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String Orchestra - Digital Download SKU: AX.00-PC-0016196_VN2 2nd Violin. Composed by Benny Thomasson. Arranged by Renata Bratt. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016196_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016196_VN2). UPC: 038081342382.A famous, majestic, mid-tempo fiddle tune sure to please any audience! Easy and accessible, this Texas waltz features beautiful Americana harmonies. In D Major, all instruments stay in first position. Since the arranger teaches beginners and performs fiddle-style music regularly as a cellist, she believes that every section should have a turn playing the tune as well as the accompaniment, so there is plenty here for all sections to enjoy!
Midnight on the Water: 2nd Violin
Violon (partie séparée)

$5.99 5.18 € Violon (partie séparée) PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016196_SB String Bass. Composed by Benny Thomasson. Arranged by Renata Bratt. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016196_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016196_SB). UPC: 038081342382.A famous, majestic, mid-tempo fiddle tune sure to please any audience! Easy and accessible, this Texas waltz features beautiful Americana harmonies. In D Major, all instruments stay in first position. Since the arranger teaches beginners and performs fiddle-style music regularly as a cellist, she believes that every section should have a turn playing the tune as well as the accompaniment, so there is plenty here for all sections to enjoy!
Midnight on the Water: String Bass
Contrebasse (partie séparée)

$5.99 5.18 € Contrebasse (partie séparée) PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016196_VA1 Viola. Composed by Benny Thomasson. Arranged by Renata Bratt. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016196_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016196_VA1). UPC: 038081342382.A famous, majestic, mid-tempo fiddle tune sure to please any audience! Easy and accessible, this Texas waltz features beautiful Americana harmonies. In D Major, all instruments stay in first position. Since the arranger teaches beginners and performs fiddle-style music regularly as a cellist, she believes that every section should have a turn playing the tune as well as the accompaniment, so there is plenty here for all sections to enjoy!
Midnight on the Water: Viola
Alto (partie séparée)

$5.99 5.18 € Alto (partie séparée) PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 8.64 € Orchestre à Cordes PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1412430 Composed by Cesar Auguste Franck. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 3 pages. Thomas Swee Chin #994515. Published by Thomas Swee Chin (A0.1412430). Les Plaintes d'une Poupée is a captivating composition by César Franck, a Belgian-born French composer known for his expressive and deeply emotional works. Translated as The Lament of a Doll, this piece is part of Franck's larger body of chamber music and showcases his mastery of melody and harmony.Written in the late 19th century, Les Plaintes d'une Poupée is a poignant musical portrayal of the imagined lamentations of a doll. Through its delicate and melancholic melodies, Franck captures the listener's imagination, evoking a sense of empathy and introspection.The composition features subtle nuances in dynamics and phrasing, inviting the listener to experience the emotional depth of the doll's lament. Franck's use of chromaticism and rich harmonic progressions adds complexity and depth to the piece, further enhancing its expressive power.Les Plaintes d'une Poupée is a testament to Franck's ability to infuse his music with profound emotion and sensitivity, leaving a lasting impression on audiences and performers alike.
Les Plaintes d’une Poupée - Dolly’s Complaint
Piano seul

$3.80 3.29 € Piano seul PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1438017 Composed by Public Domain. Arranged by Thomas E. Lipe Jr. Jazz,Religious,Sacred. Individual part. 30 pages. Thomas E. Lipe, Jr. #1018082. Published by Thomas E. Lipe, Jr. (A0.1438017). Jazz guitar has a long and rich history in worship settings, but there are few transcriptions of of sacred pieces available for intermediate guitarists. Too often the guitarist is presented with the choice of playing from a fake book, or taking the time to arrange the pieces to suit. With this in mind, here are seven sacred songs arranged for the intermediate guitarist. The arrangements are unique - for example, Silent Night is arranged in 5/8 in the style of Dave Brubeck. Arrangements include:Amazing GracePrecious Lord, Take My HandJust a Closer Walk With TheeSwing Low, Sweet ChariotCome, Thou Long Expected Jesus (Hyfrydol)Lo How a Rose is Blooming/Silent NightWe Three KingsThe arrangements are suitable for playing in a worship setting, or just for the fun of playing something different in the jazz language.
Seven Sacred Songs for Fingerstyle Jazz Guitar
Guitare

$15.00 12.97 € Guitare PDF SheetMusicPlus

SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.8147-E Composed by Thomas Juneau. Advent, Christmas, Marian, 21st Century. Octavo. 7 pages. Duration 3 minutes, 20 seconds. E. C. Schirmer Music Company - Digital #8147-E. Published by E. C. Schirmer Music Company - Digital (MQ.8147-E). Latin.Capturing the joyful anticipation of the Advent season was my primary influence when composing Virga Jesse. Perhaps the most important image of the text is the blooming of the branch of Jesse. This blooming shines forth as the voices gather their strength to sing the brilliant culmination of the first section. The middle section illustrates the restoration of unity as all voices sing a homophonic hymn of peace. The motet’s final section illustrates a sense of reconciliation by returning to the opening material to offer one more glorious blossom of choral beauty.-Thomas JuneauDuration: 3:20.
Virga Jesse (Downloadable)
Chorale SATB

$2.25 1.95 € Chorale SATB PDF SheetMusicPlus

SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.8489-E Composed by Thomas Juneau. Christmas, Christmas-Sacred. 7 pages. Duration 3 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8489-E. Published by E. C. Schirmer Music Company - Digital (MQ.8489-E). Latin.Et in terra pax is a choral meditation on the dream of peace on Earth, coupled with the realities which constantly threaten such a dream. The work begins with a simple homophonic prayer. The middle section features a more agitated theme, indicating fear from enemies. This section culminates in a powerful supplication for strength and aid. The opening music returns, emboldened by a repeated plea which reaches an apex of sheer serenity. The final moments echo the continuous hope of peace on earth. -Thomas JuneauDuration: 3:30.
Et in terra pax (Downloadable)
Chorale SATB

$2.25 1.95 € Chorale SATB PDF SheetMusicPlus






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