String Ensemble,String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1514257 Composed by R. Wagner/F. Mendelssohn-Bartholdy. Arranged by Thomas Graf. Christmas,Classical,Holiday,Jazz,Wedding. 29 pages. Thomas Graf - the-hit-factory.com #1088733. Published by Thomas Graf - the-hit-factory.com (A0.1514257). This fresh, jazzy arrangement (including Wagner’s Bridal Chorus and Wedding March from A Midsummer Night's Dream (Hochzeitsmarsch aus Ein Sommernachtstraum) transforms the classic wedding march into a lively swing tune. Perfect for couples looking to bring a fun, modern vibe to their special day!About this arrangement: Composed by: R. Wagner/F. Mendelssohn-BartholdyArranged by: Thomas H. Graf for String QuintetInstrumentation: Full Score and Parts as listed below:Violin 1Violin 2ViolaVioloncelloContrabassPiano (opt.)Drum Set (opt.)Any individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic

Brass Band,Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Tuba TC,Euphonium,Trumpet - Level 3 - Digital Download SKU: A0.1514267 Composed by R. Wagner/F. Mendelssohn-Bartholdy. Arranged by Thomas Graf. Classical,Jazz,Wedding. 43 pages. Thomas Graf - the-hit-factory.com #1088743. Published by Thomas Graf - the-hit-factory.com (A0.1514267). This fresh, jazzy arrangement (including Wagner’s Bridal Chorus and Wedding March from A Midsummer Night's Dream (Hochzeitsmarsch aus Ein Sommernachtstraum) transforms the classic wedding march into a lively swing tune. Perfect for couples looking to bring a fun, modern vibe to their special day!About this arrangement: Composed by: R. Wagner/F. Mendelssohn-BartholdyArranged by: Thomas H. Graf for Brass QuintetInstrumentation: Full Score and Parts as listed below:Trumpet 1 in BbTrumpet 2 in BbHorn in FTromboneTubaPiano (opt.)Drum SetBassHorn in EbTrombone (=Horn)Baritone HornEuphoniumBass in EbBass in Bb Any individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.568981 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Thomas Graf. Hip-Hop,Pop,R & B. Score and parts. 20 pages. Thomas Graf - the-hit-factory.com #3488423. Published by Thomas Graf - the-hit-factory.com (A0.568981). Ain't No Mountain High Enough is an R&B/soul song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, becoming a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross' first solo number-one hit on the Billboard Hot 100 chart and was nominated for a Grammy Award. A must for your repertoire!  Instrumentation:  Violin 1/2, Viola, Cello, Contra Bass            Listen to the recording - a challenge for your ensemble.  Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                      Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              Video: https://www.youtu.be/uEeDG_8EZoo  2018 Chamber Music Contest Entry.

Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1514256 Composed by R. Wagner/F. Mendelssohn-Bartholdy. Arranged by Thomas Graf. Classical,Jazz,Wedding. 37 pages. Thomas Graf - the-hit-factory.com #1088732. Published by Thomas Graf - the-hit-factory.com (A0.1514256). This fresh, jazzy arrangement (including Wagner’s Bridal Chorus and Wedding March from A Midsummer Night's Dream (Hochzeitsmarsch aus Ein Sommernachtstraum) transforms the classic wedding march into a lively swing tune. Perfect for couples looking to bring a fun, modern vibe to their special day!About this arrangement: Composed by: R. Wagner/F. Mendelssohn-BartholdyArranged by: Thomas H. Graf for Saxophone QuintetInstrumentation: Full Score and Parts as listed below:Part I Soprano SaxophonePart I Alto SaxophonePart II Alto SaxophonePart III Alto SaxophonePart III Tenor SaxophonePart IV Tenor SaxophonePart V Baritone SaxophonePart V Bass SaxophonePiano (opt.)Drum SetBassAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic

Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, William O Cushing. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 51 pages. Stephen R Dalrymple #6091833. Published by Stephen R Dalrymple (A0.818333). Rock of Ages hymn arrangement for flute and piano by Stephen R Dalrymple transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello     Rock of Ages (text by Augustus M Toplady 1776, tune by Thomas Hastings 1830) Hiding in Thee (text by William O Cushing 1876, tune by Ira D. Sankey 1877)     To describe might, power, security, protection – the images we think of are exploding bombs, a nuclear arsenal, security systems. None of these existed in the ancient world. The image of a rock, its density, its hardness, its inability to be shaken, actually, that is a universal metaphor. And so we find it often in the Bible.    Moses struck the rock to produce water. Paul tells us that rock was Christ. [Ex 17, 1 Cor 10] Moses was hidden in the cleft of a rock to watch the presence and glory of God pass by. [Ex 33] David often alluded to the rock as a fortress in the Psalms. [Ps 18] And the picture of Christ as the cornerstone is another favorite theme. [Mt 21, I Pt 2] Several of our hymns use (and mix) these metaphors to speak of the Rock, a place of refuge, a place of safety, a place of redemption.     Suitable for preludes, offertories, concerts, personal meditation.     Includes pdf of 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)

