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Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
Symphony No. 5 ... Utopia Parkway (2003) full score
Orchestre

$9.99 9.63 € Orchestre PDF SheetMusicPlus

Small Ensemble - Level 4 - Digital Download SKU: A0.1113262 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Score and parts. 14 pages. DML #715207. Published by DML (A0.1113262). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period and not specifically for use in church. According to the writer Joan Amades (1890-1959), who was curator at the Museu D’Industries I Arts Populars in Barcelona, these Christmas songs were sung by shepherds at the doors of the churches on Christmas Eve, some of the melodies date back to the 15th century. This is a full score of all three carols for reference purposes.
3 Catalan Carols - Score Only
Simon James, Daniel Thomas, Matthew Thomas
$5.99 5.77 € PDF SheetMusicPlus

Small Ensemble Acoustic Guitar,High Voice,Medium Voice - Level 4 - Digital Download SKU: A0.1109097 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Score and parts. 4 pages. DML #711641. Published by DML (A0.1109097). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period and not specifically for use in church. According to the Catalan writer Joan Amades (1890-1959) these Christmas songs were sung by shepherds at the doors of the churches on Christmas Eve, some of the melodies date back to the 15th century. The English lyric, as with the Song Of The Birds (Cant Dels Ocells), is not a direct translation though the central elements are the same as the Catalan original. The arrangement is for two voices and guitar where the guitar part is challenging but vocal parts are not.
3 Catalan Carols for Voice & Guitar-Joseph and Mary
Simon James, Daniel Thomas, Matthew Thomas
$5.99 5.77 € PDF SheetMusicPlus

Acoustic Guitar,High Voice,Medium Voice - Level 4 - Digital Download SKU: A0.1108944 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Full Performance. Duration 119. DML #711493. Published by DML (A0.1108944). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period. According to the Catalan writer Joan Amades (1890-1959) these Christmas songs were sung by shepherds at the doors of the churches on Christmas Eve, some of the melodies date back to the 15th century. As their origin would suggest the lyrics can be very down to earth. Joseph and Mary (Josep i Maria) has an English lyric which, like the Song Of The Birds (Cant Dels Ocells), is not a direct translation though the central elements are the same as the Catalan original. The score is also available from Sheet Music Direct or Sheet Music Plus.
Joseph and Mary
Simon James, Daniel Thomas, Matthew Thomas
$1.99 1.92 € PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.1374315 Composed by Rudesindo Soutelo. Arranged by Violin and Piano Duo. 21st Century,Chamber,Classical,Contemporary. 48 pages. Publisher by Rudesindo Soutelo #958918. Published by Publisher by Rudesindo Soutelo (A0.1374315). Rudesindo SouteloUtopias (2021) for Violin and Piano Duo [ca. 11 30]1. Verdades prematuras / Premature truths2. Arcádia / Arcadia3. Ser deus é humano / To be god is humanISWC: T-307.995.617-1ISMN: 979-0-707704-23-3 (Piano Score)  979-0-707704-24-0 (Violin Part)-oOo-Utopia was the republic that Thomas More imagined perfect, and that Alphonse de Lamartine profiled as premature truths. Arcadia, for the Greeks was the country of the god Pan, Virgil would transform it into the idyllic paradise of shepherds and poets, and for the Arcadianism of Jean-Jacques Rousseau, it would be the bucolic habitat of the good savage, the dream of simplicity in harmony with nature. Perfection is the fundamental attribute of every deity, showing the way to mortals, so the longing to be god is human.1,2,1,2,2,2,2 is the mode that sustains the whole work and the ancestral sonorities of the composer echo in it, where utopias flourish.-oOo-Utopia foi a república que Thomas More imaginou perfeita, e que Alphonse de Lamartine perfilou como verdades prematuras. Arcádia, para os gregos era o país do deus Pan, Virgílio, transformá-la-ia no paraíso idílico dos pastores e poetas e, para o arcadismo de Jean-Jacques Rousseau, seria o habitat bucólico do bom selvagem, o sonho da simplicidade em harmonia com a natureza. A perfeição é o atributo fundamental de toda deidade, mostrando o caminho aos mortais, por isso, o anseio de ser deus é humano.1,2,1,2,2,2,2 é o modo que sustenta toda a obra e as sonoridades ancestrais do compositor ecoam nela, onde florescem as utopias.
Utopias (Violin & Piano)
Violon et Piano

$10.00 9.64 € Violon et Piano PDF SheetMusicPlus

Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.” I said, “Yes. I would be delighted to do so.” He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra

$9.99 9.63 € PDF SheetMusicPlus

Oboe,Piano - Level 4 - Digital Download SKU: A0.1423263 Composed by Anthony Gilbert, Margaret Lucy Wilkins, Richard Orton, and Thomas Pitfield. Arranged by John Turner. 20th Century,Classical,Contemporary. Score and part. 42 pages. Forsyth Brothers Ltd #1004561. Published by Forsyth Brothers Ltd (A0.1423263). Forsyth's Modern Wind Music series contains exciting and challenging, but not unduly difficult, works by talented English composers of current or recent vintage for recital, study or recreation. Each volume includes three works with piano, one unaccompanied piece, and one piece for two or more players of the instrument. In this volume for Oboe, Anthony Gilbert's Sunrising is an aubade inspired by a short and sublime poem by Sir Willian Davenant, and contrasts sharply with the skittish humour of Thomas Pitfield's Polka. There are also two pieces by Margaret Lucy Wilkins - a poised Pirouette for solo oboe, and its companion piece for four oboes - Pas de Quatre. Richard Orton provides a contribution steeped in Greek mythology - the story of the shepherd Gyges and his magical ring of invisibility.Contents:Polka by Thomas Pitfield Sunrising by Anthony GilbertGyges by Richard OrtonPirouette by Margaret Lucy WilkinsPas De Quatre by Margaret Lucy Wilkins (four oboes)
Modern Wind Music - Oboe
Hautbois, Piano (duo)

$13.99 13.48 € Hautbois, Piano (duo) PDF SheetMusicPlus

Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.” I said, “Yes. I would be delighted to do so.” He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra

$9.99 9.63 € PDF SheetMusicPlus


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