Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Easy Piano - Level 3 - Digital Download SKU: A0.930236 Composed by Alfia Yussupova. Concert,Contemporary,Film/TV. Score. 2 pages. Alfia Yussupova #4277421. Published by Alfia Yussupova (A0.930236). Nostalgic Waltz by Alfia Yussupova, for piano. Published by Alfia Yussupova © 2009 www.alfiamusic.com , www.youtube.com/alfiamusic All Rights Reserved ISBN 978-0-9843517-0-1 This music from a book Inspiration by Alfia Yussupova introduces music lovers, producers, and film directors to a collection entirely new music, inspired by classical elements, imbued with an extraordinary vitality, and evocative of so many human emotions love, pathos, joy, longing, exultation, and serenity. 2 pages. Film with this music at https://www.youtube.com/watch?v=BECrJCzeEOg&t=2s

Full Orchestra - Level 5 - Digital Download SKU: A0.882396 Composed by David Chesky. Contemporary,Jazz. Score and parts. 69 pages. Pamaluc Music #18967. Published by Pamaluc Music (A0.882396). The Rap Symphony for large orchestra featuring two rappers is about a transitional society, a society that is shifting from the word to the image. Our civilization once used to believe in depth and reading and art; now abstract thought is changing into a simplistic, superficial society where one is consumed with the quick Starbucks or Twitter fix. It's all lightness of being today. We don't celebrate anticipation anymore, people don't want to put the time in. This symphony is about the collapse of that whole ethos. The phrase in the lyrics that says 'kill the philharmonic' doesn't mean that literally. It's a metaphor for a society that has no use for the philharmonic. We're losing these things. Pretty soon John Coltrane and Miles Davis, along with all jazz and classic music, will become museum pieces. We used to have a culture that cherished these, but in a super simplistic society, there's just no room for them. Duration 19.38 min 3fl./ 2ob./ 2cl./ B.Cl/ 2bs./ cbsn/ 4hrns./ 3 tpts./ 3tbns./ tuba / tymp./ 6 perc./ harp/ strings View the video here https://www.youtube.com/watch?v=8XAuO9Rm3Cs.

Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Piano Solo - Level 3 - Digital Download SKU: A0.1370017 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score. 4 pages. Flavio Regis Cunha #954392. Published by Flavio Regis Cunha (A0.1370017). Bach: Goldberg Variations, BWV 988: Var. 7 (as played by Víkingur Ólafsson) Intermediate. Format: Concert, 9 x 12 inches. 4 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.____________________________________________Renowned for his innovative interpretations of J.S. Bach, Víkingur Ólafsson, an eminent pianist and contemporary musical visionary, now undertakes the monumental task of presenting Bach’s Goldberg Variations. The upcoming season is exclusively dedicated to a global tour spanning six continents, with the eagerly anticipated album set for release in October 2023 on Deutsche Grammophon. Ólafsson expresses, I've nurtured the dream of recording this piece for 25 years.Following the triumphant 2018 DG recording of Johann Sebastian Bach's works, which earned him BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, and numerous other recording of the year honors, Ólafsson solidified his status as Gramophone magazine’s Artist of the Year. Now, Ólafsson channels his unique musical insight and meticulous recording expertise into Bach’s masterpiece, marking his initial foray into recording a complete work, starting with one of the most demanding pieces in the piano repertoire.In the 2023-24 season, Ólafsson embarks on a Goldberg Variations world tour, gracing prestigious concert halls worldwide, including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest, and Teatro Colón, among others.Reflecting on the profound impact of the Goldberg Variations, Ólafsson remarks, “The Goldberg Variations encompass some of the most virtuosic keyboard music ever penned, employing brilliant counterpoint and evoking exalted poetry, abstract contemplation, and deep pathos – all within impeccably crafted structures of formal perfection. In 30 variations, based on the humble harmonic framework of a simple, graceful aria, Bach transforms limited material into boundless variety like no one before or since. He stands as the greatest keyboard virtuoso of his time.�.

Concert Band - Level 3 - Digital Download SKU: A0.1314141 Composed by David Croft and Roy Moore. Arranged by Lawrence Killian. 20th Century,Film/TV. 37 pages. Lawrence Killian #902876. Published by Lawrence Killian (A0.1314141). A fun arrangement for concert band featuring the band’s Alto Saxophonist, this fun TV Theme from the 1980s superbly evokes the comedy and pathos of the comedy show Allo-Allo.Set in occupied France during the Second World War, the storyline follows the escapades of a French cafe owner in a small town. It features Gordon Kaye as René, Carmen Silvera as Edith, his wife, along with Guy Siner as Lt. Gruber, and the hilarious Richard Gibson as Herr Otto Flick.The unique feature of the programme is the clever and hilariously funny use of mixed-up French/ English words and accents in the dialogue.

Soloists (TB, with piano accompaniment) and mixed choir (SATB/SATB) - Digital Download SKU: S9.Q19100 In Flammen nahet Gott. Composed by Carl Friedrich Zelter. This edition: score. Choral Treasury. Downloadable, Score. Schott Music - Digital #Q19100. Published by Schott Music - Digital (S9.Q19100). German.„Die Sache war für den Moment so gelungen, dass ich die Musik selber loben möchte, wenn sie nicht zufällig von mir wäre.“ So begeistert äußerte sich Carl Friedrich Zelter bereits 1831 über seinen Hymnus an die Sonne, der nun endlich in der Reihe „Schätze der Chormusik“ einen würdigen Platz gefunden hat. Das in diesem Hymnus verwendete Gedicht In Flammen nahet Gott stammt aus dem Hauptwerk Urania von Christoph August Tiedge. Die beiden Ecksätze dieses dreiteiligen Werks setzt Zelter für zwei gemischte Chöre (SATB/SATB) und verwendet dabei über weite Strecken gleiches musikalisches Material. Durchbrochen werden sie von einem klavierbegleiteten Tenor- und Bass-Solo. Ein sehr wirkungsvolles, dabei gut machbares Werk voller Pathos, das sich glänzend eignet für Chöre, die keine Scheu vor Achtstimmigkeit haben.

