4331207. Published by Thomas Jancso (A0.710528). The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791).  Lacrymosa is a part of the Requiem. This is a version for Choir and Piano

Piano Solo - Level 4 - Digital Download SKU: A0.1325883 Composed by D. Scarlatti. Arranged by Thomas Ling. Baroque,Instructional. Score. 5 pages. Thomas Swee Chin #914074. Published by Thomas Swee Chin (A0.1325883). This is a lively sonata with imitation between the hands. Often included in diploma syllabus.

Organ - Digital Download SKU: A0.1068266 Composed by Louis Vierne. Arranged by Thomas R. Vozzella. Romantic Period,Sacred,Spiritual,Wedding. Full Performance. Duration 250. Thomas R. Vozzella #6758723. Published by Thomas R. Vozzella (A0.1068266). Sortie (Toccata) for Organ from Messe Basse. Vierne composed two organ masses – Messe basse op. 30 (Summer 1912) and Messe basse pour les défunts op. 62 (Winter 1934/35), both for organ and/or harmonium. These are glorious works filled with melodies, harmony and rhythmic interest historically found in French organ music. The difference between major works and these masses is that each movement within the mass is a few minutes long and serves a purpose during the mass, as certain movements contribute to the drama of the Eucharist.This piece will be an all around pleaser, is fun to play - with the feel of a French Toccata. This edition was created in celebration of Vierne’s 150th birthday.