Piano Solo - Level 3 - Digital Download SKU: A0.818274 By Crowder. By Ben Glover, David Crowder, and Matt Maher. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Praise & Worship,Sacred. Score. 13 pages. Stephen R Dalrymple #4765165. Published by Stephen R Dalrymple (A0.818274). Come as You Are ♫ by Ben Glover, David Crowder, and Matt Maher ♫ with Come Ye Disconsolate (lyrics - Thomas Moore 1816 ed by Thomas Hastings 1831, melody - CONSOLATION by Samuel Webbe 1792) ♫ The Glover, Crowder, and Maher song is an updated version of a grand old hymn, Come Ye Disconsolate. The 18th century melody is so lovely that it deserves a hearing beside Come As You Are. The grace of God is so rich and complete, that it is merely accepted, not earned, bought, or traded. We come to God as we are dirty, broken, mislead, helpless, hopeless, and His grace cleanses, forgives, enlivens, redirects us, and gives us hope. Truly, earth has no sorrow that heaven cannot heal. ♫ piano solo arrangement by Stephen R Dalrymple ♫ performed/sequenced by the arranger ♫ slide presentation by Stephen R Dalrymple ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet. (Tell your computer which pages you want to print. You can find programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).

Singstimme, Adapted Viola, Chromelodeon, Kithara, Bass-Marimba voice and ensemble - Digital Download SKU: S9.Q47314 Final Two Pragraphs from Thomas Wolfe’s “God’s Lonely Man�. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q47314. Published by Schott Music - Digital (S9.Q47314). English.Dark Brother, eine Vertonung der letzten beiden Absätze aus Thomas Wolfes God’s Lonely Man, war das erste Stück, das Partch speziell für sein selbst entwickeltes Chromelodeon schrieb. Die Stimme für Chromelodeon betont den Tonality flux – Partchs Begriff für sein Stimmführungsverfahren mittels Auflösung kleiner Intervalle sowie schneller Passagen mit sehr kleinen Intervallen, die das harmonische Geschehen verschleiern. Diese beiden Techniken wurden zu Merkmalen von Partchs Musik für Chromelodeon überhaupt.

Piano Solo - Level 4 - Digital Download SKU: A0.869855 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score. 29 pages. Thomas Oboe Lee #6321315. Published by Thomas Oboe Lee (A0.869855). Program note: Last summer I wrote Préludes … Hommage à C.D.   All 12 movements were inspired by Debussy’s Book I of the same title.  I enjoyed it so much that I thought I would eventually  do Book II as well. As I got around to it I discovered that Book II did not resonate with me as did Book I.  So, I went looking at the many, many other solo piano works by C.D. and I came across his Six Épigraphes Antique which engaged me tremendously.   As I did with Book I, I took initial elements of Debussy’s music and then took off in my own direction from the original.   The original six épigraphes has a duration of 15.5 minutes.    That is too short for me.   So I added two more pieces from Debussy’s works: Poisson d’or and the famous Réverie.   It is now ca. 26 minutes in duration. I. Pour Pan, dieu du vent d’été … Moderato II. Pour un tombeau sans nom …  Adagio III. Pour que la nuit soit propice … Allegro IV. Pour la danseuse aux crotales … Adagio V. Poisson d’or … Moderato VI. Pour Cléopâtre, l’Égyptienne … Largo VII. Pour remercier la pluie du matin … Presto, TRIO VIII. Réverie … Adagio Enjoy!!!

