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Piano Solo - Level 2 - Digital Download SKU: A0.913945 Composed by Arthur Breur. 20th Century,Contemporary. Score. 4 pages. Floating Home Music #3454291. Published by Floating Home Music (A0.913945). Here is the piece Arthur Breur composed for the family and friends of Zayne Shomler, December 14, 1998 - February 8, 2016.  Prior to performing the piece, he spoke to the assembled mourners with the following prepared text:It does no disservice to laugh or smile - or, yes, to cry - when remembering Zayne. He is a part of your life and always will remain so. You carry him into your future with you.Likewise, it does him no service to unjustly obsess over things that are now unchangeable. Things said that cannot be unsaid. Things done that cannot be undone. Things not done that you feel you should have done. It does not serve Zayne or anyone to beat yourself up over such things, because then you just carry pain and sadness into your future with you, when you could be carrying -and sharing-the joy, the love, and the lessons you learned from having Zayne in your life for the time that you did.All that you can do is what you can do now. Let those who are here now know that you love them and you are here for them. Be here for them now, and be here with them every moment you can into the future.There is a very powerful and meaningful quote by the late author, Terry Pratchett: No one is actually dead until the ripples they cause in the world die away... I personally find great hope and comfort in that saying. Do your best to make as many ripples in the world as possible-heck, make a splash! Touch as many lives as possible. Remember those who created ripples that touched your life, and to keep those ripples going for as long as it is in your power to do so.You carry Zayne into your future with you. In you. You carry him into the future by Remembering Zayne and sharing the good that he brought into your life, so that the ripples he made continue to go out and touch others through you.***As performed by the composer: https://soundcloud.com/arthurbreur/remembering-zayneApprox. 3m20sArthur Breur (BMI)https://arthurbreur.comhttps://twitter.com/arthurbreur
Remembering Zayne - Piano Solo
Piano seul

$5.00 4.29 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1317916 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by Thomas Gunther. Christmas,Jazz,Latin. Score. 3 pages. Thomas Gunther Music Productions #906608. Published by Thomas Gunther Music Productions (A0.1317916). About my solo piano arrangement of I'll Be Home For ChristmasMy Solo Piano Arrangement of I'll Be Home For Christmas is written in a jazz-latin type style. I wrote it out note for note, and even included fingering and sustain pedal suggestions. I also included jazz chord symbols for those of you that either like to know what harmonies I was thinking, or want to add their own ideas based on those chords. The chords I used are pretty much based on the original harmony. When I started out arranging for solo piano I was especially curious about how to create a latin groove underneath a melody. I studied bossa and samba music as well as cuban music for that. The rumba is a great style to start with. That's also the bases for this arrangement. About the song I'll Be Home For ChristmasI have a very special relationship to this song. I first heard it after moving to the United States from Germany and spending my first Christmas in Chicago. On that Christmas Eve I was all alone for the first time, and when I turned on the radio this song came on. I don't easily cry, bad that was one of those moments when the floodgates just open up. It is such a sentimental song. And the closing lyrics I'll be home for Christmas, if only in my dreams are just so emotional in this context.Enjoy!
I'll Be Home For Christmas
Piano seul
Brian McKnight
$6.99 6 € Piano seul PDF SheetMusicPlus

Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Trombone Quartet
Quatuor de cuivres: 4 trombones

$32.95 28.3 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Double Reed Quartet

$32.95 28.3 € PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1052438 Composed by William B. Bradbury. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Accompaniment. Duration 112. Exultet Music #5751417. Published by Exultet Music (A0.1052438). The popular and tender hymn that has been of great comfort, pardon and peace for those facing spiritual conflict has been freshly arranged for a variety of arrangements. Accessible and appropriate for any church or concert setting. Can be used at various times throughout the liturgical year.  Note: this track will work on the DeCesare arrangements that start in Eb Major but will not work on those arrangements which are specifically for solo instrumentation (i.e. Bb-Trumpet solo and Piano). Those arrangements have their own accompaniment track which are available on this site.
Just As I Am (Accompaniment Track - Key of Eb Major)
Piano seul

$3.99 3.43 € Piano seul PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1294482 Composed by Katsumi WF. Arranged by Katsumi WF. 20th Century,Instructional,Jazz,Traditional. Individual part. 2 pages. Katsumi WF #884856. Published by Katsumi WF (A0.1294482). This is an exercise / workout material for Double bass players who play Jazz improvisation with any keys of 6th chords to Barry Harris Theory of 6th diminished. The chords are added on this but you may change by any of your ideas.  ( I updated the same exercise notations Without the key signature version, too.)Let's practice by medium tempo & slurred bowing by 5 to 20 notes to figure out which patterns are not familiar with your fingers, then focus practicing the parts of those. To make your own licks, you may add or skip some notes between those quintuplets. It is interested in playing those quintuplets in 2, in 3, in 4. Thank you for reaching out to this material! Katsumi WF
Barry Harris 6th and 6th Diminished Exercise by Quintuplet Notes
Contre Basse

