SKU: A0.912510

Inspired by late-romantic and early twentieth century composers, such as Joseph Rheinberger (1839-1901) and Paul Hindemith (1895-1963), the piece portrays the rising of spiritual light from darkness. The piece starts at a moderate sound intensity and builds up volume gradually until it reaches the fortissimo sections in the last few measures. Fugue in E may be performed during the Easter Sunday service that celebrates Christ’s resurrection from the dead, and may be played as a concert piece.   Organ registrations and tempo indications are only suggestions.

SKU: A0.778359

Russian Easter Festival Overture: Overture on Liturgical Themes, Op. 36, by the Russian composer Nikolai Rimsky-Korsakov between August 1887 and April 1888. The work received its orchestra premiere at a Russian symphony concert in St. Petersburg in late December 1888. This arrangement uses three themes from the orchestral score making it useful for both sacred settings, schools and recitals.  .

SKU: A0.912449

Originally written as the last movement of the Baroque suite, the Gigue is a lively dance piece that appears in many forms in many composers' repertoire. Written in a 6/8 time, Gigue In E Major depicts a joyful spirit. This work is suitable for concert use as well as joyous occasions like Easter and other celebrations.

SKU: A0.1068273

Accompaniment for use with VIOLIN Arrangement - This is an original arrangement of the Ukraine National Anthem for Cello and Piano in a bold and majestic style with music written by Mykhailo Verbytsky in 1863. The translation for the original title is Ukraine Is Not Yet Lost!.

SKU: A0.1068261

This is an original arrangement of the Ukraine National Anthem for organ in a bold and majestic style with music written by Mykhailo Verbytsky in 1863. The translation for the original title is Ukraine Is Not Yet Lost!.

SKU: A0.778355

Ave Maria, by Giulio Caccini (1551-1618), is a very beautiful and moving piece of music. Caccini was an Italian composer, teacher, singer, instrumentalist and writer from late Renaissance, early Baroque era. Here is an accessible arrangement for SATB choir, accompanied by keyboard. It is sure to be a regular staple in your repertoire. Also, included is an alternate text (Alleluia!) for general use.