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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.912481 Composed by Thomas R. Schadl. Christian,Contemporary,Easter,Romantic Period,Sacred. Octavo. 6 pages. Thomas R. Schadl #3019163. Published by Thomas R. Schadl (A0.912481). Based on Revelation 1: 5-6, Jesus Was The First To Conquer Death is an anthem that resembles the Victorian choral writings of Sir John Goss (1800-1880) and John Stainer (1840-1901). The first part states that Christ is the ruler of all earthly kings and should be sung at a stately manner, but not too slow. The next part, where the choir sings at a slower pace, is about Christ's love for humanity. The final section is performed at a moderately fast tempo and it is about Christ's eternal glory. The speed for the Amen section could be stretched to bring the anthem to a brilliant conclusion.    .
Jesus Was The First To Conquer Death
Chorale SATB

$7.99 6.95 € Chorale SATB PDF SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.912496 Composed by By Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #4992619. Published by Thomas R. Schadl (A0.912496). The opening movement is composed in a sonata form and consists of three sections: exposition, development and recapitulation.The exposition begins with a stately introduction that consists of pointed rhythms. After the opening theme has been stated, there are two sections that employ canonic imitation of motives at measures 9 to 12 and 21 to 32. The closing theme depicts a bugle passage that is imitative in nature. The development section usually states thematic materials from the exposition section, but it is not always the case in some compositions. Take, for example, the middle section (measures 42 to 83) that contrasts the opening theme in its lyricism; its melody is written in the stepwise manner and is imitated in the pedal part. The recapitulation is a section where the restatement of the main theme and other sections, including the extended version of the bugle theme, recur after concluding the middle section of the sonata form. The piece ends triumphantly in a FFF passage.The work is educational in that it teaches students the sections that make up a sonata form. This piece is suitable for recital use.
Sonata In C For Organ (Maestoso)
Orgue
Thomas R Schadl
$6.99 6.08 € Orgue PDF SheetMusicPlus

Small Ensemble Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.778360 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Thomas R. Vozzella. Easter,Romantic Period,World. Score and parts. 36 pages. Thomas R. Vozzella #5373055. Published by Thomas R. Vozzella (A0.778360). Russian Easter Festival Overture: Overture on Liturgical Themes, Op. 36, by the Russian composer Nikolai Rimsky-Korsakov between August 1887 and April 1888. The work received its orchestra premiere at a Russian symphony concert in St. Petersburg in late December 1888. This arrangement for brass quintet, tympani and organ uses three themes from the orchestral score making it useful for both sacred settings, schools and recitals.  .
Russian Easter Overture (Brass Quintet, Tympani and Organ)

$14.99 13.04 € PDF SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.912466 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 16 pages. Thomas R. Schadl #1910845. Published by Thomas R. Schadl (A0.912466). Written in E, the work consist of two themes that have hymn-like and chorale qualities interspersed with lighthearted passages that depict the strength and weakness of human nature. The first theme resembles a melody of the ancient church; the melody has a mystical quality depicting God's majesty. The transition is light in content as it gives a listener a break from the serious mood of the first theme. The second theme is a chorale and is chordal in texture; it resembles a church hymn sung in many churches. Moreover, the second theme is written in B Flat Major, depicting one's praising God in spirit; the general mood is quiet. Following that section is the transition that gradually builds up excitement before the restatement of the first theme. The second theme is restated in E Major, but its longer note values are placed over the repeated bass and chordal patterns, a style that many composers use in their works, including Igor Stravinsky's L'Histoire Du Soldat. Once again, the lighthearted transitional passage recurs before the chimes start to strike four times. Following the chimes, the chorale is stated in E Major and begins quietly and builds up power as the work nears its ending; the chorale, unlike its first statement depicts the singing of praise with joy. This piece may be performed in concert halls and churches; it could give people fond memories of recitalists who enjoy bringing excitement to the public.
Fantasia And Chorale In E
Orgue

$10.99 9.56 € Orgue PDF SheetMusicPlus

Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877235. Published by Thomas R. Schadl (A0.912495). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
Sonata For Trumpet, Horn and Organ
Trompette

$2.99 2.6 € Trompette PDF SheetMusicPlus


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