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1298679 By Lorde. By Ella Yelich-O'Connor and Jack Antonoff. Arranged by Adam Thomas. A Cappella,Contemporary,Pop. 17 pages. Adam R. Thomas #888557. Published by Adam R. Thomas (A0.1298679). A cappella SATB arrangement with solo and some divisi in Soprano and Alto parts. No vocal percussion listed.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1156757 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Score. 66 pages. Thomas Oboe Lee #757089. Published by Thomas Oboe Lee (A0.1156757). I went to a recent recital by a former student of mine, Mary Hubbell, where she sang an entire program of French songs on poems by Paul Verlaine. The composers included Claude Debussy, Gabriel Fauré, Reynaldo Hahn, and others. It inspired me to do my own Paul Verlaine song cycle. I purchased his Poémes saturniens on Amazon and saw that there are four collections of his poems. I immediately was drawn to the first one: Melancholia. There are eight poems in the set. 1. Résignation 2. Nevermore. 3. Après trois ans 4. Voeu 5. Lassitude 6. Mon rêve familier 7. À une femme 8. L'angoisse.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1449953 Composed by W. W. Fosdick & George R Poulton. Arranged by Thomas G Degan. 19th Century,A Cappella,Folk,Traditional. 1 pages. Thomas Degan #1029683. Published by Thomas Degan (A0.1449953). Aura Lea (sometimes spelled Aura Lee) is an American Civil War song about a maiden. It was written by W. W. Fosdick (lyrics) and George R. Poulton (music).Aura Lea was published by Poulton, an Englishman who had come to America with his family as a boy in 1838, and Fosdick in 1861. It was a sentimental ballad at a time when upbeat and cheerful songs were more popular in the music halls.[1] It became popular as a minstrel song, and the tune was also taken up by the U.S. Military Academy as a graduating class song, called Army Blue; new lyrics by L. W. Becklaw were sung to the original melody.-Wikipedia.

Small Ensemble - Level 4 - Digital Download SKU: A0.1493856 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 37 pages. Thomas Oboe Lee #1070514. Published by Thomas Oboe Lee (A0.1493856). Full scoreProgram note:Nancy Braithwaite, one of my dearest friend in the Netherlands, asked me to write a new work for her Rietveld Ensemble based in Utrecht. I said great, how about a work based solely on the waltz for clarinet, violin, cello and piano? She said that would be fabulous. So, it immediately reminded me that one of my favorite works by Maurice Ravel is his solo piano work, Valses nobles et sentimentales. It was interesting and revelatory to find out (from Wikipedia, of course) that Ravel was in turn inspired by Schubert's collection of waltzes entitled Valses nobles and Valses sentimentales. My quartet is in eight movements, as is the Ravel. The title of my work, Vanessa, is an acronym of sorts to the Ravel title, Valses nobles et sentimentales. I. Modéré - très franc II. Assez lent - avec une expression intense III. Modéré IV. Assez animé V. Presque lent - dans un sentiment intime VI. Vif VII. Moins vif VIII. Épilogue: lentEnjoy!

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1493840 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. Score. 73 pages. Thomas Oboe Lee #1070498. Published by Thomas Oboe Lee (A0.1493840). Full scoreProgram note.  Jean Anthelme Brillat-Savarin (1755-1826) was a man of many things: lawyer, judge, Mayor of Belley, author and professional violinist. He is most famous for his book, Physiologie du goût (The Physiology of Taste). According to Wikipedia, it is a book of his culinary reminiscences and reflections on the craft and science of cookery and the art of eating. Incidentally, the cheese Brillat-Savarin is named after him. I am a foodie and I have written quite a few works whose subjects are food related. My magnum food opus is Apicus de re Coquinaria (2023). So, it is inevitable that I would want to do a song cycle with texts excerpted from Goût. I. Nombre des Sens II. Des spécialités - bon bouillon III. Des Truffes IV. Du plaisirs de la table V. Bouquet - Gastéréa VI. Recette de la fondue VII. Variétés - Oh bonheur inespéré! VIII. Envoi aux gastronomes des deux mondes.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1506833 By Pink Martini. By China Forbes and Thomas Lauderdale. Arranged by Douglas R Morrison. Jazz,Pop,Standards. 18 pages. Douglas R. Morrison #1082208. Published by Douglas R. Morrison (A0.1506833). The Rivendell  String Quartet Arrangements - The Pop Standards SeriesSympathique was the first hit tune of Pink Martini, an American band founded in 1994 by pianist Thomas Lauderdale in Portland, Oregon.  It's two lead singers were China Forbes and Storm Large.  The group has been referred to as a little orchestra that performs in a variety of styles including jazz, traditional pop, Latin, and classical.Released in 1997 and eventually selling over one million copies world wide, Sympathique was given a new lease on life when it was performed by Ashley Park (as character Mindy Chin) on the Netflix comedy series Emily in Paris.The Audio Sample begins at Letter B (m. 21)Like us on Facebook:  www.facebook.com/rivendellarrangements.