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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568938 Arranged by Thomas Graf. Contemporary. 25 pages. Thomas Graf - the-hit-factory.com #3430243. Published by Thomas Graf - the-hit-factory.com (A0.568938). La Paloma  is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed  La Paloma  around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become.  La Paloma  belongs to a genre of songs called  Habaneras,  a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all  Habaneras,  its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly  La Paloma  became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of  La Paloma  has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with  Yesterday  by the Beatles, is one of the most recorded songs in the history of music.  ï»¿Instrumentation:  Soprano (Alto), Alto, Tenor, Baritone           ï»¿ Listen to the recording - a challenge for your ensemble.  Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              ï»¿Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                      Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              ï»¿Video: https://www.youtu.be/qR5PI78fGqM   .
La Paloma - Spanish Habanera - Saxophone Quartet H - Arrangement: Thomas H. Graf
Quatuor de Saxophones: 4 saxophones

$10.49 9.1 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Schadl #5303799. Published by Thomas R. Schadl (A0.912504). The Finale from Sonata In C For Organ is suitable for recital use, and may be used for teaching students on techniques of incorporating thematic materials from other movements or other works to their compositions.This last movement opens with a slow and quiet registration, depicting an anticipation of some good event to come. One may associate this section (measure 1 to 51) with the expectation of Christ’s resurrection from the dead. The theme opens with a motivic variation of bugle theme that was stated in the first movement of the sonata. The exposition part of this work begins at measure 52, where the TRSCH motive repeats continuously in the pedal part against the main theme. Other thematic materials from previous movements occur in this movement. From measure 111 to 118, the first theme from the first movement appears against the main theme of this movement, and the former one is restated at bar 182 to 185. The second theme from the scherzo movement appears against the main theme of this movement at bar 120 to 123. The final section of the piece that commences from measure 195 to 211 contains the TRSCH motive, stated in the pedal part; the motive, originally written in quarter-note notation, is augmented rhythmically to whole note notation, giving one an impression of triumphant splendor. What brings the sonata to a triumphant close is that the TRSCH motive is stated three times, using the full organ registration.  I hope that you enjoy this work.
Sonata In C For Organ (Finale) By Thomas R. Schadl
Orgue

$10.99 9.53 € Orgue PDF SheetMusicPlus

Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.928277 Composed by Thomas Morley. Arranged by Simon James. Renaissance. Score and parts. 7 pages. DML #6866071. Published by DML (A0.928277). No 8 – Mistress Mine Well May You Fare from First Book Of Ayres by Thomas Morley  This is a verse song, typical of the era. There are four verses and the accompaniment is repeated for each verse. Ornamentation would have been expected and I have offered with this score two possible decorations of the  guitar accompaniment one of which is an octave above the original allowing greater flexibility for the singer depending on their vocal range. Morley’s description of the publication was: Little short songs to sing and play to the lute with the base viole. I have substituted guitar for lute and cello for bass viole, chords have been re-voiced in places to better suit the guitar but no alteration has been made to the harmony.
Mistress Mine Well May You Fare for voice, guitar & cello

$5.99 5.19 € PDF SheetMusicPlus

Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1285851 Composed by David Lantz and Words by Thomas Henry Roehrich. Praise & Worship,Sacred. 9 pages. Lantz Choral Publications #876981. Published by Lantz Choral Publications (A0.1285851). Intended use: General, Prayer response, Post EasterThemes: Submission, commitment, assuranceThis profound text by Thomas Henry Roehrich is a warm reminder to cast all our cares upon Him, for no matter what, His love never fails. The chorus, Slow me down, that I might see that the love You have for me shall be mine eternally, whatever may be gives assurance, and the upbeat, syncopated melody lingers long after the anthem is done. Use for a general anthem, prayer response, or as a post-Easter anthem.Also available for SATB voicesNOTE: The audio recording is that of the SATB version.
Whatever May Be
Chorale 3 parties

$2.55 2.21 € Chorale 3 parties PDF SheetMusicPlus


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