$2.99 2.57 € Contre Basse PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1294484 Composed by Katsumi WF. Arranged by Katsumi WF. 20th Century,Instructional,Jazz,Traditional. Individual part. 4 pages. Katsumi WF #884859. Published by Katsumi WF (A0.1294484). This is an exercise / workout material for Double bass players who play Jazz improvisation with any keys of 6th chords to Barry Harris Theory of 6th diminished. The chords are added on this but you may change by any of your ideas. ( I updated the same exercise notations With the key signature version, too.)Let's practice by medium tempo & slurred bowing by 5 to 20 notes to figure out which patterns are not familiar with your fingers, then focus practicing the parts of those. To make your own licks, you may add or skip some notes between those quintuplets. It is interested in playing those quintuplets in 2, in 3, in 4. Thank you for reaching out to this material! Katsumi WF.
Barry Harris 6th and 6th Diminished Exercise by Quintuplet Notes
Contre Basse

$2.99 2.57 € Contre Basse PDF SheetMusicPlus

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1295511 Composed by Katsumi WF. Arranged by Katsumi WF. Instructional,Jazz. Individual part. 2 pages. Katsumi WF #885802. Published by Katsumi WF (A0.1295511). This is an exercise / workout material for Alto Saxophone players who play Jazz improvisation with any keys of 6th chords to Barry Harris Theory of 6th diminished. The chords are added on this but you may change by any of your ideas. Let's practice by medium tempo & slurred bowing by 5 to 20 notes to figure out which patterns are not familiar with your fingers, then focus practicing the parts of those. To make your own licks, you may add or skip some notes between those quintuplets. It is interested in playing those quintuplets in 2, in 3, in 4. Thank you for reaching out to this material! Katsumi WF.
Barry Harris 6th and 6th Diminished Exercise by Quintuplet Notes
Saxophone Alto

$2.99 2.57 € Saxophone Alto PDF SheetMusicPlus

Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
Hymns from Childhood - Set 10 (solo)
Piano seul

$5.99 5.14 € Piano seul PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Ukulele,Voice - Level 1 - Digital Download SKU: A0.745514 By Sharon Wilson. By Elvina M. Hall and John T. Grape. Arranged by Sharon Wilson. Children,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 10 pages. Sharon Wilson #353433. Published by Sharon Wilson (A0.745514). This sheet music, notated for UKULELE with C tuning (G, C, E, A), has been transposed to the easy, Ukulele-friendly key of C major. Four separate scores are provided for maximum flexibility. A beginning note and chords chart is also provided. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to accompanying a group sing-along. Score descriptions are detailed below:Melody ScoreThis score is the most compact with only the chord symbols, melody, and lyrics provided. Once the chords are mastered or for those already familiar with the chords, this score will be easy to follow. This score is perfect for strumming chords while singing, either as a group or individually. This score includes:* 1-staff (lead sheet) with the melody notes using standard music notation * chord symbols above the staff* lyrics below the staff for sing along enjoymentTablature ScoreThis score displays the melody in two formats along with the chord symbols and lyrics. The tablature notation is helpful when learning to use the ukulele to pluck the melody instead of strumming the chords. This score is perfect for those wanting to go beyond strumming and advance to solo playing. This score includes: * top staff with the melody notes using standard music notation* bottom staff with the melody using ukulele tablature notation * chord names above the staff for strumming along with the melody* one verse of the lyrics below the staff for sing along enjoymentChord Diagram Score This score displays the melody, lyrics, and chord diagrams. Beginning ukulele players will find the chord diagrams helpful reminders of which strings and frets to use to form the chords. This score includes: * 1-staff with the melody notes using standard music notation* chord diagrams above the staff indicating the strings and finger placement on the fret for the chord* lyrics below the staff for sing along enjoymentPiano Accompaniment ScoreThis score provides an easy accompaniment for singers and strummers or ukulele soloists. The piano incorporates the melody making it easy for singers to follow the melody. This score is especially fun to use in group settings and worship gatherings. This score includes: * 2-staff piano score with introduction, optional repeat, and second ending* lyrics below the staff for sing along enjoymentChords and Beginning Note ChartThis chart lists all chords used throughout the song and the first note of the melody. The chords are displayed using standard ukulele chord diagrams with corresponding chord symbols above each diagram. The first note of the melody is provided to insure those singing along will start on the correct note when not using the piano accompaniment. How to pluck this first note on the ukulele is also displayed on a chord diagram (pluck only the string indicated holding down on the string at the indicated fret if applicable). This arrangement is one of the 15 songs in the collection Easy Gospel Songs for Ukulele: Hymns in the Key of C (with optional Voice and Piano Accompaniment).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
"Jesus Paid It All" for Ukulele (Chords, TAB, Melody, and Lyrics with optional Piano Accompaniment)
Ukulele
Sharon Wilson
$3.99 3.43 € Ukulele PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1052439 Composed by William B. Bradbury. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Accompaniment. Duration 112. Exultet Music #5751419. Published by Exultet Music (A0.1052439). The popular and tender hymn that has been of great comfort, pardon and peace for those facing spiritual conflict has been freshly arranged for a variety of arrangements. Accessible and appropriate for any church or concert setting. Can be used at various times throughout the liturgical year.  Note: this track will work on the DeCesare arrangements that start in F Major but will not work on those arrangements which are specifically for solo instrumentation (i.e. Bb-Trumpet solo and Piano). Those arrangements have their own accompaniment track which are available on this site.
Just As I Am (Accompaniment Track - Key of F Major)
Piano seul

$3.99 3.43 € Piano seul PDF SheetMusicPlus






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