Solo Guitar - Level 3 - Digital Download SKU: A0.1156456 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Instructional,Romantic Period. Individual part. 5 pages. Brian Streckfus #756774. Published by Brian Streckfus (A0.1156456). IMPORTANT NOTE: You get both tablature version and sheet music version in one 5 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Just be careful with your printer settings if you don't want two versions!1. Arranged for guitar2. Tablature added3. Measures and times signature removed reflecting the original composer's ethos. 4. Form simplified so that the piece fits on three pages. D.S. in retrograde is a strange navigation indication, but it seems the most elegant way to save a lot of paper and ink. 5. Slurs added.6. Some left hand fingerings added. I didn't want to add too many to the point where it becomes cumbersome or confusing.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1167218 Composed by Stuart B Kollmorgen. Arranged by Gavin Koh. Children,Film/TV. Score. 2 pages. Gavin Koh #767595. Published by Gavin Koh (A0.1167218). Here is my piano solo arrangement of the theme song from Doc McStuffins. This piece was composed by Stuart B. Kollmorgen and the show ran for 5 seasons, starting from 2012 until 2020. The titular heroine of the show is a young girl doctor who can fix her sick toys, with the help of her stuffed animals and a magical stethoscope. The arrangement is in C Major and includes chords and lyrics.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 60 pages. Panagiotis Theodossiou #6019921. Published by Panagiotis Theodossiou (A0.886736). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.

Clarinet Solo - Digital Download SKU: A0.886708 Composed by Panagiotis Theodossiou. Christian,Concert,Contemporary,Standards. Individual part. 7 pages. Panagiotis Theodossiou #3585457. Published by Panagiotis Theodossiou (A0.886708). Litany Seven Variations on a Theme, for clarinet solo (2015) The parts:Theme:God's WordVar. I:The Heart is Questioning Var. II:The Soul is DancingVar. III: The Mind is a PoetVar. IV:The Flesh is Singing and CryingVar. V:The Body keeps Walkin'Var. VI: The Saint is Listening...(and the bird is singing!)Var. VII: God's Fullfiled PresenceThe religion experience of a pilgrim in a Saint's litany (St. Dionysios of Zakynthos, Greece) in the Eastern Orthodox ritual. The work is dedicated to clarinetist and musicologist Giannis Sabrovalakis. There are transcriptions available or english horn solo (dedicated to oboist Isidora Kopsida) and for alto flute solo (dedicated to flutist Nikos Katritzidakis).Flutist Iwona Glincka performed alto flute version work's premier at An Art Artistry Hall at Plaka, Athens, on Febrouary 2016 and at MiMoDa Studio, Los Angeles on August, same year... She also recorded the work for a double cd on Greek Composers Works for flute, under Sarton cd company.

Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Bassoon,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.1208472 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Classical,Folk,Irish,Traditional. 3 pages. Arezzo Music #806584. Published by Arezzo Music (A0.1208472). Clergy's Lamentation Arranged for Oboe and Bassoon here, we present an arrangement of the traditional Irish tune Clergy's Lamentation for oboe and bassoon. The tune is a hauntingly beautiful melody that is believed to have originated in the 18th century. Our arrangement features a moving and expressive rendition of the tune, with the oboe and bassoon weaving together in a rich tapestry of sound. The mournful melody is played with a deep sense of emotion and pathos, highlighting the intricate harmonies and counterpoint of the arrangement. Whether you're a fan of traditional Irish music, a lover of classical music, or simply enjoy beautiful melodies, this arrangement of Clergy's Lamentation is sure to captivate and touch your heart.

Brass Ensemble - Level 4 - Digital Download SKU: A0.976735 Composed by Robert Myers. 20th Century,Contemporary,Folk,Patriotic,Sacred. Score and parts. 26 pages. WheatMyer Music #6498783. Published by WheatMyer Music (A0.976735). A Prayer of Beauty is a re-imagining of America, the Beautiful written for professional, college, or advanced high school brass quartet. Independent lines, mixed meters, and adventurous harmonies will challenge musicians. But the familiar melody, rich colors, and glowing resolutions provide a delectable reward for the effort. The pathos, introspection, and hope found in the music will also leave listeners feeling enriched for the experience.The music's message is timely and urgent and works well for programming as commentary on current events but is also sufficiently broad and deep to complement varied concert themes. It has sufficient artistic merit to stand alongside other strong pieces while still being appealing to general audiences.

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.720736 Composed by Antonin Dvorak. Arranged by Ralph Raymond Hays. Concert,Contemporary,Romantic Period,Sacred,Wedding. 8 pages. Ralph Raymond Hays #6246131. Published by Ralph Raymond Hays (A0.720736). Antonín Dvořák's poignant melody -- inspired by African American spirituals and lullabies -- has been masterfully edited and arranged for flute quartet by one of SMP's top arrangers. Transposed to a more hospitable key, this arrangement will imbue a solemn occasion, religious service, or recital with warmth and pathos.