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Acoustic Guitar,Cello,Flute,Trumpet,Violin - Level 2 - Digital Download SKU: A0.1308453 By Jacob Collier. By Jacob Collier. Arranged by Thomas J. West. 21st Century,Contemporary,Folk,Pop,Singer/Songwriter. 10 pages. Thomas J. West #897688. Published by Thomas J. West (A0.1308453). FLEX ENSEMBLE Grade 2www.thomasjwestmusic.comJacob Collier's simple but elegant song he originally recorded as a voice demo on his iPhone in a moment of procrastination! I wrote an arrangement of this song for my small class of mixed middle school instrumentalists to introduce them to one of my favorite artists, give my flute player and trumpet player a chance to shine, and give my strings an opportunity to work on playing harmonies in tune (with a little melody of their own). The arrangement also calls for guitar accompaniment, originally provided by one of our graduating senior guitarists. I pitched it up a half-step from the original F# Major to G Major.Instrumentation - contact the arranger if you would like it reorchestrated for your flex ensemble Flute Trumpet (with harmon mute) Acoustic Guitar Violin 1 (divisi, with melody in 3rd position) Violin 2 (divisi, with lower part for a beginner) Cello www.thomasjwestmusic.com
The Sun Is In Your Eyes
Jacob Collier
$12.99 11.39 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestre

$9.99 8.76 € Orchestre PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869312 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Recitativo and Allegro. You are everywhere. You were everywhere. You tapped the window when the preacher preached his sermon, And ran along the road beside the boy going to school. You stood by the pasture-bars to give the cows good milking, You persu. 38 pages. Thomas Oboe Lee #2283. Published by Thomas Oboe Lee (A0.869312). Lilacs … a poem by Amy Lowell (2012) 1. Lilac, false blue ... Moderato.  2. You Are Everywhere ... Recitativo, allegro.   3. Lilacs, false blue ... Moderato.  4. Maine Knows You ... Recitativo, allegro.  5. Lilacs, false but ... Moderato.  Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/lilacs-a-poem-by-amy-lowell-2012Video link: https://youtu.be/K1ERB6S6c0YAmy Lowell, Lilacs from The Complete Poetical Works of Amy Lowell. Copyright © 1955 by Houghton Mifflin Company. Copyright © renewed 1983 by Houghton Mifflin Company, Brinton P. Roberts, and G. D'Andelot, Esquire. Used by permission of Houghton Mifflin Company. All rights reserved.
Lilacs ... A Poem by Amy Lowell (2012, rev. 2016) for soprano and piano
Voix Soprano, Piano

$9.99 8.76 € Voix Soprano, Piano PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre

$9.99 8.76 € Orchestre PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 1 - Digital Download SKU: A0.928365 By The Searchers. By Jerry Leiber and Mike Stoller. Arranged by Thomas J. West. A Cappella,Pop,Rock. Octavo. 6 pages. Thomas J. West #5871611. Published by Thomas J. West (A0.928365). This arrangement was originally written for The Dreamers of Phi Mu Alpha a cappella group at Penn State University. It is an SATB arrangement with a tenor lead vocal written in the style of the original 1959 recording of the song by The Clovers. It is extremely accessible for singers new to doo wop or contemporary a cappella singing. There is an optional improvised vocal saxophone solo during the second bridge that could be simply sung with the original lyrics instead. Bass range is E2 to A4. Soprano range is C4 to G#4. www.thomasjwestmusic.com
Love Potion Number 9
Chorale SATB
The Searchers
$1.99 1.75 € Chorale SATB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.928364 By The Searchers. By Jerry Leiber and Mike Stoller. Arranged by Thomas J. West. A Cappella,Pop. Octavo. 6 pages. Thomas J. West #5871607. Published by Thomas J. West (A0.928364). This arrangement was originally written for The Dreamers of Phi Mu Alpha a cappella group at Penn State University. It is a TTBB arrangement with a tenor lead vocal written in the style of the original 1959 recording of the song by The Clovers. It is extremely accessible for singers new to doo wop or contemporary a cappella singing. There is an optional improvised vocal saxophone solo during the second bridge that could be simply sung with the original lyrics instead. Bass range is E2 to A4. Tenor 1 range is C4 to G#4 (falsetto). www.thomasjwestmusic.com
Love Potion Number 9
Chorale TTBB
The Searchers
$1.99 1.75 € Chorale TTBB PDF SheetMusicPlus






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